The Relic Page #14
- R
- Year:
- 1997
- 110 min
- 517 Views
MCNITT:
Well he's gone.
BAILEY (OS)
Any sign of a green-eyed monster?
MCNITT:
(chuckles)
Nope.
McNitt shuts off the walkie talkie, settles at his post.
INT. SUPERSTITION EXHIBIT - NIGHT
In the blackness a large shape is MOVING QUIETLY, dragging it's prey
across the floor. We move in on the lifeless form of DOYLE. His face
is rigid with terror, his eyes frozen, open wide. The last thing we
hear as the hulking form heads back into the darkness, is the SNAPPING
of Doyle's skull.
DISSOLVE TO:
EXT. MUSEUM - DAY
Signs announce that the Superstition Exhibit opens tonight. The museum
is back in business, but not many people are going in. A crowd lingers
at the margins, pointing at the building. Several hold a copy of the
POST with a graphic photo of the bloody floor by the circular stair.
INT. CUTHBERT'S OFFICE - DAY
Cuthbert stands by the window of his palatial office, looking out at
the scene below. His face is pinched with worry. Slumped in a chair is
Lieutenant D'Agosta. Pendergast surveys some paintings on the wall.
PENDERGAST:
I had no idea the Museum had a
complete collection of Piranesi's
Forum sketches.
CUTHBERT:
If you like them, they're for sale.
Another day like yesterday and half
the collection will be on the block.
PENDERGAST:
I've read about the Museum's
financial troubles.
CUTHBERT:
We've been operating in the red for
years. That was the whole idea
behind the Superstition Exhibit. It
was designed to pull people in.
We've spent every penny we have on
advance publicity, betting
everything on the opening's success.
If we postpone at the last minute...
No. I don't want to think about
that.
D'AGOSTA
(chews on his toothpick, mild)
We all love the museum. I come here
myself with my kids. We're trying to
work with you.
CUTHBERT:
I appreciate that.
PENDERGAST:
If the party goes forward, and
that's a big if... I've arranged for
CUTHBERT:
Do they have to wear uniforms?
PENDERGAST:
Yes.
CUTHBERT:
I don't want to scare people.
PENDERGAST:
I understand. But Mr. Cuthbert,
we've got bigger problems. Depending
on what we find today, we may have
to shut you down.
Cuthbert looks grim.
INT. PHYSICAL ANTHROPOLOGY LAB - DAY
D'Agosta examines the huge centrifuges, autoclaves, electrophoresis
apparati, monitors, computers etc. as Margo and Greg Kawakita look at
the claw.
KAWAKITA:
What do you make of it, Margo?
MARGO:
It's not mammalian, that's for sure.
I think it's reptilian.
PENDERGAST:
That would jive with what we got
from the preliminary DNA read-out.
Here, have a look.
He hands them a computer read-out. Margo checks it quickly as Kawakita
looks on.
MARGO:
According to this, twenty-five
percent of the claw DNA is
unidentifiable, about a third is
homo sapien, and the rest is
Hemidactylus Turcicus.
D'AGOSTA
(looks over)
What's that?
Margo pulls off her glasses.
MARGO:
Turkish Gecko, I believe. A lizard.
KAWAKITA:
Lizard DNA and human DNA on the same
strand? Impossible. The sample must
be contaminated.
MARGO:
There's another possibility. A lot
of repeated base pairs could suggest
a high level of genetic damage.
PENDERGAST:
Genetic damage?
MARGO:
When DNA is defective, it often
uncontrollably replicates long
repeating sequences of the same base
pair. Viruses can damage DNA. So can
radiation, certain chemicals. Even
cancer. Let's let the G.S.E. sort it
out. I have to get started. This
will take several hours.
PENDERGAST:
We need someone to take us to the
secure storage area.
KAWAKITA:
Try Dr. Frock. He's the curator of
Plant Biology. All the curators
have keys. And he knows every inch
of this museum. The rest of us still
get lost.
INT. MUSEUM HALLWAY AREA - DAY
Pendergast, D'Agosta and Dr. Frock get off are in an older, plain
corridor with a long row of locked heavy steel doors. The doors are
numbered up to eight, then the corridor turns.
As the three go forward, the creaking of the wheelchair echoes faintly
in the hall.
PENDERGAST:
Thank you for taking the time to
help us with this, Dr. Frock.
FROCK:
Happy to be useful. It's rare enough
these days. According to security,
Beauregard put the Whittlesley
crates in storage area 1012.
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