The Replacements Page #16
Franklin's got moves that even
Clifford Franklin hasn't seen yet.
FEMALE REPORTER:
Uh, right, well, you showed us a
few of those moves today against
Phoenix. But it could be a
different story against Dallas
next week -
FRANKLIN:
Same story, different chapter.
See, a wise man once said 'Don't
just go to a man. Go to the 'go
to' man.' And that wise man was
... me. Clifford Franklin.
He's suddenly shoved out of the way by Bateman as hecrosses over to his locker. The Female Reporter turns
to see...
NIGEL:
smoking a cigarette in his underwear and scratchinghimself in a grotesque fashion. She looks horrified.
He grins.
NIGEL:
Cheers.
CUT TO:
THE REPLACEMENTS - Rev. 9/27/99 94A.
EXT. O'NEIL'S MANSION - NIGHT
MUSIC OUT as we see a light on in the den...
O'NEIL (V.O.)
Feels good, doesn't it, Jimmy?
140 OMITTED 140
thru thru
148 148
149 INT. O'NEIL'S MANSION - SAME TIME 149
A dark wood study dripping with red leather and decoratedwith stuffed animal heads. O'Neil raises a glass totheir success as McGinty eyes him suspiciously.
O'NEIL
To be one game away from theplayoffs, in the hunt, that ringso close you can already feel iton your finger!
(CONTINUED)
95.
149 CONTINUED:
149McGINTY
What are you up to?
O'NEIL
What? I can't be excited about
the future of my team?
(off McGinty's look)
Okay okay! I've got great news.
Martel and Wilson have crossed the
picket line. I made them sweat
for a while but with the deal I
made them swallow I can't afford
not to take them back!
McGINTY
(dryly)
Congratulations.
O'NEIL
And Martel's backup has agreed tocross with him so we've got depthin the quarterback position forDallas --
McGINTY
No.
O'NEIL
(stopping)
What?
McGINTY
I'm sticking with Falco.
O'NEIL
Have you seen the news today?
O'Neil grabs his morning Post and throws it down onto thetable. The headline reads "STRIKE ALMOST OVER" and below
that in smaller letters "DALLAS RETURNS!"
O'NEIL
The entire Dallas Cowboy team hascrossed the line! On Thanksgivingnight we're playing the worldchampions! Not some rag tag groupof replacement players!
McGINTY
I don't care. I can't give up onthese boys now. Not after all
they've done.
(CONTINUED)
96.
149 CONTINUED:
(2) 149O'NEIL
They're scabs. They served a
purpose. Falco has done a greatjob, nobody's taking that awayfrom him --
McGINTY
We made a deal! No interference
with my coaching! As long as thestrike is on Shane Falco is myquarterback!
O'NEIL
We need to beat Dallas to get tothe playoffs! We can't do it
with Falco! You saw what
McGINTY
Oh for Christ's sake!
O'NEIL
Think he's gonna get lucky likethat against Dallas? They'llmurder him.
McGINTY
He's just getting his game back -
O'NEIL
He falls apart when the game is onthe line! That's been his rapever since the Sugar Bowl and ifit hasn't changed by now it neverwill!
McGinty looks away. O'Neil takes a breath before:
O'NEIL
I'm sorry, Jimmy. He's playedsome really good strike ball. But
I know, and you know, that isn'tenough now.
O'NEIL
Before you go doing anythingstupid, remember this: there are
21 other guys who put their faithin you to lead them. They wouldbe heartbroken if you abandonedthem before the biggest gameof their lives...
(CONTINUED)
THE REPLACEMENTS - Rev. 9/18/99 97.
149 CONTINUED:
149O'Neil knows that he's got him. McGinty knows it too.
McGINTY
You really are a son of a b*tch...
McGinty storms out of the room as O'Neil watches him
go...
DISSOLVE TO:
150 EXT. PRACTICE FIELD - NIGHT 150
Shane is set up in position for that two-point conversion.
He snaps the ball and drops back before firing it overthe middle in a quick release. It hits the base of the
goal post with pin-point accuracy. He gets back intoposition and does it again, determined not to make thesame mistake twice...
McGINTY (O.S.)
Hey.
Shane turns to see McGinty watching him.
McGINTY
What are you still doing here? You
should be soaking your arm in ice.
SHANE:
I'm not gonna make the same
mistake...
McGINTY
Look, kid...
SHANE:
We might end up in the same situation
with Dallas and --
McGINTY
Shane...
SHANE:
They like to send the safeties in
on --
McGINTY
Shane.
Shane stops as he notices the look on McGinty's face.
McGINTY
It's over.
(CONTINUED)
THE REPLACEMENTS - Rev. 9/18/99 98.
150 CONTINUED:
150They look at each other for a long beat.
McGINTY
Martel crossed.
Shane nods as it begins to sink in...
SHANE:
Oh...
McGINTY
I'm sorry...
Shane looks across the field...
SHANE:
'Chokes with the game on the line,'
is that what O'Neil said?
McGinty can't lie to him. Shane nods.
SHANE:
(waving it off)
It's okay. It's okay. It's
better for the team, right? I
mean, Martel is the best there is
... he's got it all...
McGINTY
No...
McGinty steps up to Shane.
McGINTY
He doesn't have heart. And that's
how you're going to be remembered
now.
They look at each other for a beat before McGinty holdsout his hand. Shane takes it and they shake.
McGINTY
It's been a privilege.
There's so much Shane would like to thank him for. So
much he would like to say. But in the end... what can
you say?
SHANE:
Thanks for believing.
And with that he turns and walks off the field alone...
THE REPLACEMENTS - Rev. 9/30/99 99.
150A EXT. PARKING LOT - NIGHT 150A
Shane is walking over to his car. But he slows when he
sees another car parked next to his. A Porsche. Martel
is sitting on the hood smoking a cigarette. He nods.
SHANE:
What are you doing here?
MARTEL:
(shrugs)
I stopped by to put my stuff backin my locker and I saw your car.
I just wanted to tell you beforeyou left... I'm sorry.
SHANE:
Yeah. Right.
MARTEL:
No. Really. I think it's
terrible what they do to you guys.
Shane just shoots him a look.
MARTEL:
You know... build you up... makeyou believe you're somethingyou're not... and then pull therug out from under you.
(shakes his head)
The cruelest thing to give guyslike you, Shane... is hope.
Shane turns to get into his car -- angry at himself forletting Martel's words get to him...
MARTEL:
You're a sinking ship, Shane.
Don't drag her down with you.
A long beat before Shane gets into his car and drivesoff...
DISSOLVE TO:
150B INT. MAC'S BAR - NIGHT 150B
Annabelle turns the sign that hangs in the window fromopen to closed before grabbing a bottle of wine and twoglasses from behind the bar. She sets them on a small
table and lights two white candles as she smiles toherself...
CUT TO:
THE REPLACEMENTS - Rev. 9/30/99 99A.
151 OMITTED 151
where we find a post-game party in full swing. Nigel isworking the bar. Franklin is dancing with two ladieswhile still holding onto his football.
(CONTINUED)
THE REPLACEMENTS - Rev. 9/18/99 100.
152 CONTINUED:
152Andre and Jamal are rapping from the living room over aRECORD SPINNING on the turntable. Murphy is signing toone of the stripper cheerleaders who signs something verysexually explicit right back to him. Murphy blushes threeshades of red.
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