The Sandman (Vertigo) Page #9

Synopsis: On a dark night, as the clock strikes eight, a mother sends her child upstairs to bed with only a candle for light. The child is wary, then frightened. The child hears something climbing the stairs. We see a birdlike man, his head like a crescent moon, stealthily then noisily approach the child's room. Mother appears to kiss the child good night. Has the sandman been a figment of the child's imagination? Then, he appears in the child's room and, as the child sleeps, leans over and takes something, leaps to the window, throws open the sash, and flies to a nest where two hungry fledglings cry. What has the sandman brought them?
Director(s): Paul Berry
  Nominated for 1 Oscar. Another 2 wins & 1 nomination.
 
IMDB:
7.5
Year:
1991
10 min
1,556 Views


DesTINy? I'm SORry. I didn't MEaN to calL

you meAn. I mean, i meant to, bUt I

dIdn't MEAN it whEN I meant To.

DESTINY:

I know.

Delirium smiles.

SANDMAN:

My Dreamstone, my Ruby Moonstone, which

can alter the fabric of reality. Where is

it?

32.

Desire seems to enjoy answering.

DESIRE:

A very desirable item, hm? Stolen from a

king by a mage, stolen from a mage by a

thief. And that's the last I know of it.

(a knife's-edge smile)

Sorry.

Sandman scowls. Then turns to Despair.

SANDMAN:

And my helm of office, which protects me

between realms?

DESPAIR:

It was traded to a demon long ago. It now

abides in Hell. I am too familiar with

that place.

Sandman does not like this news.

SANDMAN:

Thank you.

He rises, leaves the table.

EXT. DESTINY'S CITADEL - TWILIGHT

Sandman stands on a balcony looking out over Destiny's

garden. Death joins him.

SANDMAN:

My ruby is missing. And I am not strong

enough to face a single demon, let alone

the hordes of hell.

DEATH:

So ... the pouch?

SANDMAN:

Yes. My sister, I pray you tell our

siblings that I was needed elsewhere, and

I could not stay.

He kisses her hand, and starts to fade away.

SANDMAN:

Adieu.

He's gone. Death bites her lip.

DEATH:

Great. Now I get to worry about him some

more ...

33.

EXT. ALEXANDER'S YACHT - EVENING

A 150-foot white yacht, sleek, huge engines, built for speed

and show, a testament to ego rather than seaworthiness.

Anchored far away from shore. Silent and dark, save for

lights in the galley and a forward cabin.

INT. ALEXANDER'S YACHT - GALLEY - EVENING

Plush and elegant. Long center table, huge refrigerator.

Quiet, cavernous and empty. A door opens --

It's ALEXANDER BURGESS. No longer the 'young' Burgess, he's

in his fifties, now -- and looks older. Silk robe pajamas,

unkempt hair, shuffling along, he is a shocking contrast to

the opulence of his ship.

CLOSE ON:
a tray, as Alexander carefully places five celery

sticks in line. Each celery stick is exactly the same length.

INT. ALEXANDER' YACHT - CAPTAIN'S CABIN - EVENING

Alexander pushes into the cabin, carrying the tray. A huge

bed, marble and wood appointments -- this is a yacht Donald

Trump might have owned.

On the bed is the body of a muscular young man. Dead.

ALEXANDER:

Carlos ... ?

CORINTHIAN:

Alexander Burgess, I presume.

The Corinthian is standing to one side of the door. Alexander

drops the tray, reaches into his robe, draws a gun from a

holster at his side --

The Corinthian moves swiftly, a single blow --

Alexander crumples to the deck, and SCREEN FADES TO BLACK.

INT. ALEXANDER'S YACHT - CAPTAIN'S CABIN - EVENING

FADE UP:
CLOSE ON ALEXANDER, lying where he fell. His eyes

open -- slightly. He shifts his eyes only, glancing around.

POV ALEXANDER -- he sees the Corinthian, moving about the

cabin, searching. Photos on the walls show scenes from huge

and decadent parties -- liquor, drugs, beautiful women,

powerful men. The Corinthian looks at them, shakes his head.

CORINTHIAN:

(to himself)

Oh my, such decadence.

34.

He moves past, examines an empty wall. Lingers there.

CORINTHIAN:

Dear Alexander ... you spent a lot of

time here, didn't you? It stinks of worry

...

He glances at a trail we can't see.

CORINTHIAN:

You've worn a path. And stood here for

long periods of time ...

He reaches up -- a hidden switch behind a bookcase slides

back a section of marble, revealing a safe. Without looking:

CORINTHIAN:

(to Alexander)

Get up! You've been awake for the past

two minutes. Your breathing betrays you.

Alexander opens his eyes, struggles to sitting. He begins to

weep -- not in terror, but in resignation. He wipes his eyes

with both hands.

ALEXANDER:

I knew ... it had to happen.

CORINTHIAN:

Yes, well ... you shouldn't have written

the book. Led me right to you.

He flings a book off the shelf down in front of Alexander.

'LORD MAGUS:
The Truths of Roderick Burgess' by Alexander

Burgess. Alexander looks at it.

ALEXANDER:

Stupid. But I had to ... to ...

CORINTHIAN:

Pay penance? Set the record straight?

Make a fortune off the movie sale?

Alexander laughs mirthlessly.

ALEXANDER:

Hardly. You're probably the only one

whose ever read the damn thing.

(beat)

Want me to sign it?

CORINTHIAN:

No.

35.

ALEXANDER:

The Ruby.

CORINTHIAN:

Yes.

Alexander stands, moves to the safe.

ALEXANDER:

Is Carlos dead?

CORINTHIAN:

Yes. Your lover?

Alexander works the dial.

ALEXANDER:

(shakes his head)

Pilot and body guard. I haven't had much

interest in lovers -- male or female --

in a long time. Although I had my share

of both, once ...

He pulls the safe open. It is empty, save for SANDMAN'S RUBY,

set on a velvet pad. He takes it out.

ALEXANDER:

This gave them to me. It gave me

everything I ever desired ...

CORINTHIAN:

(mock tragic)

Except the one thing you ever really

wanted. Your father's love.

Alexander makes a fist around the Ruby. Hurls it at the

Corinthian -- who makes an effortless one-handed catch. He

holds it up to the light, then pockets it. Draws his knife.

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Neil Gaiman

Neil Richard MacKinnon Gaiman is an English author of short fiction, novels, comic books, graphic novels, audio theatre, and films. more…

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