The Seamstress Page #4

Synopsis: The Seamstress was brought into being by the desperate curse of an innocent woman being tortured to death by a vigilante mob. Voracious for blood, the hideously-mutilated specter hunts a small group of friends who become trapped on the island where she died. The friends, led by Allie, are searching for Allie's missing father. As Allie comes to understand that he was one of the vigilantes, her friends begin to die gruesome horrific deaths on the point of The Seamstress' needle. When the last two surviving vigilantes arrive, locked in their own dance of death and revenge, Allie must either preserve her own innocence or be corrupted by vengeance herself.
Genre: Crime, Horror, Mystery
Director(s): Jesse James Miller
Production: Image Entertainment
 
IMDB:
3.5
R
Year:
2009
76 min
10 Views


He was attacked, mutilated.

- What?

Where is he?

What happened?

- Where's Lizzie?

- I don't know.

What the hell's going on?

- Jason, it had to be Ryan.

We have to get him.

- Okay, come here.

Come on.

- Jason, what are you doing?

- I'm getting you off this island.

- What about Lizzie?

- I don't know where she is.

She's probably

back down at the campsite.

I was following her here-

- Okay, Jason, stop.

Why did Lizzie take off?

Where?

What is that reek?

both:
What?

- That smell, what is it?

- Oil?

- I don't know.

- What is this?

- Are those torches?

- I don't know if it's safe, guys.

It looks like

it's been sitting there forever.

- Albert, use your lighter.

- Hold this.

- Why is this here?

They burned her.

They burned Margaret Cauli.

You guys,

they burned Margaret Cauli.

[woman screams]

- Let's go.

Lizzie!

- Lizzie!

- Lizzie!

- Lizzie!

all:
Lizzie? Lizzie?

- Oh, god.

Oh, god.

Lizzie? Lizzie?

- Lizzie?

Oh, god!

Oh, god, Lizzie, Lizzie.

- I need more light!

Albert, give me your knife!

It's okay.

You're going to be okay.

Lizzie, listen to me!

[muffled screaming]

- Don't move!

Don't move!

- Get me down!

Cut me loose!

- Allie, something's above you!

[girls screaming]

- It's time.

You're mine.

Mine.

- No! Lizzie, no!

I can help you!

- [screaming]

- Lizzie!

- Oh, my god!

- It's time.

It's time.

- What the f*** was that?

- That's what killed Paul.

- It's afraid of fire.

- Albert, I'm sorry, she stays.

Let's go.

- Come on, you guys.

Let's go, let's go.

- Come on, Albert, come on.

- How bad is it?

- I can't see.

- What?

What is it?

- Paul's in there.

He's in there.

- No, Dina, that is not Paul.

- Paul is in there.

- Dina, we're going this way.

Come on.

- Best man, my ass.

[eerie whispering]

- Allie, your torch.

- We are walking out together.

We stay together.

- Let's go.

- Let's go.

Come on, come on!

- Jason!

- [whispering] Allie.

- Jason!

Jason!

Jason, wait!

- Allie, Allie!

[coughs]

[coughs]

- F*** you, you ugly b*tch!

- Dina, no!

- Who's the ugly b*tch now?

You can't run from me.

I'll find you.

- Allie.

The rules have changed.

Logan tried to keep her in,

but it changed the curse.

Allie, get up.

The rules have changed.

- Dad?

Can you please help?

Help me.

- [over phone] Al, it's Dad.

[static]

- [through static]

I've got to go.

But I'll see you soon, okay?

I love you.

[footsteps running]

- Allie, Allie?

You okay?

You okay?

You okay, sweetie?

[woman screaming]

No, Allie.

- No, I have to know.

- Allie.

Allie.

Allie, we need to go.

- [gags]

- We should go.

Allie.

We should go.

We should go.

- No.

- Say your life depended on it.

Would you be thinking

good thing or bad thing?

Allie?

Allie?

Allie?

Allie?

Allie, Allie, Allie.

Allie, good-

Allie, Allie, good-

good or bad?

- It's the symbols on the trees.

- Yeah, I know that.

[eerie growl]

[woman whispering]

- Run.

Run!

- Don't be afraid.

[snarling]

[shrieking]

- Allie!

- Albert!

- Allie!

Allie, Allie!

- [growling]

Don't be afraid.

- Albert!

Albert, the symbols keep her in!

They keep her in!

Hold this up.

Hold this up.

There's a symbol on the map, okay?

Hold it up.

Hold it up, okay?

Breathe.

- Okay.

- Are you okay?

- I think I'm going to go

six kinds of septic,

but I think I can walk.

- Here.

Thank you.

- Yeah.

- Ow.

- Are you okay?

- Yeah.

Yeah, I'm okay.

It's just a little-

it'll loosen up in a bit.

It's just-

- No, I mean, are you-

Allie, are you okay?

- I found these

outside my tent that night,

and I found this in his grave, so...

- Okay.

So you found him.

It's over.

- Yeah.

It's over.

[motor roaring]

That's a boat.

- Allie!

Allie!

- Jason.

- Sh*t, man.

You've got to help me.

I think my friends are dead.

- Not all.

- What?

Where's Allie?

- Jason!

Jason!

- I'm starting to rethink

my concept of "weird night."

- Logan?

- Sheriff Logan?

- What are you doing here?

- What are you doing here?

- This is what I'm doing here.

We're six and seven.

- You help me, hey?

- Help you?

We'll help you.

- Ryan!

Allie!

- You tortured him?

- You're goddamn right I did.

He mutilated dozens of children,

including my son.

Did you find your father?

- Four of our friends died.

- Your friends met Margaret, hey?

Did you see her?

What did she do to your friends?

Is that where you got all the blood, hey?

- Margaret's the Seamstress?

- No, this is the Seamstress.

This!

He's the real one.

- Allie?

Allie?

- Come on!

- No.

- Get up, you sh*t!

Get up!

Come on.

Get up!

- Thinking about your dad, hey,

out here with us that night

doing dirty work, hey?

Huh, Donny with his writer's hands.

That's got to hurt.

Figure out what you'd do yet, hey?

- Shut up.

- Which one of you killed him?

What?

- Which one of you killed him?

- Here.

- A tooth from every mouth

and some personal thing.

- Dad.

- No, don't take my eyes.

I have a daughter!

[screaming]

It was you.

It was you!

Get off of me!

Get off of me!

- Take him to Margaret!

We both get our revenge!

- Get off of me!

- Allie, something's wrong.

It doesn't make any sense.

Margaret was tortured.

They tortured her.

She cursed them.

They changed the curse.

They changed the rules.

Allie, don't!

Don't go.

Don't go.

- Allie!

- You're mine.

- Shut up!

- You going to like it?

Huh?

- I said shut up!

Shut up!

- You should have asked him

how he liked his taste of revenge.

How old were you then, '87,

huh, five?

- Do you remember

how my young wife cried

when she saw

what you had done to me?

Do you?

- You were on the beach.

- I was.

And you were wrong.

These men came for you,

the final two,

six and seven.

- Did you kill Paul And Lizzie?

- No.

I don't kill.

I procure.

She commands, I obey.

That's my curse, you see.

- He's the real one.

- I remember how she screamed

when she touched your skin.

- And you will scream

until there is nothing left of you,

and my wife and l

will be free to pass on.

And you'll be next.

- Go, Allie, and don't look back.

- Please.

You could help me, hey?

I don't do it 'cause I like it.

I can't not do it.

- I told you to shut up.

- You know about that.

I got emotional problems, too, hey?

You know about that.

You lived with it.

- Shut up.

- I remember you, Allison Plachtt.

Allie, Donny's little girl.

He loved you so much.

I spared you.

- Hey.

- Allie.

- They changed the curse.

They changed the rules.

Allie, don't.

- It's time, Logan.

You're mine.

- I regret the things I've done,

but even god can't change the past.

- The real one.

- Tell me how it felt.

- It's time.

[screaming]

- His debt is paid.

Yours is not.

- We're free.

- I feel like sh*t.

- Me too.

- I hope that bastard suffered.

You know, I don't know

how she found his heart.

He hasn't got one.

- Well, she did.

- Yeah, that dog sh*t

was responsible for everything,

everything that happened.

- You did what you did.

Rate this script:0.0 / 0 votes

Mark Garbett

All Mark Garbett scripts | Mark Garbett Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Seamstress" Scripts.com. STANDS4 LLC, 2024. Web. 13 Nov. 2024. <https://www.scripts.com/script/the_seamstress_17675>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who is the main actor in "Iron Man"?
    A Chris Evans
    B Chris Hemsworth
    C Mark Ruffalo
    D Robert Downey Jr.