The Princess of France Page #6
What is in you?
Why dost thou tear it?
A toy, a toy, you need not fear it.
It did move him to passion,
and therefore let's hear it.
It is Antonio's writing,
and here is his name.
You whoreson loggerhead!
You were born to do me shame.
Guilty, my lord, guilty! I confess.
What?
That you three fools lack'd me
fool to make up the mess,
he, she, and you, and I,
are pick-purses in love,
and we deserve to die.
Now the number is even.
True, true, we are four.
Hence, sirs, away!
Walk aside the true folk,
and let the traitors stay.
Sweet lords, sweet lovers,
O, let us embrace!
As true we are as flesh and blood can be,
young blood doth not obey an old decree.
why we were born.
What, did these rent lines show
some love of thine?
Did they, quoth you?
Who sees the heavenly love,
that, like a rude and savage man of Inde,
bows not his vassal head
and strucken blind
kisses the base ground
with obedient breast?
What peremptory eagle-sighted eye
dares look upon the heaven of her brow,
that is not blinded by her majesty?
What zeal, what fury hath inspired
thee now?
I never knew man hold vile stuff so dear.
Are we not all in love?
Nothing so sure, and thereby all forsworn.
Then leave this chat, and,
Antonio, now prove our loving lawful,
and our faith not torn.
Ay, marry, there,
some flattery for this evil.
Some tricks, some quillets,
how to cheat the devil.
- Some salve for perjury.
- 'Tis more than need.
Shut up.
Have at you, then,
affection's men at arms.
Consider what you first did swear unto,
to fast, to study, and to see no woman,
flat treason 'gainst
Say, can you fast?
Your stomachs are too young,
and abstinence
engenders maladies.
And where that you have vow'd
to study, lords,
for when would you, or you, or you
in leaden contemplation have
found out such fiery numbers
as the prompting eyes
of beauty's tutors have enriched you with?
Other slow arts entirely keep the brain.
From women's eyes this doctrine I derive,
from whence doth spring
the true Promethean fire.
They are the ground, the books,
the academes
that show, contain
and nourish all the world,
else none at all in ought
proves excellent.
Then fools you were
these women to forswear.
For wisdom's sake,
a word that all men love.
Or for love's sake,
a word that loves all men.
Or for men's sake,
Or women's sake, by whom we men are men.
Let us once lose our oaths
to find ourselves,
or else we lose ourselves
to keep our oaths.
Saint Cupid, then!
And, soldiers, to the field!
Advance your standards,
and upon them, lords.
Pell-mell, down with them!
But be first advised.
Shall we resolve to woo
these girls of France?
And win them, too.
- Good?
- Yes, it was okay.
I heard about you and Guillermo.
- Bye, Ana.
- Bye.
- Goodbye, girls.
- Bye.
Victor!
Victor!
- My keys!
- What?
My keys! You have them.
The keys.
No, Paula must have them.
Got my keys?
Thanks.
What followed was not nice.
Paula did not come to Mexico, and
didn't want to continue with the pilot.
Despite that, I managed to assemble
the best project possible,
and two months later
I learned that it was approved.
But every time I listened to it,
when I heard her say,
Shall we resolve to woo
these girls of France?"
couldn't help but think how
that day it should have ended.
I'd have preferred it
to have gone differently.
Something more like this.
I love you.
It is not the fashion to see
the lady the epilogue,
but it is no more unhandsome
than to see the lord the prologue.
If it be true that good wine
needs no bush,
'tis true that a good play
needs no epilogue.
Yet to good wine they do use good bushes,
and good plays prove the better
by the help of good epilogues.
What a case am I in, then,
that am neither a good epilogue
in the behalf of a good play.
I am not furnished like a beggar,
therefore to beg will not become me,
my way is to conjure you,
and I'll begin with the women.
I charge you, 0 women,
for the love you bear to men,
to like as much of this play
as please you,
and I charge you, 0 men,
for the love you bear to women,
as I perceive by your simpering,
none of you hates them,
that between you and the women
the play may please.
H' I were a woman, I would kiss
as many of you as had beards
that pleased me, complexions that! liked,
and breaths that I defied not.
And, I am sure, as many as have
good beards, or good faces,
or sweet breaths,
will, for my kind offer,
when I make curtsy,
bid me farewell.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Princess of France" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/the_princess_of_france_21111>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In