The Secret World of Arrietty Page #3

Synopsis: 14-year-old Arrietty and the rest of the Clock family live in peaceful anonymity as they make their own home from items that they borrow from the house's human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty.
Production: Walt Disney Pictures
  11 wins & 6 nominations.
 
IMDB:
7.6
Metacritic:
80
Rotten Tomatoes:
94%
G
Year:
2010
94 min
$19,192,510
Website
3,907 Views


There they are.

They finally found the right road.

Another human bean!

It's all right, Mother.

We'd like to take a look

around first.

Take your time.

Now who can this be?

Haru? Haru!

What's going on here?

It's finally happened.

The little people are here!

Little people?

That's right.

And what little thieves they are!

It's really true.

They steal from

all over the house.

That's why things

were going missing.

Haru, what's gotten into you?

All these years I thought

it was my imagination.

Well, it wasn't.

You certainly didn't need

to call the exterminators.

We'd better hurry.

The house is full of them!

You'll believe me

when you see this.

This is their nest.

Nest?

It looks like a pile

of old junk to me.

What? I swear I saw it.

Haru, I'm sending

the exterminators away.

Now, wait just a minute.

The doll house!

Young Master? May we come in

for a minute?

All right.

You won't believe this.

They stole the little kitchen too.

You'll see, it's gone.

It's not gone.

Such a pleasure to look at.

Wait, I can prove it!

I have one of them in a jar.

I wonder what's gotten into Haru.

Hmm?

Fresh herbs, how lovely.

Someone was making tea!

It's just as my father said.

There are little people living here.

Yes, there are.

So Haru really saw them.

Though she accused them of stealing.

They're not thieves at all!

They're Borrowers.

I mean, I wish

I could see them.

I bet they're here somewhere.

I'm sure they are.

Excuse me, ma'am!

Where'd you like us to start?

Are you all right?

It got away.

I had one and it got away!

It's not just my imagination.

There are little people here!

Next time I swear

I'll get them!

How far is it to where

we're meeting Spiller?

It's just outside the forest.

Then we head down river.

I'm already worn out.

I'll never make it that far.

Let's hurry.

I can't do it...

Better have something to eat.

We'll be walking till morning.

What?

I'm so sorry.

It's my fault we had to leave

such a wonderful house.

That's in the past.

We'll make another wonderful house,

the three of us together.

I'm going outside for a bit.

Don't go too far, now.

Niya!

Niya...

Just a little further.

Spiller!

That's everything.

Now let's get moving.

Okay.

Mother, are you all right?

Arrietty!

Sho!

Arrietty...

We're leaving now.

I'm glad I made it.

Niya showed me the way.

Thanks. Take care of yourself.

I brought this.

I hope you'll accept it this time.

Thank you.

I have to go.

When is your operation?

The day after tomorrow.

I'm going to be okay.

You gave me the courage to live.

For luck.

Thanks.

You protected me after all.

Arrietty...

I hope you have

the best life ever.

Goodbye.

Arrietty, you're a part

of me now.

I'll never forget you, ever.

English translation by

Jim Hubbert and Rieko Izutsu-Vajirasarn

A Studio Ghibli Film

THE END:

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Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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