The Racket Page #3

Synopsis: The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. There are only two problems: First, Nick is the violent type, preferring to do things the old-fashioned way instead of using the syndicate's more genteel methods. The second problem is McQuigg, the only honest police captain on the force, and his loyal patrolman, Johnson. Together, they take on the violent Nick and try to foil the syndicate's plans to elect Welch, the crooked prosecutor running for a crooked judgeship.
 
IMDB:
6.8
Rotten Tomatoes:
33%
APPROVED
Year:
1951
88 min
126 Views


Captain.

Captain, am I dumb or is someone trying | to cover up something?

When I think you're dumb, Johnson, | I'll let you know.

Johnson, how would you like | a special assignment on this?

Very much, sir.

- All right, you're relieved of beat duty. | - Thank you, sir.

Captain, who's big enough | to buy Durko out for a job like this?

You just stick to detail. | Let me worry about the rest.

Yes, sir.

Officer, I'd like to file a complaint.

- Well, madam? | - I haven't been kissed all day.

How would you feel if I had the night shift?

Indignant.

Well, I've heard the days can be | very beautiful this time of year.

- Was today beautiful for you? | - I dug up some more stuff on Durko.

- He must have quite a record. | - Yeah.

Manslaughter. Larceny. Extortion.

He killed a policeman in Cincinnati, | they think.

But they couldn't indict him.

How can men like that ever be paroled?

Well, suppose you needed a killer, | where would you go to get him?

- Bob, is it worth it? | - What do you mean?

Risking your neck to arrest men like that

so the higher-ups | can turn them loose again.

Well, this policeman they think he shot | had three kids.

Well, what if we had three kids?

You'd be half done. I want six.

- But, Bob, I'm serious. | - Hurry up with dinner, will you, Lucy?

- Well, what's your rush? | - I've got to get back to the station.

Oh, no. Not tonight.

- We're celebrating. | - I've got to keep moving on this case.

Celebrating what?

Well, what do you think | I've been trying to tell you?

I'll bite. What?

I hope they never make you a detective!

Lucy, darling!

- Is Nick here? | - I'll see, sir.

- Who shall I say is calling? | - McQuigg.

Oh, yes, Mr. McQuigg. Step in, please.

But, Mr. McQuigg, I...

- Hello, Tom. | - Hello, Nick.

Come right in. Don't stand on ceremony.

Butler? Don't stand on ceremony?

- Nick, I hardly know you. | - Been a long time.

Not much like the old 10th Ward, eh, Tom?

Not much, no.

I hear you're living in the same old dump.

- House is the word. | - I like dump better.

I don't think I'd feel comfortable here.

Too much like the lobby | of the Palace Theatre.

Honesty don't pay off, eh, Tom?

- Or maybe it's just dumbness. | - You ought to know all about dumbness.

You think it was smart killing Higgins?

Who's Higgins?

He was just walking down the street | minding his own business. In my district.

- I never set foot in your district. | - Don't.

Of course, as a free citizen | and a taxpayer...

- A what? | - I pay taxes.

I keep books.

For instance, my taxes would pay | the salaries of 10 guys like you, McQuigg.

Public servants.

McQuigg, the public servant.

You and I should've had a little talk | a long time ago, Nick.

I'm all for it.

I never forget a pal.

I've been intending to thank you | for all you've done for me,

like getting me buried in a no-action spot

after I knocked over | those horse parlors of yours.

Why, Tommy? Me?

Then you and the boys decided | you wanted to make an action spot

out of a no-action spot, | but there was McQuigg, eh?

I pinched one of your boys | for criminal assault and got a conviction.

Of course, he never did time.

There was an appeal, this and that, | the old merry-go-round.

But it was inconvenient, wasn't it, Nick?

So I was transferred again.

I should be an inspector by now, Nick,

if you hadn't known me in the old | 10th Ward days and been my pal.

You flatter me.

Let's quit kidding, Nick. | Stay out of my district.

I'm tired of playing horse.

I'm making this a personal thing. | Understand, Nick?

- A personal thing. | - Okay, Tom.

Personal.

But if I can get you transferred, | I can get you promoted, right?

So?

Just a thought.

- Lady, don't be difficult. | - Get your big paws off me, you...

- Who are you? | - I'm Irene Hayes. What about it?

You're in the wrong apartment.

You may be right, | but I didn't find out till just now.

I've been teaching my fianc | some manners.

- Your what? | - Well, anyway, he was.

I'm not so sure now.

What do you do for a living?

I sing at the Paradise Club. | What do you do?

That's an interesting question, Nick.

Joe, come here.

So, you got engaged, huh?

- I love her, Nick. | - This cheap canary.

Speak up, Junior.

Nothing personal, sister.

- How about a deal? | - Deal?

Let my brother off the hook.

You keep the rock, I'll keep him.

Are you going to take this, Joe?

- Now, listen... | - Shut up!

Irene!

- Now, listen, Nick... | - "Now, listen, Nick."

You want to marry her, | throwing yourself away on that.

Give me your money.

And your car keys.

I sold my car.

You sold my birthday present | to buy that rock?

Yes, I did. And I'm going to marry her, too.

Now, listen, Joe.

"Now, listen, Joe."

Listen to yourself.

You'll never know what I've done | for that crazy kid.

Give him everything. Money, clothes, cars.

Made a gentleman out of him. | Sent him to four colleges.

Four!

The last one I had to buy a chair. | No, not like that.

Endowment, they call it. | Professors graft, and stiff, too!

I had to endow a chair in Civics | to get him his...

- What do you call it? | - Diploma.

Diploma. I got it, okay.

And I kept him out of the racket.

Why, he could marry anybody in town, | society people maybe, even.

Funny, eh?

- Personal you want to make it, right? | - I said my piece on that.

Well, listen.

Somebody better wise you up, McQuigg. | You're two administrations behind.

That district of yours, it's hot now!

The boys need it | with the election coming up.

What're you trying to do, | stand in the way of progress?

I tried to be nice about it | and give you a good steer.

You better get smart, Tom, | or start to duck.

Just stay out.

You're not going back | to the station tonight?

Yeah.

- I look for shenanigans. | - What kind?

Who knows?

The election's close.

Every two years an election.

Never seems to make much difference.

Now don't you be worrying, Mary. | It's just politics.

All right.

But you will be careful, Tom?

Careful?

Let the hoodlums be careful.

Are you all right, Mary?

- Was that just politics? | - Who knows?

- Are you sure you're all right? | - Positive.

- I'll take you to your sister's. | - You will not.

But, Mary...

Nobody's going to drive me out | of my own home in your district.

You're right, Mary.

Get on with your cleaning | and I'll get on with mine.

Well, boys?

Car 127 is following the car | that didn't look kosher.

Car came out of an alley | back of your house

right after the explosion.

- Drive me down to the station. | - Right.

Mosley, car 133. Okay, go ahead.

Okay.

They chased the car into a dead end. | The car hit a curb and broke a wheel.

The boys didn't make | any mistakes, Captain.

The guys in the car are hoods. | There's been some shooting.

- Go there. | - Carlin Street, off 32nd.

- Where's your partner? | - He's inside, Captain.

I got a half-look at one of those men. | I think I know him.

He's one of the Scanlon hoods.

Keep these people back.

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William Wister Haines

William Wister Haines (September 17, 1908 – November 18, 1989) was an American author, screenwriter, and playwright. His most notable work, Command Decision, was published as a novel, play, and screenplay following World War II. more…

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Submitted on August 05, 2018

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