The Princess Bride Page #5

Synopsis: A fairy tale adventure about a beautiful young woman and her one true love. He must find her after a long separation and save her. They must battle the evils of the mythical kingdom of Florin to be reunited with each other. Based on the William Goldman novel "The Princess Bride" which earned its own loyal audience.
Production: 20th Century Fox
  Nominated for 1 Oscar. Another 7 wins & 8 nominations.
 
IMDB:
8.1
Metacritic:
77
Rotten Tomatoes:
97%
PG
Year:
1987
98 min
Website
8,413 Views


CUT TO:

THE SICK KID'S ROOM

THE KID:

You read it already.

GRANDFATHER:

Oh. Oh my goodness, I did. I'm

sorry. Beg your pardon.

CUT TO:

BUTTERCUP:

treading water.

GRANDFATHER:

(off-screen)

All right, all right, let's see.

Uh, she was in the water, the Eel

was coming after her. She was

frightened. The Eel started to

charge her. And then -

And we're back where we were at the last moment we saw her,

Buttercup frozen, the Shrieking Eel, jaws wide, about to

clamp down as we

CUT TO:

---------------------------------------------------------------------------

18.

A GIANT ARM:

pounding the Eel unconscious in one move, then easily

lifting Buttercup.

PULL BACK TO REVEAL

The boat and FEZZIK, Buttercup being deposited on the deck.

VIZZINI:

Put her down. Just put her down.

CUT TO:

INIGO:

pointing behind them.

INIGO:

I think he's getting closer.

Vizzini, tying Buttercup's hands.

VIZZINI:

He's no concern of ours. Sail on!

(to Buttercup)

I suppose you think you're brave,

don't you?

BUTTERCUP:

(staring deep at him)

Only compared to some.

DISSOLVE TO:

The boat at dawn, being followed closely by the black

sailboat, which we can see for the first time is being

sailed by a MAN IN BLACK, and his boat almost seems to be

flying.

INIGO:

Look! He's right on top of us. I

wonder if he is using the same

wind we are using.

VIZZINI:

Whoever he is, he's too late --

(pointing ahead of them)

-- see?

(big)

The Cliffs of Insanity.

---------------------------------------------------------------------------

19.

And once he's said the name--

CUT TO:

THE CLIFFS OF INSANITY - DAWN

They rise straight up, sheer from the water, impossibly high.

CUT TO:

THE TWO SAILBOATS

in a wild race for the Cliffs and the Man In Black is

closing faster than ever, but not fast enough, the lead was

too great to overcome, and as Inigo sails with great

precision straight at the Cliffs

CUT TO:

THE BOAT:

being pursued.

VIZZINI:

Hurry up. Move the thing! Um ...

that other thing. Move it!

(staring back now)

We're safe -- only FEZZIK is

strong enough to go up our way --

he'll have to sail around for

hours 'til he finds a harbor.

There is much activity going on, all of it swift, expert,

economical. FEZZIK reaches up along the Cliff face, grabs a

jutting rock, reaches behind it. Suddenly there is a thick

rope in his hands. He drops back to the boat, gives the rope

a freeing swing and

CUT TO:

THE CLIFFS:

The rope goes all the way to the top.

CUT TO:

INIGO:

hurrying to FEZZIK. He straps a harness to him, then lifts

Buttercup and Vizzini in the harness. Finally, he himself

gets in the harness. All three are strapped to FEZZIK like

papooses.

---------------------------------------------------------------------------

20.

And he starts to ascend the rope, carrying them all along

with him as he goes.

CUT TO:

THE MAN IN BLACK, sailing in toward the Cliffs of Insanity,

watching as FEZZIK rises swiftly through the first moments

of dawn.

CUT TO:

THE TOP OF THE CLIFFS - LOOKING DOWN

FEZZIK'S GROUP is only faintly visible far below. This is

the first time we've gotten the real vertigo feeling and

it's a gasper.

CUT TO:

FEZZIK CLIMBING ON. Buttercup is almost out of her mind with

fear.

CUT TO:

THE ENTIRE LENGTH OF THE CLIFFS

FEZZIK is moving right along; however high they are, he's

already over a third of the way done.

CUT TO:

THE MAN IN BLACK

leaping from his ship to the rope, starting to climb. He's

impossibly far behind, but the way he goes you'd think he

didn't know that because he is flying up the rope, hand over

hand like lightning.

CUT TO:

VIZZINI AND THE OTHERS

INIGO:

(looking down)

He's climbing the rope. And he's

gaining on us.

VIZZINI:

Inconceivable!

He prods FEZZIK, who nods, increases his pace.

CUT TO:

---------------------------------------------------------------------------

21.

THE MAN IN BLACK

roaring up the rope, and

CUT TO:

LONG SHOT - THE CLIFFS

-- and the Man In Black is cutting deeply into FEZZIK's lead.

CUT TO:

VIZZINI AND THE OTHERS

VIZZINI:

(shrieking)

Faster!

FEZZIK:

I thought I was going faster.

VIZZINI:

You were supposed to be this

colossus. You were this great,

legendary thing. And yet he gains.

FEZZIK:

Well, I'm carrying three people.

And he's got only himself.

VIZZINI:

(cutting through)

-- I do not accept excuses.

(shaking his head)

I'm just going to have to find

myself a new giant, that's all.

FEZZIK:

(hurt)

Don't say that, Vizzini. Please.

And his arms begin moving much more slowly.

CUT TO:

THE MAN IN BLACK

His arms still work as before. If anything, he has speeded

up. FEZZIK's lead is smaller and smaller

CUT TO:

---------------------------------------------------------------------------

22.

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William Goldman

William Goldman (born August 12, 1931) is an American novelist, playwright, and screenwriter. He came to prominence in the 1950s as a novelist, before turning to writing for film. He has won two Academy Awards for his screenplays, first for the western Butch Cassidy and the Sundance Kid (1969) and again for All the President's Men (1976), about journalists who broke the Watergate scandal of President Richard Nixon. Both films starred Robert Redford. more…

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