The Quiet American Page #2

Synopsis: In this adaptation of Graham Greene's prophetic novel about U.S. foreign policy failure in pre-war Indochina, Audie Murphy plays an innocent Young American opposite the older, cynical Brit Michael Redgrave. They play out their widely different views on the prospects struggle for the hearts and minds of the Vietnamese people in their competition over a young woman. Murphy wants to reform her and make her a typical middle class American housewife; Redgrave accepts her inability to formulate or retain a political ideal and while promising her no real future, he objects to Murphy's attempts to change her. It's not clear whether Murphy is just what he appears - a bungling Yankee do-gooder - or a deliberate agent of U.S. covert operations.
Production: United Artists
 
IMDB:
6.8
TV-PG
Year:
1958
120 min
386 Views


in almost English.

It's certainly better than my French.

Of course,

the subject may have inspired her.

Milkshakes.

It's nice that the two of you

find something in common so quickly.

Well, step right up, folks,

glad to have you aboard.

Just sit anywhere.

So, what's your pleasure?

Vermouth cassis.

And Miss Phuong?

Oh, you brought your own, eh?

Well, basket parties welcome, I always say.

Uh, just the one drink, son.

Well, what do you always say?

Say?

Oh, I was thinking.

Phuong's a lovely name.

How do you spell it?

P-H-U-O-N-G.

It's the Vietnamese word for "phoenix."

Phoenix.

Fabulous bird.

Rises from its own ashes

and lives on even more beautiful.

Except that nothing nowadays is fabulous

and nothing rises from its ashes.

Not even a milkshake.

It sounds pretty hopeless.

Is that an opinion, Mr. Fowler?

- How was it?

- Routine.

You've been up north to the war,

Dominguez?

Well, where's Bill Granger?

He said he'd meet us here.

I had my car at the airport.

He took a pousse-pousse.

He should not be long.

Oh. How about that milkshake now,

Miss Phuong?

- Encore?

- Oui, merci.

If you don't mind my asking, Fowler,

how come you didn't go up to Hanoi

with the rest of the correspondents?

Well, I mean,

sending your assistant up instead,

I should think you'd wanna get

the smell of battle

the way the other boys do.

Oh, thank you,

but I'm not longer one of the boys.

I haven't been since my school days.

I don't think the battle smells, really.

It stinks. I don't like it.

You haven't answered my question yet.

Which, I'm afraid I've forgotten.

You were saying

that nothing rises from its ashes nowadays,

whether that was opinion or fact.

I suggest that you ask the dead.

French or communist, it doesn't matter.

Their ashes can't be told apart.

What about the living?

They want not to be dead.

Does it matter how they live?

If you mean does it matter

whether they stay alive

under French colonialism

or Chinese communism,

the answer is, no, it does not.

I was asking about a way of life,

not staying alive.

I don't think that Phuong, for example,

could tell you the difference.

Oh, she can tell the French

from the communists, of course.

The communists look like her own people,

but don't ask her to separate the concepts.

Don't expect her to understand ideas.

She's far too busy fighting for existence

in a world too full of people.

Isn't that a frightening assumption?

That 22 million people

are content only to stay alive?

That whether they stay alive

under one force or another

shouldn't matter to them in the least?

They've never known anything else

and what they don't know won't hurt them?

Isn't it just possible

that there's a third choice?

A third force?

Third force?

Twenty-two million Vietnamese

deciding for themselves

how they wanna live.

You must remember that for Americans,

figures have magical meanings.

A third force. Five freedoms.

Um, lucky seven, and

two for the price of one.

Well, time for just one more round

before supper.

Fowler?

I'm afraid we must be

seeing to our own dinner.

- Will you have it with me?

- Well...

I've never been, but I hear

the food's good at the Rendezvous.

Le Rendezvous!

It seems that we will be happy

to dine with you.

Joe?

Oh, I wish I could, son,

but Mrs. Morton won't eat anything

that isn't shipped from the States,

frozen or canned.

- Dominguez?

- Forgive me, my diet.

One evening, soon, we must all

dine together in a wheat field.

Encore a fresh scotch and soda.

You sure you won't break down

just this once, Dominguez?

Orange juice.

Good evening, sir. Are you alone?

No. That is, I'm with these people here.

I see you have no lady.

May I introduce Miss Yvette, Miss Isabel?

Very good dancers.

They speak French and a little English.

Uh, thank you very much,

but I've come in to have dinner

with my friends...

You will require partner.

It is embarrassing to dance

when there are three at a table.

One is always neglected.

I don't mind, really.

Actually, we've got a lot to talk about.

And two gentlemen

can speak much more freely

when the lady has another lady to talk to.

I'd rather not, if you don't mind.

Well, obviously, she does mind.

What's she saying?

I haven't a clue. Probably the same subject.

- Phuong.

- No, no. Just keep her out of this.

Phuong, get him out of this.

No, no, she mustn't get involved.

How did I get into this?

Why don't we leave? I don't want

Miss Phuong mixed up in a thing like this.

Phuong, can't you stop

the Chinese delegate?

I'm sure she's repeating herself.

I don't know what she's saying.

I speak Mandarin, she speak Canto.

It is most serious, sir.

There's a war, you know.

Business has not been very good.

The soldiers will not come

to a place like this.

These ladies are not for soldiers.

Here, please.

What was the magic formula?

We buy one extra dinner,

one extra bottle of wine.

They, how you say,

throw the dice who has the credit.

- Okay?

-(CHUCKLES) Okay.

Miss Phuong, I want to apologize.

Apologize?

We had no right to involve you

with girls like that.

They are my good friends.

I have go to school with many.

I think you should know,

when I first met Phuong two years ago,

she worked here.

As one of those?

Why do you keep saying "one of those"?

They're perfectly respectable

dining and dancing partners.

Not, in the words of the hostess,

not for soldiers.

But that's no way to...

I mean, what's their future?

In time, some of them

form a more permanent association

of one kind or the other.

And the rest?

Well, when they're no longer wanted here,

the age of retirement is rather young,

I suppose a military career is indicated.

It is a matter, after all,

of somehow to continue to exist.

Would you like to ask her now the difference

between a way of life and staying alive?

Will you dance with me?

Shall I order now for the three,

that is, four of us?

Perhaps it was because

they were gone so quickly

and I was so quickly alone,

but suddenly I saw myself

as perhaps they saw me.

A man of middle-age,

understandably concerned

more with the menu than the music.

And he held her properly, not too close.

The way you're supposed to hold

another man's girl,

according to the rules.

Mr. Fowler.

Please, don't get up. May I sit down?

It seems you already have.

I didn't know you were here.

I am dining with friends.

Who is the man dancing with my sister?

An American.

Is he wealthy?

That you'll have to ask him.

He looks quiet and reliable.

Is he married?

That, too, you will have to ask him.

I would think not.

When an American is married,

he looks married.

This is Phuong's sister, Miss Hei.

How do you do, Miss Hei?

Do you come from New York?

No, uh, Texas.

Why not New York?

No particular reason.

I just happen to come from Texas.

I have a picture book of New York.

The bridge of George Washington live there.

Is your father

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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