The Salamander

Synopsis: An Italian policeman investigates a series of murders involving people in prominent positions. Left behind at each murder scene is a drawing of a salamander. The policeman begins to suspect these murders are linked to a plot to seize control of the government.
Genre: Thriller
Director(s): Peter Zinner
  2 wins.
 
IMDB:
6.2
R
Year:
1981
103 min
46 Views


A color film in monochrome.

Hello? Paris?

May I speak to Louis Roy?

Louis Roy, like your

King Louis, backwards.

Exactly.

Louis?

It's Pierre.

I'm fine, thanks.

Brazil?

Two months of lovely weather,

and otherwise ghastly.

You'll have them in a month.

Three articles, like we agreed.

What bullshit!

The Paris newspaper won't

take me on at the moment.

Didn't they promise, more or less?

Not definitely.

They've got financial problems.

And I will too, soon.

Won't they pay for the Brazil

articles?

Yes, but not much.

I'll have to freelance.

Take up Bernard's offer

for that television job.

Oh, right.

I can't write a script for Bernard

and my Brazil articles.

Write it with someone else.

With whom?

I don't know.

Your hairy writer friend, Paul.

Not a bad idea.

Paul?

Paul! A call for you.

Who is it?

Richard Nixon. Or Leonid Brezhnev.

I don't know which. One or the other.

That's fine. Thanks, Paul.

See you soon.

I might not come to work

on Monday morning.

Or Monday afternoon.

Maybe not for the whole month.

We're fed up with your

comings and goings.

That's our arrangement,

I'm not at your beck and call.

He works when he feels like it.

Great! Isn't it?

Elsewhere, I work harder for nothing.

That's your business.

Exactly, that's my business.

You got on our nerves

with your mucking about.

Pack it up!

Paul lived in a secluded spot,

but not for love of nature.

He appreciated tranquility,

but it was a small house,

and the rent was only

100 francs a month,

and he appreciated that even more.

We find ourselves in the

country's western frontier,

two steps from the border,

and Switzerland seems to be left

behind.

We turn our backs on her.

On the other side of this

no-man's land lies France.

A country where one never

knows what the next year,

or month, will have in store.

Despite appearances,

which one should never trust,

Paul was not a plasterer,

or a singer,

but a writer.

This was October 25th.

The weather was rather dull.

Come in!

Come in!

You've brought a suitcase?

Are you gonna take the job?

- Have you decided?

- No.

But I live 10 miles away, and it's

cold.

I've brought my things, in case I

stay.

Good thinking!

Well?

You know Bernard, the guy from TV?

- No.

- Nevermind.

He's a friend. I'm doing a job for

him because I need the cash.

I've got to write a story, a script,

based on a year old news item.

He wants to film it, and

he'll pay in advance.

But since I have to write

my Brazil articles,

I'd like for you to help me with it.

OK?

- It depends.

- Depends on what?

Lots of things.

Has your scribbling ever brought

in 2,000 francs in a month?

Not counting the poems your wife

writes!

Listen. We'll make 4,000 francs.

We can do the job in one

month, they've allowed three.

What more do you want?

I'd like to know the subject,

and how we tackle it.

I don't work to order.

- Tell me about the event.

- Very simple.

A story which fizzled out.

A man whose niece lived with him

claimed she shot him with his Army

rifle.

The bullet hit him in the shoulder.

She denied everything.

She claims the old man hurt

himself cleaning his rifle.

There were no witnesses, they

both maintained their statements,

and the case was dropped.

That's all.

Strange.

There's a press clipping about it, up

there.

Bernard would like a sort

of sociological study.

The girl's name is Rosemonde.

Rosemonde? I'd forgotten that.

Doesn't sound bad, Rosemonde.

So?

Hold on.

Are you staying?

- Interested?

- Yes, I am.

How will we work?

Together is more complicated.

We'll make it however you like.

Have you got a calendar

with Saints' Days?

- Saints?

- Yes, saints.

Maybe in my diary...

Yeah, here they are...

- What are you looking for?

- Hold on.

Here. I found it.

April 30th, St. Rosemonde. As

I thought, it's a calendar name.

So what?

- That explains it.

- Explains what?

That the girl wanted to kill her

uncle.

Our names are in the calendar,

but we don't kill uncles.

Let me explain.

It happened like this:

Rosemonde comes from a big family.

In big families, when the usual

names have been exhausted

on the first-born brats,

the parents run out of ideas,

and start using calendar names.

Thus:
a big family...

...a swarm of noisy little brats.

A big family means a country family.

They couldn't afford the

housing racket in town.

So they live in the country,

but not any old stretch of country,

Catholic country, still a little

backward.

Contraception unknown, calendar

saints, and all that.

The father's a blockhead,

education leaves a lot to be desired.

And why does Rosemonde live in town?

That's easy:
the father can't make

ends meet.

He'll never make a go of things.

Salvation:
a brother in town,

comfortably off,

room to spare, easily put upon.

So he's landed with the girl,

and there's one less at home to feed.

What does Rosemonde do in town?

She does miserable jobs, unskilled

jobs.

She starts to run wild.

Uncle tries to straighten her out.

They quarrel.

One day he's cleaning his army rifle,

and inevitably, Rosemonde being who

she is,

a shot's fired.

Not a bad story.

I'll stay. What's your opinion?

Not bad. There's just one little

problem.

Which is?

What about the facts?

I've been stating the facts for five

minutes,

apart from some minor details.

I feel I've earned my living, today.

Good. But it may all be a dream.

Why use your imagination

when the story actually happened?

The girl and the uncle exist.

They live here somewhere.

I'm interested in facts, in reality.

We must start by coming to grips with

that.

You can elaborate later.

First we make inquiries.

I'm not a cop.

- Like a journalist!

- I'm not a journalist!

You work as a plasterer so that

you can write what you like.

Good. Let's not get ahead of

ourselves.

I'll make some coffee.

When you get the sausage, make sure

to tie it well.

So we've agreed?

The water's ready.

We'll go about it based on your idea.

You'll write the girl's story as you

see it.

I'll visit people with my tape

recorder.

and collect as much information as I

can,

so that you can build your story

around it.

Later on we'll go over it all

together.

Sound good?

Yeah. Don't forget, I don't want

to know anything about her.

Bring back all you can get on the

others.

Warm woolen underpants for winter!

Warm woolen socks for winter!

A pad of special paper!

A deluxe fountain pen!

- And where's the cash?

- In the Bank.

- Sugar?

- Two lumps.

My wife needs my share now.

Whenever you like.

First, Pierre had to find Rosemonde.

Despite some difficulties

due to Rosemonde's personality,

Pierre conducted his inquiries with

gusto.

She didn't stay more than a month.

You should've seen her room.

An unholy mess!

We've had all sorts here,

but she took the cake!

I always say, whenever

someone can't be on time

--She was often 15 minutes late--

something's not right.

- Where does she work now?

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Robert Katz

Robert Katz (27 June 1933 – 20 October 2010) was an American novelist, screenwriter, and non-fiction author.Katz was born in Brooklyn, New York, the son of Sidney and Helen Katz, née Holland, and married Beverly Gerstel on September 22, 1957. The couple had two sons: Stephen Lee Katz, Jonathan Howard Katz. He studied at Brooklyn College 1951–53 and went on to be a photojournalist and writer at the United Hias Service, NYC 1953–57, at the American Cancer Society in New York (1958–63) and then at the United Nations in New York and Rome (1963–64). He was a freelance writer from 1964 until his death. He fulfilled academic roles at numerous institutions, including being Visiting Professor of Investigative Journalism at the University of California, Santa Cruz (1986–92). Awarded an ongoing Guggenheim Fellowship in 1970, he has also been a fellow of Adlai E. Stevenson College; University of California during 1986 to 1992. He became a grantee of the American Council of Learned Societies in 1971; and a recipient of the Laceno d'Oro (best screenplay) award at the Neorealist Film Festival in Avellino, Italy (1983). Katz was involved in a criminal-libel in Italy over the contents of his book Death in Rome, in which he was charged with "defaming the memory of the Pope" Pius XII regarding the Ardeatine Massacre of 335 Italians, including 70 Jews, at the Ardeatine Caves in 1944. The case ended with the charges being dismissed in 1980 by Italy's highest court. The suit had been issued by the Pope's family. The book was made into the 1973 film Massacre in Rome starring Richard Burton.Katz lived for many years in Tuscany, Italy. He died October 20, 2010, in Montevarchi, Italy, as a result of complications from cancer surgery. more…

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