
The Safety of Objects
[ENGINE RUNNING]
[ENGINE RUNNING]
[ENGINE STOPS]
[DOOR OPENS]
[KEYS JANGLING]
[DOOR SLAMS]
[KEYS JANGLING]
[FOOTSTEPS]
[FOOTSTEPS]
[DOOR SQUEAKING]
Julie, whispering:
Hey, Audrey.
[DOOR CLOSES]
[DOG PANTING]
Who's a good girl?
[FOOTSTEPS]
[FOOTSTEPS]
Esther, whispering: ...the
moments of the most terrible,
essential and tormenting
questions of the soul.
To remain only with the
free decision of the heart.
Hey.
How'd it go?
FINE, MOM.
IT WAS JUST BABYSITTING.
WHY ARE YOU WHISPERING?
Uh, your father
is asleep.
Uh, your father
is asleep.
OK. I'M GONNA CLOSE
THIS DOOR.
I DON'T WANT TO HEAR
Julie?
Could you please bring
your brother's guitar
back in here?
FINE.
FINE.
[SCRAPING]
[SCRAPING]
?? AND YOU ARE
ALL THAT I NEED ??
?? TO PICK ME UP
I'M CRYING ??
?? AND YOU ARE
?? TO BRING ME DOWN
I'M FLYING ??
?? AND YOU ARE
ALL THAT I NEED ??
?? I'M CRYING ??
?? AND YOU ARE
ALL THAT I NEED ??
?? CRYING ??
?? CRYING ??
[APPLAUSE]
[APPLAUSE]
WHOO!
[CHEERING]
THANK YOU EVERYBODY.
WE'RE AHAB'S FISH.
THANKS FOR COMING OUT.
THANKS FOR COMING OUT.
Annette:
IT'S A TRAIN, AND IT'SHEADING FOR THE TUNNEL. OPEN UP.
CH-CH-CH-CH! WHOO WHOO!
CH-CH-CH-CH!
HE'S COMING FAST.
OPEN UP. [CHUGGING]
HA.
SAM, DON'T MAKE IT WORSE,
PLEASE.
SAM, DON'T MAKE IT WORSE,
PLEASE.
MMM.
MMM.
[WHISPERING] Do that again.
YOU KNOW, SAM.
LOT OF ENERGY FOR YOU
I'M SORRY ABOUT CAMP.
WE JUST COULDN'T AFFORD IT.
YOU COULDN'T AFFORD IT.
THAT'S RIGHT. I COULDN' AFFORD IT. I'M A CRAPPY MOM.
DOES THAT MAKE YOU
FEEL BETTER?
NO.
HMM?
THEN DON' BRING IT UP AGAIN.
THEN DON' BRING IT UP AGAIN.
COME ON, RAYANNE.
GET YOUR BACKPACK.
COME ON.
[CLATTER]
[CLATTER]
RAYANNE.
RAYANNE.
SORRY, MOM.
SORRY, MOM.
GOOD KID.
LOVE YOU.
LOVE YOU.
THAT'S ATTRACTIVE.
GUYS REALLY LIKE THA ON A GIRL.
WELL, WHAT AM
I SUPPOSED TO DO?
PRETEND LIKE I DON' KNOW HOW TO FIX IT?
THAT'S LIKE THE STUPID
MM-MMM.
TRY LIKE THE STUPID GIRLS
MOST GUYS GO OUT WITH.
LATER.
LATER.
LATER.
DON'T YOU HAVE
ANY OTHER FRIENDS?
DO YOU HAVE A LIFE?
[TOASTER PINGS]
[LAUGHING]
HOPE THAT'S TOAST I HEAR.
WHEAT!
YOU KNOW I HEARD
ON TV LAST NIGH THAT A FEMALE UNDER
18 YEARS OF AGE HAS
3 TIMES HIGHER A METABOLISM
THAN A WOMAN OVER 35.
NOW, ISN'T THAT SOMETHING
TO LOOK FORWARD TO?
MMM.
THAT SHE'S NOT GONNA
WHY NOT?
IT'S STUPID.
HORSEBACK RIDING. WHAT?
SWIMMING.
BEING AWAY FROM HER PARENTS.
ALL OF THESE THINGS APPARENTLY
NO LONGER APPEAL TO HER.
BUT, YOU KNOW, I RAISED HER
TO BE INDEPENDENT,
SO I SUPPORT THAT.
SHE KNOWS THAT I LIKE HER
WHAT DO I ALWAYS
TELL YOU?
LOVE ME.
AND?
RESPECT ME.
RIGHT.
DON'T LISTEN TO HER, SAM.
AND YOU GOTTA SAY
"I LOVE ME."
THAT'S ONE MORE PERSON
HA HA.
OK, MRS. CHRISTIANSON.
[OPENS DRAWER]
OH, I KNEW IT.
I HAVE A NOSE FOR EMPTY,
ADDICTIVE CALORIES.
REMEMBER WHAT I SAID.
REMEMBER WHAT I SAID.
[DISHES CLATTER]
[DISHES CLATTER]
[SIGHS]
CAN I HAVE:
THE BUTTER, PLEASE?
Howard:
SURE.THANK YOU.
MM-HMM.
YOU DON'T WANT THOSE?
MMM.
I'LL EAT THEM.
I GOTTA GO:
DOWNTOWN LATER,
THE CLEANING:
YOU KNOW, I MAY NOT HAVE
TIME TODAY.
ACTUALLY,
I'LL GIVE THEM A CALL,
'CAUSE THEY MELTED
TWO OF THE BUTTONS
ON YOUR FAVORITE SHIRT.
OHH.
YOU WANT A RIDE:
TO THE STATION?
OH. NO.
IT'S WAY TOO NICE
OUTSIDE.
LOOK AT IT.
THAT'S
THINKING WEATHER.
WILL YOU MAKE I HOME FOR DINNER?
WILL YOU MAKE I HOME FOR DINNER?
OH, TONIGHT.
I DON'T KNOW.
I GOT THE, UH,
BALNER CASE:
AND THE MESSLER:
THING.
CAN YOU GIVE ME:
SOME ODDS?
I'D SAY ABOUT 70-30.
MMM.
ALL RIGHT, THEN.
YOUR DINNER WILL BE
THE LEATHERY THING
IN THE MICROWAVE.
[KIDS SHOUTING]
UH, HEY, SUSAN?
YEAH?
KIDS ARE UP.
WELL, GOOD FOR THEM.
[SHOUTING]
A RIDE.
CALL ME IF YOU NEED
A RIDE.
Jake:
I GOT THE PRIZE.EMILY. EMILY, LISTEN.
I'M OLDER.
Emily:
I HAVE IT! I HAVE IT!NO, EMILY!
GIVE ME THE PRIZE.
EMILY, NO!
IT'S NOT FAIR!
EMILY, NO!
IT'S NOT FAIR!
THAT UP. EMILY.
NO. I HAVE THE PRESENT.
GIVE ME--
GIVE ME--
COME ON, RAYANNE.
COME ON.
SCHOOL, SCHOOL.
YOU KNOW, SAM STARTS
NEXT WEEK, TOO.
IT'S NOT SO DIFFERENT.
COME ON.
ALL RIGHT. I'M JUST GONNA
WAIT RIGHT HERE.
[KIDS PLAYING]
[KIDS PLAYING]
[DROPS TOY]
OK.
HI.
HI.
CAN YOU TAKE THIS?
THANK YOU.
I'LL SEE YOU LATER.
BYE-BYE.
BYE.
BYE-BYE.
BYE.
Jim:
HELLO.HI.
[THINKING]
WHEN I GET TO WORK TODAY,
I'M GOING TO WRITE A CHECK OU TO ONE OF THOSE CHARITIES
THAT HELPS SPECIAL KIDS.
LOOK AT 'EM.
I REALLY SHOULD.
MY KIDS ARE FINE.
SUSAN IS SMART AND PRETTY.
I'VE DONE GOOD.
I'VE DONE GOOD.
Emily:
MOM.HA HA.
JAKE, CUT IT OUT.
STOP IT!
YEAH. OW, EMILY.
THAT REALLY HURT.
I'M TELLING YOU, GUYS.
DON'T START.
BUT HE STARTED IT.
[BRAKES SLAM]
IF YOU GUYS DON'T STOP,
WE CAN TURN AROUND
Doll:
JAKE, HURRY.DO SOMETHING ELSE
I PROMISE IT'LL BE
WORTH YOUR WHILE.
YOU.
NO, YOU.
Esther:
JULIE,I'M LEAVING.
MAKE SURE YOU STAY WITH PAUL
TILL I GET BACK.
I'LL BE SURE TO TACKLE HIM
IF HE TRIES TO GET UP
AND RUN AWAY.
JULIE, DID YOU HEAR ME?!
YES!
YES!
UHH.
UHH.
LOVED.
LOVED.
TRAIN?
TRAIN?
DO YOU KNOW WHY:
I'M HERE, JIM?
DO YOU KNOW WHY:
I'M HERE, JIM?
I DON'T--
UH-UH. UH-UH. UH-UH.
NO EXCUSES.
UH-UH. UH-UH. UH-UH.
NO EXCUSES.
YOU...ARE FINCH PEABODY'S
LAWYER OF THE YEAR.
EVERYBODY, COME ON IN.
EVERYBODY, COME ON IN.
HA HA HA.
WELL, GO ON.
READ IT, JIM.
FINCH, PEABODY,
AND...SINGER?
THAT'S RIGHT, JIM.
IT'S EVERYBODY'S DAY
TO CELEBRATE.
WE MADE RYAN A PARTNER.
RYAN, COME ON IN HERE.
[THINKING]
I'VE WORKED SO HARD.
EFFORT EQUALS REWARD.
HOW COULD THIS HAPPEN?
YOU REAP WHAT YOU SOW.
A MAN IS ONLY AS GOOD
AS THE WORK--
PERSEVERANCE BREEDS SUCCESS.
IF YOU WORK HARD,
YOU'LL GET AHEAD.
THIS WASN'T SUPPOSED
TO GO LIKE THIS.
YOU LOOK BEAUTIFUL.
CAN I TOUCH YOU?
YOU LOOK BEAUTIFUL.
CAN I TOUCH YOU?
Secretary:
FINCH,PEABODY, SINGER.
GET OFF HER.
HEY.
HEY.
?? IN THE MORNING
I HEAR THE ANGELS ??
TO MAKE YOU SMILE ??
?? OH, HELP ME ??
?? WE NEVER TOUCHED ??
?? PLEASE REMEMBER ??
?? I STILL BELIEVE
IN SOMETHING BEAUTIFUL ??
MRS. GOLD.
HI.
?? PICK ME UP
I'M CRYING ??
?? PICK ME UP
I'M CRYING ??
[TIRES SQUEALING]
[TIRES SQUEALING]
[BREATHING HEAVILY]
[BREATHING HEAVILY]
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Safety of Objects" Scripts.com. STANDS4 LLC, 2025. Web. 21 Feb. 2025. <https://www.scripts.com/script/the_safety_of_objects_21231>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In