The Rock

Synopsis: Stanley Goodspeed, who lives in Washington D.C., is a biochemist who works for the FBI. Soon after his fiancée Carla Pestalozzi announces that she is pregnant, Stanley gets a call from FBI director James Womack. Womack tells Stanley that San Francisco's Alcatraz Island has been taken hostage, along with 81 tourists, by marine General Francis Xavier Hummel who, for years, has been protesting the government's refusal to pay benefits to families of war veterans who died during covert military operations. The death of his wife Barbara Hummel on March 9, 1995 drove General Hummel over the edge, and now he's holding hostages in order to get his point across. Stanley is needed because General Hummel has stolen some VX gas warheads and has announced that he will launch them onto San Francisco unless his demands are met. Stanley knows how to disarm the bombs, but Stanley needs someone who knows Alcatraz well enough to get him inside. That man is former British intelligence agent John Patrick Ma
Director(s): Michael Bay
Production: Disney
  Nominated for 1 Oscar. Another 9 wins & 8 nominations.
 
IMDB:
7.4
Metacritic:
58
Rotten Tomatoes:
66%
R
Year:
1996
136 min
2,693 Views


BEGIN MAIN 'TITLE SEQUENCE:

An impressionistic montage:

A SILHOUETTED MAN in front of mirror dons his Marine dress blues. Spit=

polish shoes laced. Medals clipped to jacket. All in CLOSE-UP. We never=

see him fully.

The Man puts HIS HAT squarely on his head. EYES glint.

On the man's dresser: MARINE MEMORABILIA. Three Purple Hearts, photos of a=

WOMAN (his wife), PHOTOS OF MARINES in combat locales. TIGHTER into the=

photos, we HEAR PANICKED VOICES, EXPLOSIONS, NOISES OF BRUTAL=

COMBAT.

IMAGES:
Through smoke, a desperate MARINE PRIVATE who knows he will never be=

rescued... TWO MARINES walk up to a farmhouse door; through the screen we=

see a MOTHER AND DAUGHTER who know what the news will be...

IMAGES:
A MARINE COLOUR GUARD carries a COFFIN... Now we are the coffin as=

a FLAG drapes down on us.

placed into a YOUNG WOMANIS HAND.

Now we're in ARLINGTON CEMETERY. Images of the cemetery are reflected in=

wet puddles, as the SPIT-SHINED SHOES walk past images of the TOMB OF THE=

UNKNOWN SOLDIER a ROW OF GRAVES comes into focus

A1G CLOSE-UP on the MARINE'S HAT, and his EYES. Suddenly AN

EXPLOSION and we see --

A MARINE in a jungle, radioing for help: ,You gotta get us outta here sir,=

Jesus, they're all over us... ! And an' EXPLOSION ends the communication=

...

AII CLOSE-UP on the MARINE'S EYES and FADE IN:

EXT. ARLINGTON NATIONAL CEMETERY - MORNING

Two groundskeepers on "ride 'em" lawn mowers, BENNIE and MARLIN, smoke=

Camels and watch the MARINE OFFICER from the opening montage. He's alone,=

across the cemetery.

BENNIE:

You'll get used to him. Every Sunday morning - rain, snow, holidays nothin,=

keeps him Away.

ACROSS THE CEMETERY

Brig. Gen. FRANCIS XAVIER HUMMEL stands before a headstone:

BARBARA MCLEAN HUMMEL 1946-1996.

HUMMEL:

Hi Barb. The house sold yesterday. I know, I know, the market's=

depressed.

(MORE)

HUMMEL:

(cont I d) Anyway, I'm leaving the area. Some things I have to do. Things=

I couldn't do while you were here. Maybe you would have approved. Hell, I=

know you wouldn't have.

(beat)

I've tried everything and I can't seem to get their attention. But now=

they'll learn how it feels on the other side. Let's hope it elevates their=

thinking.

Hummel puts new flowers on the grave. Walks off.

EXT. ACCESS ROAD TO ARMY WEAPONS COMPOUND - NIGHT

Heavy rain. A road next to a heavily guarded bunker facility. A canvas=

covered ARMY TRUCK blows a tire in the road. The DRIVER gets out. =

Inspects the tire.

INT. ARMY TRUCK - NIGHT

FOUR MARINES in black suits dive through a hole in the

truckbed floor into a MANHOLE IN THE ROAD.

EXT. ARMY WEAPONS COMPOUND - FRONT GATE - NIGHT

Three ARMY M.P.s at the front GUARDHOUSE. GENERAL HUMMEL pulls up in a=

SUBURBAN. The M.P.s immediately recognise him and stand more=

rigidly.

ARMY M. P.

General Hummel, sir. It's an honour.

Is the Colonel expecting you, sir?

HUMMEL:

Held better be. This is a security

inspection.

ARMY M. P.

Yes, sir!

The M.P. waves Hummel in, saluting crisply.

INT. GRATED STORM DRAIN IN BUNKER COMPOUND - NIGHT

The four marines from the truck are waiting, readying arms. The leader is=

looking at his watch. Gives a hand signal to the others, and up they go=

--

EXT. BUNKER COMPOUND - NIGHT

The four marines emerge from the storm drain and move toward

covered positions in the compound.

200 YARDS AWAY - TWO ARMY "MAGAZINE CHECKERS" emerge from a

building with clipboards, on routine check.

INT. BUNKER SECURITY BUILDING - NIGHT

The Army M.P.s escort General Hummel inside. THREE ARMY GUARDS spring up=

from their SURVEILLANCE MONITORS. Everyone's nervous, in awe, rigid at=

attention. COLONEL CALLAHAN emerges from an adjacent room,=

sleepy-eyed.

COLONEL CALLAHAN

General Hummel! This is a surprise!

HUMMEL:

That's the idea, Colonel.

EXT. BUNKER COMPOUND - WATCH TOWER - NIGHT

Two marines position themselves outside the door to the

bunker compound's elevated watch tower.

=B7EXT. BUNKER COMPOUND - NIGHT

Below the watch tower, the ARMY MAGAZINE CHECKERS approach. Marines 1 and 2=

spring out, armed with M-16s with over/under grenade launchers They shoot=

BEAN BAG projectiles at the Army Guards, who collapse, dazed.

INT. BUNKER COMPOUND WATCH TOWER - NIGHT

Marines 3 and 4 burst inside the watch tower. The guards inside spring up. =

BOOM BOOM, they're hit by bean bag projectiles, propelling them out the=

windows of the watch tower. They fall 10 feet and lie unconscious.

EXT. BUNKER COMPOUND - NIGHT

Marines 1 and 2, now in MAGAZINE CHECYERIS UNIFORMS, move to the BUNKER=

DOOR. They open the door with the Magazine checker's CODED CARDS.

INT. CHEMICAL WEAPONS BUNKER - NIGHT

Two ARMY GUARDS, playing poker, look up at the entering marines. Marines 1=

and 2 walk straight up to the Army Guards, holding them at bay with M-16s. =

Before any words are spoken, one of the marines injects each of the guards=

with a VACCINE PISTOL.

INT. BUNKER SECURITY BUILDING - NIGHT

Four more marines led by SGT. CRISP enter, holding Col.

Callahan, General Hummel and the Army Guards at bay.

SGT. CRISP This is a security exercise, sir. We've fully breached and=

infiltrated your compound. I'm afraid you and your men are my prisoners,=

sir.

The marines begin cuffing the Army Guards to the radiator

and taping their mouths.

SGT. CRISP

Sorry sir, you realise the importance

of these exercises.

EL:

(to Callahan)

Ten men who could have been terrorists are out there doing whatever they=

damn well please to your compound, Colonel. Here you sit with your ass=

chained to a f***ing radiator. This is not a tight ship. I would not want=

to be in your shoes in the morning.

Sgt. Crisp hits the FRONT GATEIS OPEN BUZZER and follows

Hummel out of the room.

EXT. ARMY WEAPONS COMPOUND - FRONT GATE - NIGHT

The gate swings open. TWO HUMVEES enter the compound.

EXT. CHEMICAL WEAPONS BUNKER - NIGHT

The marines use a 'rabbit tool, (hydraulic, compact and powerful) to pry=

open the bunker's steel doors. They rush down a hallway.

CHEMICAL WEAPONS BUNKER - INTERIOR HALLWAY - The marines

rush up to another steel door and quickly pry it open.

INT. C.B.W. BUNKER - NIGHT

A refrigerated storage room for chemical weapons. Storage tubes are=

labelled:
V.X. POISON GAS. Across the room are rockets labelled: 55 115 MM=

BOLT ROCKETS.

Using the TRACK HOOK SYSTEM in the bunker's ceiling, the marines move the=

V.X. CHEM ROUNDS and BOLT ROCKETS to the waiting humvees. It's very fast,=

like clockwork.

EXT. ARMY WEAPONS COMPOLIND - FRONT GATE - NIGHT

The Humvees, followed by Hummel in his Suburban, roar out of

the compound. CUT TQ:

INT. H " EL'S SUBURBAN - NIGHT

Hummel on a c.b. radio:

A textbook exercise, gentlemen.

Rendezvous in eleven hours.

EXT. F.B.I. FIELD OFFICE, FT. DIETRICK, MD. - DAY

Establish headquarters for chemical/biological weapons.

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David Weisberg

David Weisberg is an American screenwriter, best known for writing 1996 film The Rock, which he co-wrote with his writing partner Douglas Cook, who died on July 19, 2015. His other credits with Cook include Payoff, Holy Matrimony, Double Jeopardy and Criminal. They also wrote another action thriller script Blank Slate, which is currently un-produced at Bold Films. more…

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