The Player Page #2
- R
- Year:
- 1992
- 124 min
- 1,527 Views
I'll be here. Put this morning's
meetings on the computer. Thanks.
- Are you going now?
- I'm going to see Levison.
Order me a Caesar salad
and a Crystal Geyser.
About 5:
00? Thanks, Sandy.Hi, Sandy.
You can't go in there!
He's in a meeting.
It's all right, Celia.
I don't think you've met Reg Goldman.
You know his father Harvey.
Yes, of course. Hi, Reg.
From the bank in Boston.
- Reg is out here for a few weeks.
- Great. Business or pleasure?
A little of both, I hope.
Reg is thinking of producing.
Really?
Yeah. Beats work,
doesn't it, Griffin?
I'd like to play some tennis.
Do you play tennis?
Tennis? No.
- I'm too busy.
- I was asking Walter.
Do you know Meg Ryan?
Is she seeing somebody?
Yeah, Reg. She's married.
Sh*t.
You know, actually,
Walter is the guy to talk to.
Walter's got everybody's number.
- Was there anything?
- No. You're real busy.
I want that number, goddamn it.
I want that number.
Oh, boy. What about this one?
Has she done anything?
Celia.
Griffin, don't ask.
Don't ask, you don't know?
Or don't ask, I don't want to know?
Just don't ask.
If it's Reggie Goldman
you're concerned about, forget it.
But be nice to him. He represents
a lot of money to this company.
It's not Reggie Goldman
I'm worried about.
- It's Larry Levy.
- Larry Levy?
Larry Levy's at Fox, isn't he?
Come on, Celia.
There's a call for Celia
on line one.
- Should I be looking for a job?
- Celia, are you there?
Joel Levison's office.
Oh, Brad. Yeah.
What?
No, we couldn't sign Angelica Huston
for that. She's booked for two years.
Like a ghost story,
but it's not like Ghost.
It's a supernatural thing.
Joel, Griffin Mill.
A friend of Jennifer's.
No. You're Griffin Mill?
Really?
Good to see you.
I'm a big fan of yours.
- I have that tie.
- You do?
Did you order for me?
Hi. Lunching with the enemy.
Oh, come on.
So what's this we hear
about Larry Levy?
Larry Levy? If he had half a brain,
he'd be dangerous.
Aaron says he's coming
to the studio.
Aaron says? Why would you believe
anything he says?
He said it with authority.
He's over there with Angelica Huston
and John Cusack.
He's in over his head.
He's the golden boy at Fox these days.
Did you see that thing on him
in Variety last week?
Two pages.
Angelica, Griffin Mill.
Good to see you. You're looking great.
Johnny, Griffin Mill.
A big fan of yours.
- You gonna be in Telluride this year?
- Probably in Park City.
Great. We'll see you there.
- What's happening with Glass Box?
- Let's not talk about Hollywood.
We're educated people.
I'll call you later.
- Talk to somebody about this.
- What?
- You've gotten 5 postcards in 2 weeks.
- Seven, actually.
Why don't you talk to Studio Security?
and say what?
'Someone's sending me poison letters
and I would like for you to make me...
...the object of more ridicule now that
things are really shaky for me here.(
I don't think so.
I think they're coming from a writer.
- Which one?
- Take your pick.
- Yes, your attorney phoned.
He wants you to attend a party
at his house tonight.
- Tell him I'm at a screening.
- Not that attorney. It's Dick Mellen.
What time?
Cocktails at 7:
30, dinner at 8:00.Bring a date.
And Bonnie Sherow is here to see you.
Send her in.
Oh, here she is.
Can we go to the Springs this weekend?
I want to have a massage,
a long soak in a hot tub...
...and have Margaritas administered
intravenously.
I have a party at Dick Mellen's.
You want to come?
God, movie stars and power players.
- And Vodka.
- Sure.
It'll be an early dinner,
and we'll go to my place afterwards.
- Can we?
- Yeah.
Brokaw looks like he has
absolutely no intensity.
and he goes after it...
...and he digs in.
Hi. How are you?
Marlee, this is Bonnie Sherow.
She read Tales of Fury.
I loved it.
I thought it was wonderful.
I think you're perfect for Ariel.
You're perfect for the part.
We're going to make a couple changes
in the third act.
You should set up a meeting.
Yeah, sure.
- You have my number?
- Absolutely.
Excuse me.
I'm going to say hello to those people.
Don't talk about script changes
at parties.
It was good of you to come.
Don't you look beautiful!
- You know Bonnie Sherow.
- Of course. How are you?
- Tri-Star, right?
- She's at the studio.
That's what I meant. Bring Mr. Mill
a martini. And, Bonnie?
- I'll take a Ramlosa.
- I'll have a martini.
Rod Steiger's here.
Talk to him about the Rudolph project.
He's not that hot on it,
but see if you can get him to read it.
You know who's here? Harry Belafonte.
Harry?
Come and say hello, will you?
- Griffin Mill.
- Hi. Good to see you.
Bonnie Sherow.
She's gaga over you.
I'm a big fan of yours. I saw you accept
the Nelson Mandela Courage Award.
Who was the villain in Ghostbusters?
You got me there.
I got this...
I got this postcard.
Harassment kind of stuff.
What are you talking about?
It's some writer
I must've brushed off.
Get something to eat.
There's lovely stuff over there.
We will in a few minutes.
Your hands are as cold as mine.
Would you like one of these?
I don't think I do.
Are you talking about threats?
No. Yes.
I don't know.
He's pissed off.
I thought writers were your long suit.
You're the writer's executive.
Are you pitching me a dream?
- You don't sound sincerely interested.
- It depends how good the dream is.
Levy's here.
- Dick, what's he doing here?
- Goldblum? He's a friend.
- No, Larry Levy.
- He came with Sally.
What's going on with my job?
Everywhere I look,
Larry Levy is in my face.
Larry Levy is a comer. That's what
comers do, they get in your face.
You're a comer, too. You can handle it.
So the rumors are true?
Rumors are always true.
- I'm always the last to hear about them.
- You're the last one to believe.
Am I out?
You're not out, but you'd better
start thinking about a roommate.
Relax, you can handle this.
You can make it work for you.
- Larry?
- Dick. Sorry to crash your party.
- Do you know everybody?
- I will before the night's out.
You will, indeed.
- Great party, Dick.
- Good. Did you get some food?
Listen to this.
'He lifts her dress.
She kisses him harder.
He puts his hands in her underpants.
She grabs his shoulders.
He pulls her dress above her waist.
He rubs against her wide, soft belly.
Slowly he pushes her panties down
to her knees. She's faint with passion.
She arches her back and
he lowers her down onto the buckboard.
They, too, feel her passion.
on the nostrils of the horse...
...as the buckboard begins to shake.(
God! Do you believe that?
Steve recommended that script.
He says they're hot for it at Universal.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Player" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_player_21083>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In