The Quiet American Page #10

Synopsis: In this adaptation of Graham Greene's prophetic novel about U.S. foreign policy failure in pre-war Indochina, Audie Murphy plays an innocent Young American opposite the older, cynical Brit Michael Redgrave. They play out their widely different views on the prospects struggle for the hearts and minds of the Vietnamese people in their competition over a young woman. Murphy wants to reform her and make her a typical middle class American housewife; Redgrave accepts her inability to formulate or retain a political ideal and while promising her no real future, he objects to Murphy's attempts to change her. It's not clear whether Murphy is just what he appears - a bungling Yankee do-gooder - or a deliberate agent of U.S. covert operations.
Production: United Artists
 
IMDB:
6.8
TV-PG
Year:
1958
120 min
368 Views


Was the dog with him when

you last saw the American?

No.

When was that?

Well, I told you.

No, you told me only that you expected him

to come to your flat at 10:00.

When did you see him last?

Well, this morning...

Well, yesterday morning now.

Just after the explosion at the Continental.

Just after that senseless, heartless murder

of dozens of innocent...

Yesterday morning.

And you didn't see him again?

No.

Alors...

You must be extremely weary.

The driver waits for you.

- Good night, Mr. Fowler.

- Good night.

Where have you been?

To where he lives.

His automobile is there, but he's not.

What did they want, la S?ret?

What did they say? Where is he?

He's dead, Phuong.

He's dead.

How was he made dead?

Somebody killed him.

Who?

They don't know.

Why?

They don't know.

Where are you going?

You can't just walk the streets.

Police will pick you up.

Then they will have him and me.

-- Phuong, don't leave me alone.

You don't seem to be uncovering

much damaging evidence.

There is nothing more damaging

than the American soft drink.

Would you care for one?

His taste in music on the other hand

was excellent.

Debussy, of course.

Strange country, America,

what one thinks of it depends always upon

which American one has in mind

at the moment.

Have found the rest of her belongings?

Of the young lady? They are not here.

Oh, she must've picked them up already.

And left behind a valuable collection

of picture books?

No, the more logical assumption is that

the rest of her belongings

were not here to begin with.

Of course.

The wedding had to be suitable

for the family trade.

Passed by the censor boards.

Separate residence to the end.

Marriage being the end.

Would you mind if I took

these picture books with me?

I'm afraid I would.

They weren't his.

And they are not yours.

All right.

- - Once more now.

- One more?

- - Why though?

- This is an English lesson.

No, no, no.

- You have your turn next.

- - Oh, no.

- - No, no.

- All right wait a minute.

- - Come a little, come over here.

- Okay.

Now one word.

- Say prune.

- Prune.

Very good,

little closer, now once more.

Prune.

Very good, now once more.

Prune.

I like this word.

What word?

Pru...

Baby,

nobody in Texas says prune

the way you say prune.

Now, we can understand why

he did not use his car last night.

It had been drained of gasoline.

You may call it petrol with me.

Forgive me, I was thinking American.

But, obviously it was considered

necessary for him

either to walk or to use a cyclo-pousse.

So that he could be more quietly killed.

It's an old device, but they seem

to be unusually devoted to it, eh?

Whoever.

I am reminded of another time when

the car of the American

suddenly would not function.

Less than two months ago,

don't you remember?

Do you have a... Oh, no, never mind.

I remember also that you...

You were good enough

to offer the American a ride

in a car that was rented for you

by your assistant.

Perez?

- Dominguez.

- Ah, Dominguez, yeah.

And curiously enough,

that car too ran out of petrol, huh,

which forced you to spend the night

under a communist attack.

That was when the American

saved your life, was it not?

I didn't ask him to.

I told him he was being a fool.

Ah, it's depressing how much

the human being does

instinctively what is foolish.

And whereas...

Mr. Fowler,

knowing how deeply you must regret

the murder of a friend, who saved your life.

Even over your objection.

And having thought about it

through the night,

can you be now of any help to me?

Sorry, I didn't think about it

through the night, I was extremely tired.

I slept deeply.

Then as a man of untroubled sleep,

as a reporter,

do you have any views?

Perhaps he was killed by the communists.

They've murdered

plenty of people in Saigon.

Distinct possibility, but why?

Perhaps they didn't like his friendship

for General The.

The French may have murdered him

for the same reason.

Remote possibility.

After all, The has been fighting

both the French and the communists.

Well, perhaps the Cao Dai's killed him to

punish General The for leaving their army.

Perhaps General The killed him

because he knew the Cao Dais.

Perhaps he was murdered

because someone wanted his money.

But, at any rate, we have ruled out suicide.

You're not thinking up some

new electronic third degree?

No, by what chain of thought I cannot say,

but I've been thinking suddenly

about the American's dog.

Oh, did you find it?

It was never lost.

- Well, you told me that it was...

- I told you that we were not looking for it.

When did you find it?

Last night in the mud not far

from the American.

I suppose it refused to leave the body.

They killed it too.

I'm truly sorry to hear that.

Mr. Fowler,

I would like to know why you lied to me.

The American visited you yesterday.

Not long before he was killed.

What gives you that idea?

Where you live at the foot of the stairs

the floor is being repaired,

the workmen finished laying the cement

at half past 4:
00 yesterday afternoon.

Then they went on to another job.

There must be many floors in Saigon

being repaired with cement.

With the footprints of a dog that match

exactly the ones of the poor dead beast?

I have nothing to tell you.

Nothing at all.

Perhaps later then.

After you have become more uninvolved.

You do think I killed him.

No.

Then why is so important whether I saw

the American again yesterday before I...

Before he died.

Mr. Joe Morton's office.

Hello, Miss Hei, don't hang up.

Listen. I have been ringing

your flat for 20 minutes.

Have you told Phuong

not to answer the phone?

Well, you stop lying to me,

I know she must be there.

Where is she then? Tell...

Yes, yes, I know you have a job to do.

I intend to go on bothering you

as much as I want.

Until I find Phuong.

Oh. Won't you have a drink?

Oh, perhaps a little English whiskey-soda,

thank you.

I understand you are not going home,

that your newspaper permits you to stay.

I only received that letter this afternoon.

When did you read it?

This morning.

Well, it is fortunate it arrived

after the killing rather than before.

Yes, you...

You would've had quite a case against me.

Is that why you think

I was concerned in his death?

That my motive was wanting Phuong back?

-- Now that the American is dead...

Could I have a little more soda?

Has she come back to you?

Or that my motive was revenge

for losing Phuong.

You did not kill him, Mr. Fowler.

But you and I know who did.

Actually, you'll never find the man.

Or men who killed him, Vigot.

He was killed at long distance.

As much by an idea as anything else.

An idea?

All his life,

they saturated him with this idea,

from books and slogans, church pulpits,

lecture platforms.

An idea so repugnant

that he was killed for it?

You would've made a good priest, Vigot.

What is it about you

that would make it so easy to confess?

If there were anything to confess.

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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