The Replacements Page #7

Synopsis: It's late in the season; the playoffs are fast approaching; and the Washington Sentinels have just gone on strike. Scrambling for a solution, the Sentinels' owner Edward O'Neil hatches a plan to bring in legendary coach Jimmy McGinty to recruit a team of replacement players in exactly one week. For fans and owners alike, the strike is a disaster. But for Shane Falco and a mismatched crew of outsiders, it is the second chance they've waited their whole lives for.
Genre: Comedy, Sport
Production: Warner Bros. Pictures
 
IMDB:
6.5
Metacritic:
30
Rotten Tomatoes:
41%
PG-13
Year:
2000
118 min
$44,004,460
Website
1,730 Views


THE REPLACEMENTS - Rev. 9/18/99 37.

36A CONTINUED:
36A

ANNABELLE:

Why were you staying in thepocket today?

SHANE:

That's a personal question?

ANNABELLE:

It is for me. Normally I wouldnever make a comment to a

quarterback about his style, but Icouldn't help noticing that you'veabandoned yours. You'll need to

keep scrambling against Miami withPrescott back in the lineup.

SHANE:

Prescott hasn't crossed.

ANNABELLE:

He will on Sunday. They'rekeeping it quiet so you won't havetime to prepare.

SHANE:

How do you -- ?

ANNABELLE:

A friend of mine is a cheerleader

for Detroit. She tipped me off.

SHANE:

But why would -- ?

ANNABELLE:

She's Prescott's ex-wife. That's

why he's crossing. To keep upwith the alimony payments.

SHANE:

So what should I -- ?

ANNABELLE:

Well, since Prescott is a left-side

linebacker I thought, naturally,

shotgun formation and roll right,

right?

SHANE:

But Van Gundy's on the right side -

(CONTINUED)

THE REPLACEMENTS - Rev. 9/18/99 38.

36A CONTINUED:
(2) 36A

ANNABELLE:

-- and he's been all-pro two yearsin a row. I know, but one of mycheerleaders is friends with the

sister of the girl who just broke upwith Van Gundy and she says thathe's been on a drinking bingeever since she left him.

Meaning -SHANE

ANNABELLE:

He's been hung over and a goodsecond slower off the snap thanusual.

SHANE:

(head reeling)

So... I should stick with the rightside?

ANNABELLE:

Exactly.

(a beat)

Unless what I hear about Martinez is

true...

We STAY ON Shane's reaction before we -CUT

TO:

37 EXT. HARBOR - AFTERNOON 37

Annabelle pulls up into the parking lot...

ANNABELLE:

Which one's yours?

SHANE:

See that new cabin cruiser? The

big one with the satellite dish?

Yeah?

ANNABELLE:

SHANE:

I'm the old houseboat next to it

covered in sea gull sh*t.

ANNABELLE:

Well, it's what's on the inside

that counts, right?

(CONTINUED)

THE REPLACEMENTS - Rev. 9/18/99 39.

37 CONTINUED:
37

SHANE:

You've haven't seen the inside.

Good point.

ANNABELLE:

She laughs as he climbs out with his duffel bag.

SHANE:

Would you like to?

Her laugh stops short.

ANNABELLE:

I'd better not.

SHANE:

You don't sound too sure.

ANNABELLE:

(grinning)

Oh, I'm sure. Nothing personal,

Shane. I just don't date footballplayers.

SHANE:

Including quarterbacks?

ANNABELLE:

Especially quarterbacks. They'rethe biggest babies of all.

She gets into her CAR and STARTS it up before lookingback one last time.

Shane?

ANNABELLE:

Yeah?

SHANE:

ANNABELLE:

Good luck tomorrow.

She pulls away as he watches her go, not quite surewhat to make of Miss Annabelle Farrell...

DISSOLVE TO:

37A EXT. WASHINGTON D.C. - WIDE SHOT - SUNSET 37A

as the sun sets over the Potomac, reflecting off the

water.

(CONTINUED)

37A

THE REPLACEMENTS - Rev. 9/18/99

CONTINUED:

40.

37A

Darkness falls over the nation's capital as we hear:

RADIO HOST (V.O.)

This is K.F.A.N., the sportsfan's show for Greater D.C.

You're on the line.

CALLER #1 (V.O.)

I'm on the line?

RADIO HOST (V.O.)

Am I talking in a cave? I justsaid you're on the line, Einstein.

37B EXT. LINCOLN MEMORIAL - SAME TIME 37B

As the lights come up to illuminate the grounds...

CALLER #1 (V.O.)

Okay, like, I just wanted to saythat this sucks. This whole

strike sucks! We're finally gonnamake a run at the playoffs andthey go on strike? That...

Sucks?

SUCKS!

Well put.

K.F.A.N.

RADIO HOST (V.O.)

CALLER #1 (V.O.)

RADIO HOST (V.O.)

Next caller, welcome to

How do you feel about

the strike?

CALLER #2 (V.O.)

I'm sick of the owners and the

players arguing over who's gettin'

screwed. The only ones gettin'

screwed are the fans. I got

season tickets to the Sents that I

can't give away.

38 OMITTED 38

thru thru

45B 45B

46 EXT. NEXTEL STADIUM - FIELD - LATER 46

Shane is all alone on the empty practice field.

(CONTINUED)

THE REPLACEMENTS - Rev. 9/18/99 41.

46 CONTINUED:
46

He stands holding the football, staring down the field...

RADIO HOST (V.O.)

So you won't be going to check outthe replacement players tomorrow?

CALLER #2 (V.O.)

What for? They're a bunch ofnobodies.

CLOSE ON SHANE:

as we see a faraway look in his eyes...

McGINTY (O.S.)

Shane?

Shane stops and turns to see McGinty watching him.

SHANE:

Huh? Oh. Hi, Coach...

Shane looks back down to the empty field.

McGINTY

What are you doing?

SHANE:

(shrugs)

Just... watching the game...

McGinty looks down to the empty field with him.

McGINTY

Your next game or your last?

McGinty holds up his hands and Shane throws him thefootball. They play a game of "catch" as they speak:

McGINTY

Nervous?

SHANE:

I'm fine...

McGINTY

(laughs)

Kid, you're like a duck on a pond.

On the surface everything lookscalm, but beneath the water those

feet are kicking a mile a minute.

Shane gives a little smile. He can't fool McGinty.

(CONTINUED)

THE REPLACEMENTS - Rev. 9/30/99 42.

46 CONTINUED:
(2) 46

SHANE:

Coach?

McGINTY

Yeah?

SHANE:

Why me?

A beat as McGinty looks him over. And then:

McGINTY

I look at you and I see two men:

the man you are and the man youought to be. One day the two ofyou will meet...

(nods)

And that should make for one hell

of a football player.

McGinty tosses him the ball for the last time.

McGINTY

Now get some sleep, kid. You're

playing professional football

tomorrow.

We STAY ON Shane's reaction as it really begins tosink in...

FADE OUT.

THE REPLACEMENTS - Rev. 9/27/99 42A.

FADE IN:

47 EXT. NEXTEL STADIUM - PARKING LOT - DAY 47

It's another beautiful fall afternoon as cars are

entering the stadium parking lot. At one of the

entrances, the striking Sentinels are picketing.

48 INT. NEXTEL STADIUM - LOCKER ROOM - DAY 48

Everyone is extremely tense, thinking private thoughtsas they try to keep down the butterflies of actuallyplaying professional football again. And then, suddenly,

from out of the silence, Nigel begins to sing an oldWelsh folk song. Franklin smiles and nods to the

lovely lilt of Nigel's voice.

(CONTINUED)

THE REPLACEMENTS - Rev. 9/18/99 43.

48 CONTINUED:
48

NIGEL:

'It was war that came calling,

It was war that was heard,

We shall march on to victory,

I gave them my word.'

Franklin's smile begins to fade as the song darkens...

NIGEL:

'But we lost more than blood,

At the gates of St. Winifred,

Even worse was the gore,

That was spilled at Bangor.'

Shane glances over too...

NIGEL:

'But my heart stopped at Swansea,

For what did I there see?

Severed heads hung from treesFull of maggots and fleas --'

SHANE:

That's enough singing for now!

Nigel. Thank you.

Nigel shrugs and goes back to smoking.

ON FUMIKO:

sitting in front of a bowl of hard-boiled eggs. He's

methodically popping them into his mouth. He eats four

as we watch. Pilachowski steps in and watches him eat.

PILACHOWSKI:

Are you crazy? Nobody eats rightbefore a game!

FUMIKO:

I need to bulk up.

WIDER:

Rate this script:5.0 / 1 vote

Vince McKewin

Vince was born and raised in Baltimore, Maryland and graduated from the University of Maryland with a degree in Journalism. He worked at a New York ad agency before coming to LA to act. He was also an award winning playwright and had a world premier of his play AD WARS at the Williamstown Theater Festival. more…

All Vince McKewin scripts | Vince McKewin Scripts

0 fans

Submitted by aviv on November 07, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Replacements" Scripts.com. STANDS4 LLC, 2024. Web. 4 Nov. 2024. <https://www.scripts.com/script/the_replacements_518>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Replacements

    The Replacements

    Soundtrack

    »

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 2015?
    A The Imitation Game
    B Birdman
    C The Grand Budapest Hotel
    D Whiplash