The Sacrifice Page #2
- PG
- Year:
- 1986
- 149 min
- 5,930 Views
I mean, that we didn't live there
in that house under the pines,
so close to the sea.
How beautiful it was!
I knew that if I lived there,
Hm? What's wrong? Don't be afraid.
There is no such thing as death.
No, there's the fear of death,
and that is an awful fear.
Sometimes it even makes people
do things they shouldn't.
But how different things would be
if only we could stop fearing death!
Huh? Oh, I was talking
about something else... Ah, yes.
As I was saying, we were enchanted
as we took in the beauty of it.
We couldn't tear ourselves away.
The peace, the stillness...
And...
it was plain that this house
was meant just for us.
It turned out to be for sale, too.
What a miracle!
And you were born in this house.
Do you like it?
Do you like it, your house?
Eh, my boy?
Man has defended himself, always
against other men, against Nature.
He has constantly violated Nature.
The result is a civilisation built
on force, power, fear, dependence.
All our "technical progress"
has only provided us
with comfort, a sort of standard.
And instruments of violence
to keep power. We are like savages!
We use the microscope like a cudgel!
No, that's wrong.
Savages are more spiritual than us!
As soon as we make
a scientific breakthrough
we put it to use
in the service of evil.
And as for the standard,
some wise man once said
that sin
is that which is unnecessary.
If that is so,
then our entire civilisation
is built on sin,
from beginning to end.
We have acquired
a dreadful disharmony
an imbalance, if you will,
between our material
and our spiritual development.
Our culture is defective.
I mean, our civilisation.
Basically defective, my boy!
Perhaps you mean
that we ought to study the problem
and look for a solution together.
Perhaps we could, if it wasn't
so late. Altogether too late.
God, how weary I am of this talk!
"Words, words, words!"
At last, I know what Hamlet meant.
He was fed up with windbags.
And so am I. Why do I talk this way?
If only someone could stop talking
Or at least try to.
Little Man!
Little Man!
Dear God, what's wrong with me?
Fantastic!
Such remarkable refinement!
Such wisdom and spirituality!
Also such pure, childlike innocence.
At once profound, yet virginal.
It's unbelievable!
Like a prayer.
And all this has been lost.
We can't even pray any longer.
I had a rotten day today.
Or rather, a day I lost control of.
Thank you, Victor.
A splendid book!
Thanks for the wine, too.
We'll have it later.
Above all, thanks for coming!
Have you...
never felt
that your life was a failure?
No. Why?
I once felt exactly that way.
But since Little Man came along,
all that has changed.
Not all at once, of course.
A bit at a time as he grew bigger.
I'm very attached to him,
too much, I'm afraid.
But there is something
in all this that I resent.
a higher life, so to speak.
I studied philosophy,
the history of religion, aesthetics.
And I ended up
putting myself in chains,
of my own free will.
But at the same time, I'm happy.
Today, for example...
What happened today?
I got a telegram from my friends.
As a joke, they signed it:
"Richardians and Idiotists".
Old theatre friends. We played
Shakespeare and Dostoyevsky.
- I remember!
- No!
- Remember what?
- Those performances.
- Oh, come now!
- Yes, I do!
I remember how you dropped
that vase from the tray and broke it!
And your eyes were full of tears.
I remember it well.
The vase, too.
It was white, with blue flowers.
That's right! She does remember!
But those tears meant nothing.
I had something in my eye.
It hurt so, I didn't think
I'd get through the performance.
Alexander was superb
as Prince Myschkin.
That role made you!
And then you just gave it all up.
The theatre, the lot!
You threw away everything
after Richard III and The Idiot.
I don't know why.
- What "everything"?
- Hm?
What do you mean by "everything"?
The theatre.
Everything!
"Success", that's what you mean!
As it happens,
theatre isn't "everything"!
I couldn't take it any more.
What do you mean?
Well...
For some reason, I started
feeling embarrassed on stage.
I was ashamed to impersonate someone
else, to play others' emotions.
But worst of all, I was ashamed
It was a critic who first saw that.
But it wasn't sudden, not at all.
So you mean that an actor
may not keep his ego intact?
That he must lose his identity?
No, not quite.
What I mean is that an actor's
identity dissolves in his roles.
I didn't want my ego dissolved.
There was something in it
that struck me as sinful,
something feminine and weak.
Aha! Feminine!
So that's what's sinful!
I liked you as an actor, so you quit.
That's it!
- I don't know. That might be it.
- No, that was it!
I said it might be.
- Always the last word!
- She'll be the death of him!
Please, not today!
It's Alexander's birthday!
Thanks for defending me, Victor.
In other words,
first he seduced me with his acting.
Then he lured me from London
and abandoned me!
But I liked being
the great actor's wife.
Forgive me, but I saw no harm in it!
Who's that, now?
By the way, Alexander,
I'll soon be leaving.
Leaving?
Leaving all this.
Has something happened?
I've been offered a clinic
in Australia.
Are you serious?
You must tell me about it later.
It's Otto, the postman.
He's carrying something!
Julia! Your beau's come calling!
Good evening!
- Many happy returns!
- Thanks.
Here I am, and here's
a kind of present for you.
Thank you very much! What is it?
I don't think I can do this alone.
It's a map of Europe,
from the late 1 600s.
Is it genuine?
How could it be?
It must be a copy, a reproduction.
No, not at all!
It's genuine, an original!
- How could anyone...
- Is it possible?
How beautiful it is!
We must take it inside. Come, now!
But it's far too dear a gift.
I don't know if I...
Oh, God, don't say that!
But it's far too much!
Too much, Otto!
I know it's no sacrifice, but...
And why shouldn't it be?
Of course it's a sacrifice!
Every gift involves a sacrifice.
If not, what kind of gift
would it be?
Excuse me...
Otto. My name is Otto.
Oh.
Excuse me, Otto.
What are you doing in these parts?
I hear you haven't lived here long.
Smoke?
Once I went to the morgue
and saw the autopsied corpse...
of a man who had smoked
all his life. I saw his lungs.
I haven't smoked since.
Hear that, Alexander?
Yes, you're absolutely right.
I've only lived here two months.
Before then, I taught history
at a secondary school.
But when I took my pension,
I moved here.
And here I am.
Nowadays, I have fewer expenses
and more time for my interests.
My sister used to live here.
She's dead now.
I understand you're employed
by the post office.
Yes, I'm a postman.
But not regularly.
Only in my spare time.
Hello, Maria!
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Sacrifice" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_sacrifice_15113>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In