The Sea of Grass
- PASSED
- Year:
- 1947
- 123 min
- 127 Views
TELEGRAM:
FOR MISS CAMERON.
NAT, WE'RE LATE,TERRIBLY LATE.
RIGHT.
TELEGRAM FOR ME?
NO, FOR MISS LUTIE.
I'LL TAKE IT UP TO HER.
THEY'RE ALL UP THERE.
WOULDN'T YOU THINK
THEY'D GET TIRED
WEDDINGS!
I'LL BE SO GLAD WHEN IT'S OVER.
HURRY UP, RACHAEL.
WHAT FOR?
IT AIN'T TILL 3 DAYS.
RACHAEL, HAVE YOU
EVER BEEN MARRIED?
YES'EM-HERE AND THERE
NOW AND THEN.
WHERE'S LUTIE?
SHE'S IN THERE.
MORE BEAUTIFUL THAN YOU
CAN IMAGINE!
MAY I SEE YOU,
LUTIE?
ONE MINUTE, FATHER!
LET HIM IN, RACHAEL.
YOU LOOK FINE.
THEN SMILE!
- SMILE?
YOU HAVEN'T SMILED
WHY, LUTIE, I...
THE TWO LONGEST THINGS
IN ST. LOUIS-
YOUR FACE AND THE
MISSISSIPPI RIVER.
WELL, I ONLY WAN YOUR HAPPINESS, LUTIE.
AND I JUST KEEP THINKING
ONE THING:
HE'S GREAT IN SALT FORK
TERRITORY OF NEW MEXICO
AND YOU'RE ALL RIGH IN ST. LOUIS, MISSOURI.
STOP IT, DARLING.
AND THEN I THINK OF
THE TWO OF YOU TOGETHER,
AND NEITHER PLACE-
I KNOW IT'S GOING
TO BE RIGHT.
AND, LUTIE, SUCH A
A SHORT COURTSHIP.
A COWMAN!
BUT SUCH A COWMAN.
REMEMBER WHAT YOU SAID
WHEN YOU INTRODUCED US.
THAT'S RIGHT,
I DID INTRODUCE YOU.
HERE'S A TELEGRAM
FOR YOU.
OH, THANKS.
HE MUST HAVE LEFT.
HE SAID HE'D WIRE
THE MINUTE HE GO ON THE TRAIN.
DELAYED. CAN'T-
GET TO ST. LOUIS FCR WEDDING.
TAKE FIRST TRAIN
BE MARRIED HERE. LOVE, JIM.
WELL!
FATHER, THIS IS NOT FUNNY.
WELL, YOU ASKED ME
TO SMILE, DIDN'T YOU?
YOU DONE IT-
TRAIN'S EARLY, 3/4 OF AN HOUR!
AND 33 SECONDS.
I GOT A STOPWATCH.
DON'T WORRY.
YOU HEARD THE CONDUCTOR-
TRAIN'S EARLY.
YOUR MAN AIN' SHOWED UP, NEITHER.
SAMMY!
SAMMY!
- SELINA!
HELLO, SPROUT.
YOU'VE GROWED!
REGULAR BUSTER,
AIN'T SHE?
SAM, THIS IS
LUTIE CAMERON.
WE KEPT EACH OTHER COMPANY
ON THE ROAD OUT.
HAPPY TO KNOW YOU, SAM.
I'VE HEARD
A LOT ABOUT YOU.
NO MORE THAN I HEARD
OF HER MAN.
MAYBE I KNOW HIM.
HOMESTEADER?
CATTLEMAN.
- OH.
NAME OF JIM BREWTON.
COLONEL BREWTON?
- MM-HMM.
YES, I KNOW HIM.
I SURE THANK YOU FOR HELPING
THE WIFE OUT, MA'AM.
COME ON, HONEY.
ALL RIGHT, SAM.
GOODBYE, LUTIE.
GOODBYE, SELINA.
GOOD LUCK TO YOU.
WE'LL SEE EACH OTHER.
BE A GOOD GIRL,
BUTTON-NOSE.
THERE'S A-A HOTEL?
SURE. EXCHANGE HOUSE
OVER THERE.
THANK YOU.
COLONE BREWTON WILL
CALL FOR THIS LUGGAGE.
YES, MA'AM.
I'M SORRY
TO DISTURB YOU:
BUT WILL YOU:
HELP ME, PLEASE?
OH, THANK YOU
VERY MUCH.
I'LL BE A SON OF A GUN.
I BEG YOUR PARDON?
I SAID,
I'M A SON OF A GUN.
IT ISN'T POSSIBLE. OF COURSE NOW,
IS IT? - WHAT?
THAT YOU ARE MISS LUTIE CAMERON
OF ST. LOUIS AND POINTS EAST.
SHE ARRIVES ON THE 3:00.
THEY'RE SENDING UP
ROCKETS THEN.
TRUST JIM BREWTON
TO PICK A WOMAN:
WITH HAIR THE COLOR
OF CHILI PEPPER.
WELL, DON'T WORRY,
I LIKE IT.
WELL, IF YOU KNOW COLONEL
EVERYBODY KNOWS JIM BREWTON,
SOME TO THEIR SORROW.
YOUR IMPENDING ARRIVAL
HAS CREATED QUITE A STIR
IN SALT FORK,
MISS CAMERON.
BREATHS HAVE BEEN
WELL-BATED.
I SHALL NOW BATE MINE AGAIN.
YOU'RE MAKING THE MISTAKE
THERE'S A TRAIN OU OF HERE TOMORROW.
IF I WERE YOU,
I'D BE ON IT.
WHO ARE YOU, ANYWAY?
THE NAME'S BRICE CHAMBERLAIN.
HOWEVER, "WHAT," NOT "WHO,"
IS THE IMPORTANT THING.
I, MISS CAMERON,
AM AN IDEALIST-
A PRACTICING IDEALIST.
LOOK AROUND YOU,
MISS CAMERON.
YOU'RE OUT OF PLACE.
IS REDEYE, NOT CHAMPAGNE.
REDEYE...
- REDEYE.
A VERY INFERIOR:
BRAND OF WHISKEY.
NEVER TOUCH:
THE STUFF MYSELF.
UNDERSTAND BREWTON
DOES, THOUGH.
I GUESS I AM.
ON THE OTHER HAND, MAYBE I'M NOT.
I DON'T KNOW.
THIS IS SUCH:
A PLACE.
COME ON, MR. CHAMBERLAIN,
JURY'S COMING IN.
WE BETTER GET OVER THERE.
BREWTON AIN'T SHOWED UP YET.
SURE, ANDY. MEET YOU
AT THE COURTHOUSE.
IS THAT WHERE COLONEL BREWTON IS,
AT THE COURTHOUSE?
THAT'S WHERE I LEFT HIM.
WHY, YOU'RE HIS ENEMY,
AREN'T YOU?
HIS NATURAL ENEMY.
WE'RE MAKING HISTORY IN SALT FORK
TODAY, MISS CAMERON.
I HOPE IT WILL BE
THE RIGHT KIND.
IT WON'T BE.
QUIET DOWN, FOLKS,
QUIET DOWN!
QUIET IN THE COURTHOUSE, BOYS.
THE COURT'S IN SESSION NOW.
GENTLEMEN OF THE JURY
HAV E YOU REACHED A DECISION?
YES, SIR, WE HAVE-
UNANIMOUS.
HOW FIND YOU?
ARE THE DEFENDANTS GUILTY
OR NOT GUILTY?
WE FIND THA ANDY BOGGS HERE
WAS SHOT AND RUN OFF
THE LAND HE FILED ON
BY PARTIES UNKNOWN.
WELL, THAT VERDIC DON'T SETTLE ANYTHING.
HOW ABOU THE DEFENDANTS HERE-
IKE RANDALL:
AND BILL ROACH?
YOU MEAN, THE BOYS
WHAT DONE THE SHOOTIN'?
THEY AIN'T GUILTY.
DEFENDANTS RELEASED.
COURT'S ADJOURNED!
JUST ONE MOMENT,
GENTLEMEN!
THIS TRIAL'S OVER, BUT AS
ATTORNEY FOR THE PLAINTIFFS,
THERE ARE STILL A FEW
SWALLOW QUICK,
AND MAYBE THEY'LL GO AWAY.
COLONEL BREWTON, I WONDER,
NOW THAT WE'VE LOS IF YOU'D OBLIGE ME
LET'S SAY, AS A SPORTING
PROPOSITION.
TROUBLE WITH YOU IS,
YOU DON'T KNOW WHEN YOU'RE LICKED.
NO, HE DOESN'T, MAC.
ALL RIGHT, SIR
GO AHEAD.
JUST REMEMBER, I'VE GOT A
3 O'CLOCK TRAIN TO MEET.
THANK YOU,
I'LL BE BRIEF.
COLONEL BREWTON,
HOW MUCH CATTLE RANGE DO YOU CONTROL?
INTO A MILLION OR MORE ACRES.
I'VE NEVER COUNTED THEM.
THEN AGAIN, I'VE HEARD
THAT IT'S 100 SQUARE MILES.
IN ANY CASE YOU WILL ADMI THAT'S A LOT OF LAND FOR ONE MAN.
WELL, I RUN A LOT OF COWS.
A FEW SCATTERED WATER HOLES
THAT ARE FILED ON
EITHER IN YOUR NAME
AND THAT BY FAR:
THE GREATER PART OF I STILL BELONGS
TO THE GOVERNMENT.
LEGALLY, YES.
IS IT TRUE, THEN THA MILLION OR MORE ACRES
STILL BELONGING:
TO THE GOVERNMENT,
IS THE SAME LAND FROM
WHICH ANDREW BOGGS
WHO MERELY WANTED 160 ACRES
FOR A HOMESTEAD.
WAS RUN OFF AND:
SEVERELY WOUNDED
BY PARTIES UNKNOWN.
BOGGS WAS NO RUN OFF BECAUSE
HE WANTED TO SETTLE
THE 160 ACRES
BUT BECAUSE OF WHA HE WANTED TO DO WITH THE LAND.
LET'S FORGE ABOUT THIS CASE.
A SINGLE MAN,
AND THE COURT HAS
BUT WAITING A THE EDGE OF SALT FORK
TO HEAR THE OUTCOME OF THIS TRIAL
ARE OTHER SETTLERS.
MEN WITH FAMILIES,
WHO'VE DRIVEN THEIR WAGONS
MORE THAN 1,000 MILES
ACROSS THE PLAINS
AND LEFT THEIR DEAD
FROM THE MISSISSIPPI
TO THE RIO GRANDE
ALL WITH ONE PURPOSE-
TO FIND HOMES:
FOR THEMSELVES IN THIS GREAT TERRITORY.
OF THESE FAMILIES
IF YOU WON'T LET THEM SETTLE
OUT OF THE MILLIONS OR MORE
OF GOVERNMENT LAND ON YOUR RANGE.
CHAMBERLAIN, I HAVE SYMPATHY
FOR THE EARLY PIONEER
WHO CAME OUT HERE
AND RISKED HIS LIFE
AND HIS FAMILY'S
AMONG THE INDIANS,
AND I HOPE I HAVE A LITTLE CHARITY
FOR THE NESTOR:
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Sea of Grass" Scripts.com. STANDS4 LLC, 2025. Web. 21 Jan. 2025. <https://www.scripts.com/script/the_sea_of_grass_21255>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In