The Red Badge of Courage Page #5

Synopsis: Plot centers around how a young recruit (Audie Murphy) faces the horrors of war. Character vascilates between wanting to fight and doubting his own courage. In midst of first bloody encounter, Youth runs away. After seeing dead and wounded, sense of shame leads him back to his unit, where he distinguishes himself in the next battle. Having overcome his fear of "the great Death" he knows e can face whatever comes. Somewhat sentimental "coming of age" tale was pet project of John Huston, who fought MGM over casting of Murphy and Bill Mauldin in lead roles.
Genre: Drama, War
Director(s): John Huston
Production: WARNER BROTHERS PICTURES
  Nominated for 1 BAFTA Film Award. Another 1 win.
 
IMDB:
7.3
Rotten Tomatoes:
90%
APPROVED
Year:
1951
69 min
593 Views


for a minute, you understand.

Just a minute.

After that, I was that ashamed...

that I couldn't get back

in the fight soon enough.

Instead of looking for you fellas,

I just threw in over on the right...

and went to fighting.

There, now, I told you all there is.

I'm glad you did,

because it makes me feel a sight better.

I skedaddled myself yesterday,

when about half the other fellas did.

Only, the Captain caught me

and made me stay.

Reckon I was more scared of him

than I was of the Rebs.

I guess confession's good for a fella, Tom.

What I mean is, it's good for the soul.

Look! They're our fellas.

I'll be doggoned.

I didn't know any of our fellas

was over that way.

Howdy!

Howdy, boys. Seen any Rebs?

We're hunting them.

There was a whole passel of Rebs here

a minute ago.

We chased them off the wall.

Do tell. We heard you fellers

shooting down this way...

but we figured you was shooting at crows.

Crows? We was fighting a battle!

- You hear that?

- What was that?

You darned fools,

the battle was over that hill...

where we was with Whiterside.

Whiterside? Who's Whiterside?

Why, just the best darned general

in the whole Northern Army.

Never heard of him.

- Go to the rear and assemble.

- Fall in!

Right, march!

After all the trouble we went to

getting that wall...

I'd like to set by it a little while.

Is it a fact?

Is the credit for winning this battle...

going to old what's-his-name? Whiterside?

I allow it is.

If I'd have known that,

I wouldn't have charged nohow.

Anyway, the Rebs didn't win.

That's something to be thankful for.

I'm thankful I'm all in one piece.

Me, too. I got holes in my cap,

holes in my pants...

but there ain't no holes in me,

except the ones that was intended.

You know,

it's mighty pretty country around here.

I mean, it would be

if they wasn't fighting battles all over it.

- Sun's going down.

- Days are getting shorter all the time.

Reckon we'll be home for spring planting?

Just listen to them birds.

They don't take no time

to tune up and start singing.

Soon as the shooting stops

and the smoke clears...

they're right back at it.

So it came to pass, that as he trudged...

from the place of blood and wrath...

his soul changed.

He had been to touch the great death...

and found that after all,

it was but the great death.

Scars faded as flowers...

and the youth saw that the world

was a world for him.

He had rid himself

of the red sickness of battle.

The sultry nightmare was in the past.

He turned now, with a lover's thirst...

to images of tranquil skies...

fresh meadows, cool brooks.

An existence of soft and eternal peace.

English

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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