The Quiet American
'I can't say what made me
fall in love with Vietnam.
'That a woman's voice can drug you?
'That everything is so intense,
'the colours,
'the taste,
'even the rain?
'Nothing like the filthy rain in London.'
'They say whatever you're looking for
'you will find here.
'They say you come to Vietnam
'and you understand a lot
in a few minutes.
'But the rest has got to be lived.
'The smell,
that's the first thing that hits you,
'promising everything
in exchange for your soul.
'And the heat.
'Your shirt is straight away a rag.
'You can hardly remember your name,
'or what you came to escape from.
'But at night, there's a breeze.
'The river is beautiful.
'You could be forgiven for thinking
there was no war,
'that the gunshots were fireworks,
'that only pleasure matters.
'A pipe of opium,
'or the touch of a girl
who might tell you she loves you.
'And then something happens,
'as you knew it would,
'and nothing can ever
be the same again.'
Monsieur Fowler.
Thank you for coming in.
I'm sorry to ask you at this hour.
I know about as much as you do.
He's an American. He's about 30.
He works for the Economic Aid Mission.
And I like him.
He's a very good chap. Serious.
down at the Continental.
He's a quiet American.
Yes. A very quiet American.
He's dead, isn't he?
Not guilty.
I just put two and two together.
He was killed by a knife.
Can you identify him?
Yes.
He was... a friend.
To tell you the truth,
I'm not completely sorry.
These Americans are causing
a lot of trouble to us.
But still, a murder is a murder.
Anything to help us?
No.
Nothing at all.
Please.
Pyle...
...est mort.
Assassinated.
How?
He was stabbed.
Yes.
He was in love with me.
Yes. He was.
I'm so sorry, Phuong.
I go to my mother's.
I must think.
'I met Pyle
where you meet everybody,
'at the Hotel Continental.
'I'm there every morning at 11.00.
'I'm English. I have habits. I drink tea.
'I'm a reporter, so I listen.
'I have a lover. I like to watch her
arrive at the milk bar.
'A face with no history
and no problems.
'The face we all had once.'
- I'm Alden Pyle.
- I'm Thomas Fowler.
- The London Times.
- You've done your homework.
I've read your articles.
- May I join you?
- Please.
And what brings you to Saigon,
Mr Pyle?
I'm with the Economic Aid Mission,
on the medical side.
Eye disease. Do know trachoma?
It's very common here. Very easy to treat.
- Are you staying at the hotel?
- No. I just dropped by for tea.
On the way to the office.
This is really a stroke of luck for me.
You're one of the few correspondents
who goes out into the field
to see what's happening.
Not any more. Besides, I have never
thought of myself as a correspondent.
I'm just a reporter.
I take no action. I don't get involved.
I just report what I see.
- But you must have an opinion.
- Even an opinion is a form of action.
Still, I'd appreciate...
'Pyle was hungry for everything
I could tell him about Vietnam
'and her fight for independence.
'Why were the French losing the war?
'And why were the communists winning?
'Then he saw Phuong.
'I should have realised how saving
'could be the same thing
to someone like Pyle.'
We've got to contain
communism...
'What could be done,
what should be done,
'what he thought, what he'd read.
'He made me remember
there was a time
'when I had wanted
to make a difference.'
- To watch liberty snuffed out?
- "Liberty" is a western word.
How do you define it
for the Vietnamese?
The freedom to choose.
OK, you give them that, they vote
and they elect Ho Chi Minh.
Things are more complicated
than they seem.
- What was that?
- A grenade.
- It sounded like a car backfiring.
- A week here, you'll know the difference.
It's been a genuine pleasure
meeting you.
- I look forward to it.
Great.
Good morning.
Morning, Hinh. Anything new?
Oh, corruption, mendacity...
I said new.
There is a rumour
that the communists
are planning an attack
in the north, at Phat Diem.
One of your contacts?
Yes, sir.
And a telegram.
- From the London office.
- Mr Stemins.
He says the paper has conducted
Christ.
I thought you liked London, sir.
I do, but I like it just where it is.
I don't want to bloody go there.
For what? A desk job?
They probably think it's cheaper
to let the wire services cover Vietnam.
How many stories
have we given them?
This year?
- Yes.
- Three.
Oh, sh*t.
Maybe... I should go up there.
- Where, sir?
- Phat Diem.
It's not an easy place to get into,
with the communist attack.
Send a cable to Stemins.
"Understand your current concern.
Stop.
"Am working on a story
of major proportions. Stop.
"Suggest I remain in Saigon
until completed. Stop.
"Fowler."
Which story is that, sir?
I don't know.
But I'm sure you know someone
who can get me in there.
Today our anniversary. Did you forget?
Can it be two years already?
- Yes.
- Yes?
Be careful with me. I'm old and fragile.
Not so old.
Not so fragile.
Tom!
Thomas.
- Hello.
- Hello again.
I'm here with some friends.
Care to join us?
- Phuong, this is Mr Pyle.
- Alden, please.
Delighted to meet you too.
Please excuse my bad French.
You know Joe Tunney,
from the American legation.
Yes, I know Joe.
Overthrown any small countries recently?
- Fowler sees conspiracies everywhere.
- That's for sure.
Bill, is it true that the communists
are attacking Phat Diem?
How the f*** should I know?
We only report victories.
One of our medical teams wasn't
allowed past Phnom Penh.
- I was thinking of going up there.
-It's a Catholic town, isn't it?
-You got a date tonight?
- Bill...
She's got a date every night.
You got your piece of ass.
I want mine.
Pyle, fellas, let's go
to the House of 500 Girls.
Oh, no thanks.
- I was planning on taking them to dinner.
- We've already booked at L'Arc en Ciel.
That's great.
You go eat at the L'Arc en Ciel
and I'll get eaten next door.
Sounds like a plan. Come on, Bill.
Walk with me.
Seems like a nice young man.
- What does he do?
You go and get us a table and
I'll go and rescue our Mr Pyle.
- Merci, monsieur.
- Thank you.
I'm not staying.
Just dropping him off.
Pyle! Let's get out of here.
Put your arm around this one.
If they think you've chosen,
they'll let you go.
- Put your arm around her.
- Excusez-moi.
- Night, Granger!
Miss Phuong, please forgive us
for keeping you waiting.
I forgive you.
- We had to make sure Bill got home.
- Home!
- Number 30?
- Sorry?
Tickets for the taxi dancers.
You buy a ticket for a dance.
Buy a ticket. Maybe I dance with you.
There you are.
Shall we?
Phuong is a very beautiful name.
Phuong. It mean phoenix.
Oh.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Quiet American" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_quiet_american_16462>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In