The Searchers Page #12
- PASSED
- Year:
- 1956
- 119 min
- 1,586 Views
The speech impresses everyone but Laurie, who probably
hasn't heard a word of it.
LAURIE:
Ma!...Martie's drawers is a sight!
Ain't fit for rags!..Would it be
all right if we gave him some of
Brad's things?
There is just the briefest hesitation...
MRS. JORGENSEN
Why...'course it would! They're in
the chest...
And she leads the way briskly, with Laurie following, to
a big chest at the far end of the room.
JORGENSEN:
(rising excitedly)
By golly, the letter...In the chest,
mama...It came for you, Ethan...
last winter...
Ethan and Jorgensen cross together to where Mrs. Jorgensen
is raising the top of a huge dower chest. She extracts
a letter, wrapped in oilskin against moths.
JORGENSEN:
(continuing)
Joab Wilkes of the Rangers brought
it...
Ethan takes the letter and studies it very carefully
before venturing to open it. Jorgensen is quite
curious, but trying not to seem nosy. The women remain
at the chest -- pulling out various folded garments,
etc. Finally Ethan carefully opens it and takes
out a letter -- dirty as to paper, crudely printed in
pencil and with a horseshoe nail pinning a two-inch
square snip of calico to the bottom of the sheet. He
reads the letter with the habitual difficulty of a man
unused to words and then he turns the letter, removes
the nail and looks at the snip of cloth.
ETHAN:
(quietly)
Mrs. Jorgensen...
She comes to him, her arms piled with clothing; and
Laurie a step behind her, holding up a new pair of long-
handled underwear -- measuring it with her eyes for
holes, etc.
ETHAN:
Will you look at this?
He holds out the snip of calico.
MRS. JORGENSEN
Why it's just a snip of calico...
ETHAN:
You ever see it before...like mebbe
MRS. JORGENSEN
Yes!..Yes, I remember!..Have they
found her, Ethan?
ETHAN:
No...not yet...
He takes the calico snip, places it within the letter
and carefully pockets it. He looks broodingly into the
fire.
ETHAN:
(continuing)
...not yet...
Laurie's face is troubled as she turns from him and heads
for the grandmother room, carrying the armful of clothes.
111INT. THE SPARE BEDROOM - FULL SHOT - NIGHT
Martin is sitting sulkily on a cot, wrapped in a blanket.
He glares up as Laurie enters. His feet are in his
boots.
MARTIN:
Might at least have left me my
pants!
LAURIE:
Shush!...Time for bed anyway...
(putting clothes
near him)
Likely these'll need some takin'
in...Oh, Martie, you're that gaunted!
...Ma's havin' a turkey for dinner
tomorrow and...
JORGENSEN'S VOICE
(calling)
Laurie!..Come...come!
Ethan opens the door, enters.
LAURIE:
Yes, Pa!..Good night, Martie...
good night, Mr. Edwards...
She wants to kiss Martie but is shy in Ethan's presence
and hurries out.
MARTIN:
Good night...Laurie...
ETHAN:
Good night...
Martin stoops to remove his boots. Ethan studies him
and looks thoughtfully after the girl and at Martin.
He takes the letter out of his pocket -- as though he
meant to read it -- and then he puts it back decisively.
He starts to undress. Martin lies back on his bunk.
ETHAN:
Jorgensen's been runnin' his cattle
with my own...
MARTIN:
(staring)
YOUR cattle?...DEBBIE'S cattle!
Ethan returns the stare without any change of expression.
ETHAN:
He's agreed to take you on and
share the increase from my herd
while I'm gone...I'll be pushin'
on tomorrow...
MARTIN:
I ain't stayin'...I set out lookin'
for Debbie...I aim to keep on...
ETHAN:
Why?
MARTIN:
Because she's my...my...
ETHAN:
She's your nothin'...She's no kin
to you at all!
MARTIN:
I always felt like she was...Her
folks takin' me in, raisin' me
like one of their own...
ETHAN:
That don't make 'em kin...
MARTIN:
All right...I ain't got no kin...
I'm goin' to keep lookin' that's
all.
ETHAN:
How? You got any horses, or money
to buy 'em...You ain't even got
money to buy cartridges...Jorgensen's
offering you a good livin' here...
Martin throws himself back, turns his face to the wall.
Ethan looks soberly at him -- and is sorry for the
brutality of his words.
ETHAN:
Martin...I want you to know some-
thin'...
MARTIN:
(turning -- mad as
hell)
Yeah...you want me to know I ain't got
no kin -- no money -- no horses --
nothing but a dead man's clothes
to wear!..You tole me that already...
Now shut your head!
ETHAN:
Good night.
DISSOLVE TO:
112EXT. THE JORGENSEN HOME - WIDE ANGLE - DAWN LIGHT
It is a still scene, with the first light of day in the
sky, a thin plume of smoke rising from the chimney.
113INT. THE JORGENSEN KEEPING ROOM - MED. CLOSE SHOT - LAURIE -
DAWN LIGHT:
She is in a robe made of an Indian blanket, belted snugly
around her waist. She wears moccasins for slippers. Her
flannel nightgown is high at the collar and almost trails
the floor. She is at the stove, frying bacon and eggs; a
coffee pot is on the boil. Beyond her the door to the
grandmother room opens and Martin comes in -- dressed in
Brad's clothes. His eyes whip around the room. Laurie
doesn't turn as he slowly approaches.
LAURIE:
(quietly)
Ethan rode on...an hour ago.
The starch goes out of him. He walks heavily to the table
and sits, slumped. She looks at him compassionately.
LAURIE:
I don't know what you can do about
finding Debbie that he can't...
He just shakes his head, not looking at her. She lifts the
food from the skillet onto a plate and sets it before him.
LAURIE:
He'll find her now, Martie...Please
believe me...I know.
He shakes his head. She crosses to the stove for the
coffee pot.
MARTIN:
That's what scares me -- him findin'
her.
Now it is her turn to stare.
MARTIN:
Laurie, I've seen his eyes when he
so much as hears the word 'Comanche'
...I've seen him take his knife an'
...never mind...But he's a man can
go crazy wild...It might come on him
when it was the worst thing could be
...What I counted on, I hoped to be
there to stop him, if such thing
come.
Laurie has poured his coffee. Now he sips it. She sits
at the table with him.
LAURIE:
(slowly)
I hoped I could hold you here...But
I guess I knew...So I stole this
for you...
She takes Ethan's letter from her breast and hands it to
him. He takes it, puzzled, and slowly reads it aloud.
MARTIN:
'I bought a small size dress off a
Injun...If this here is a piece of
yr chiles dress bring reward. I
know where they gone...Jerem
Futterman.'
Martin is on his feet.
MARTIN:
(excited)
Futterman!...He's got a little
tradin' post on the South Fork o'
the Brazos...Laurie, I just got
to get me a good horse! Think
yer pa would...
LAURIE:
Finish your breakfast...
MARTIN:
I gotta catch up with him, Laurie!
LAURIE:
(almost in tears --
but angry)
Go on then! Pa's in the barn
saddlin' the Fort Worth stud...
an' you can take the light gelding
with the blaze...
MARTIN:
But that's Sweet-face -- your own
good horse.
Laurie goes to the front door and throws it wide.
LAURIE:
(hysterically)
Take it and welcome...but don't
count on finding me here when you
get back...I've been dallying around
this god-forsaken wind-scour almost
two long years waitin' for you...I
ain't cut out to be an old maid!
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"The Searchers" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/the_searchers_974>.
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