The September Issue Page #7

What about Mario?

Hello?

I love them.

They look gorgeous.

I've stolen them.

I snatched them

out of Charlie's hands.

He went bu-bu-bu-bu-bu-bu.

Kind of, but, you know, he hates

to say until Anna's seen them...

...in case he makes a mistake.

A lot of wigs.

All through it.

It's fourteen pages.

This is pretty.

Beautiful.

Well, we can wait, right?

Oh, yes, sure.

This slightly hinges on what

happened with Sienna, I think.

And Grace wasn't crazy

about that one anyway.

Hi.

I know it, Brian just told me.

It's coming out now.

So as soon as I look at it--

Maybe I'll call you right back.

Okay, thanks a lot, Mario.

I need these printed

out right away.

Sure. Yeah, it's printing now, but--

So this is what Mario sent?

This is what he just sent, yes.

But did he send the cover?

No.

- Okay.

It's taking him a while

to do that.

That's it?

- Yes.

That's it for the clothes?

That's all I've gotten.

That's all he said.

Can you get Tonne in here?

I don't know if she's in yet.

She wasn't in before.

Let me see if she's back.

Not yet. Her assistant's

calling her to find out.

Could we ask her assistant...

...to see how many pictures

here we're missing?

This is all he sent.

Can I see lvan, please?

And I need Tonne's assistant

or...Hi.

Did he say this was,

there's more coming...

...or there's nothing else?

No, this, I think is the story.

But I'll go back to them

and just double-check.

As I understand it,

this is everything.

Can we get Tonne's assistant

or Virginia in here, please?

Tonne, I'm sorry, I'm losing you.

I thought we were

gonna have more clothes.

Okay, Mario.

I'd like to see the rest of the film

as soon as possible.

You understand?

But I didn't get the Coliseum.

Right.

I don't think that's it.

I think the thing is

is the whole look is everything.

Truthfully.

But I don't know

if we even need to reshoot.

But it's something

that's being talked about.

So I just want to put it

in your ear.

I just finished talking to Mario.

No other Nina Ricci.

That was it.

That was it.

- They didn't do it for me?

No. And they didn't--

He says he didn't do

the Coliseum dress.

He says he didn't like it,

so they didn't do it.

Okay.

I just finished talking to Mario.

He says there is nothing

on the dress at the Coliseum.

Well, he didn't like it.

He really couldn't.

He says he didn't like it,

so he never really did it, he said,

which I had to tell her.

You know, it's digital.

- I know.

He did something,

but he never got an image...

...that he wanted to hold onto.

- Right.

You know, I understand that,

you know,

she needs a few more dresses...

...but, you know...

...you get what you get.

I'm concerned a little

'cause I'm not positive...

...of the cover at the moment.

The one he's chosen, she's

kind of tough-looking in the face.

That's not a face for a cover.

- Right.

See this.

This...It can't be that.

I think there could be

definitely be something there.

That's what I think.

So I think

that's pretty ravishing.

Look at it now.

I've cropped in on it and turned it.

What does this say? Something.

'Like this best, but teeth.'

'But teeth.'

Mario. Hi.

I just meant to ask

if there was something there...

...that you thought

that we could at least look at.

Not one?

Florence, could you make me

some coffee, please?

Thank you.

She has to look so conservative...

...because she's working

at a lawyer's office.

No, a judge.

- Judge. Sorry.

My older brother

is in charge of finding

Iower income housing in London

for people that need it,

and my sister's very involved

in, uh...

...supporting farmers' rights

in Latin America.

My younger brother is

political editor of The Guardian.

And very successful,

very brilliant.

My two brothers

and my sister,

I think they're very amused

by what I do.

They're amused.

So.

All right.

Well, have a good day.

You, too.

Love you.

Amanda Lacey is a London facialist

who is a great friend of Plum's,

and she's got a beautiful line

of products,

and she's opening

a new store in London.

And if it's ready,

I'd love to do a little item on that.

And then this is a piece

about all the advancements in eyes.

And I think that eyes

are something...

...that women of all ages

think about...

...because their eyes start aging.

They're the first thing

that starts to age,

and I think even women in their 20s

are concerned about it, so.

This is the look

that Andre would prefer to have.

There's no alternative?

I said I didn't want any more...

Environment?

- black and white.

Black and white, okay.

Is it this one, Anna,

do you think?

Yeah, but I still like this one.

Okay, but stronger.

I remember when my dad retired,

and I asked him why he was leaving...

...because he was

obviously so passionate...

...about what he was doing still.

And he said,

'Well, I get too angry.'

'l find myself

getting too angry.'

So I do remember that,

because I know there are times

I get quite angry.

So I try and restrain that.

So I think when I find myself

getting really, really angry,

that might be time to stop.

Anna saw the celebrity

thing coming...

...way before everybody else

jumped on that bandwagon.

And, you know,

whilst I hated it,

I'm afraid

I have to admit she was right.

You know, you can't stay behind.

You have to go charging ahead.

And she did,

and the magazine is

very successful because of it.

I mean, whilst I'd be...

I wouldn't really care

if I never saw another celebrity,

obviously if the magazine doesn't sell,

I don't have a job, so.

It would be silly.

You know, you gotta have

something to put your work in,

otherwise it's not valid.

Vogue. Good morning.

Has Prada gotten

this request yet or no?

I haven't heard back from them.

It's all changed.

- What?

It's all changed.

- What's all changed?

The shoot we're doing this weekend

is going to be a reshoot...

...of the color block shoot

that Edward did.

What?

Anna killed color blocking.

And they wanna reshoot it

and then,

but, of course,

it's very urgent, so...

I got your message.

We're already working on it.

Okay.

- A little while.

But I've gotta get all new clothes

in five minutes.

It's getting a little busy up here.

There's just a bunch

on the priority rack.

I don't know where it came from.

Sarah has Marc Jacobs

on her rack.

I'll grab that for you as well.

What about stuff like this?

That particular one was shot,

but, yes, in theory,

it could be color block.

But I shot one of these

in that same issue,

so that's no good.

And this one?

That's good.

That hasn't been shot.

Have I shot that skirt?

- You shot the skirt. Yes.

This has to close on Thursday.

- I know.

And it's not gonna come in

until Wednesday?

Now, Laurie,

I can't do anything about it.

A change was made,

and I didn't even know.

Did I shoot this? I shot this.

You did.

There's a red coat.

- Yes. Shot.

Was your twenties Prada dress shot?

The red one?

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