The Shrine Page #2

Synopsis: After a young American backpacker goes missing in Europe, a group of journalists link his disappearance to a remote village in Poland. They travel there hoping to get the story, but as they unravel the secrets behind this mysterious village, they are suddenly pursued by hostile locals. Unable to escape, they soon become the next victims of ritualistic human sacrifice. Forced into the gruesome reality of true survival horror, the journalists soon discover that this village hides a much darker secret than they could ever imagine.
Genre: Horror
Director(s): Jon Knautz
Production: IFC Midnight
  1 nomination.
 
IMDB:
5.6
NOT RATED
Year:
2010
85 min
Website
281 Views


that one part of the woods?

I can see why Eric found

this intriguing.

I'm sorry, you speak English?

- You must go.

We are looking for someone,

maybe you can help us.

Do not touch me.

English h? You are English?

Go to England.

Go.

Okay, let's go.

Relax.

There is nothing for

you, English.

Put the car on the side Marcus.

- What? Why?

Stop the car now

but on the side.

We have to.

- Do you kidding me?

Those guys looked as if they

wanted to murder us.

They hide something

in the woods.

No, they wanted us left, from

the moment we got there.

No, the guy followed us

through the village...

He only came to us as we

walked towards the fog.

They did not think we were going, for perhaps

the last place where Eric was.

Is not that special happen?

Carmen can not.

We have to.

- Why?

If we do not, it's

over my career.

Dale does not even know we're here,

he thinks we are in Omaha...

a stupid story. When I come back

with empty hands...

it happened to me.

Are you serious?

You had no permission?

We...

Did you tell him anything?

Did you here from?

Listen, they just hide in the trees and

I want to find out what that is.

We have come this far,

we can not give up.

Please Mark, I need this.

We are investigating

it and that's all.

You should have known better,

here in its making.

They wanted here.

- She is still a child.

It should be straight on here somewhere,

I think the church is there.

Yes, I think you're right.

This is so strange.

How come it does not move?

It's so close.

It's too close.

- What do you mean.

I can here a picture of it...

but I can not miss those

great pictures.

Let's walk into the fog and researching.

- What's the point of Carmen?

We can not take pictures

of what we can not see.

We are not quite come to go to a bank

of fog in the woods to photograph...

I'm not looking for

such a story.

The story you are searching for,

is that we will be caught.

Oh God, stop it with your worry,

nobody knows we're here.

Yes, nobody in the whole damn

world knows we're here.

Jesus's sake Carmen.

Ok damn, where is she?

I have no idea, but we

have this damn road.

We let her not behind Marcus.

That said, I do not.

Okay, wait here, I see

what's going on.

Wait, I'll go look.

- No Marcus...

we're here because of me, I go.

Be careful.

What happened?

Where is Carmen?

- She is looking for you.

Carmen, she's here.

Everything good?

Are you hurt?

Are you hurt?

No, everything is good.

We better go.

What did you see?

I saw a statue.

Yeah, me too.

We'll talk about is

the way to the car.

Let it rest, we gotta go.

Lidia, what are you doing here?

I know where your friend.

Do you know where Eric Taylor?

I point you the way.

Come, follow me.

I really think that

we should go away.

We go along, come.

Inside.

Inside.

Oh my God.

Jesus.

Ok guys, Eric should

be one of these.

Here. Help me.

This is Eric.

It will not let go, it seems

stuck in the middle.

This symbol, which we also

saw at the church.

Lidia, what have they done

to him, why he wears a...

She's gone.

She has us trapped.

- What? Why would she do that?

Probably because that part

of the damn plan Carmen.

Can you get us out?

There's somebody down here.

It worked, come.

- Let's go.

We gotta go.

- Kidding, but where is the car?

Let's walk through.

H, is it?

There's a sort of path,

we must find him.

Wait, stop.

Damn, get out, come on.

Wait.

- Mark, wait.

We can not stand.

- Where are we going?

No idea, but away from here.

- Can you run?

Yeah, that'll work.

- We can not stay here.

We go to the barn.

- Come on Sarah, run.

Come on, inside.

You see them?

Shut up.

We'd never have to go Carmen.

This was a mistake.

I'm sorry.

This is all my fault, I did

not egostisch should be...

I wanted a good story, I...

Please Mark...

all I'm so sorry.

Oh my God.

We have to leave.

Sarah Spring, quickly.

Come on.

Wait here.

Sara, I'm here with you.

What have you done?

Mark Wait.

No, we must continue.

Do not touch me.

We need a car.

We go to that farm,

provide a car

and get out of here, you

do not have to run.

Come on.

Come on.

We must have the keys, I go

inside and you wait here.

No, I'm with you.

Stay behind me.

I do not.

I need your car, I need

the keys to the car.

Calm down, we just

want the keys.

I wish anyone harm.

Give us the keys, then we go.

Where are the keys?

Quiet.

Do not move.

Who else is in this house?

Shut up.

To another room, now, hurry up.

English, you speak English?

He says you should leave.

Where are the keys to the car?

- I do not know.

Ask your father what they are,

otherwise I get the trigger.

He must now tell you,

I'm not kidding.

The kitchen, they are in the kitchen.

Come, I'll let you see.

Okay, let's go.

I'm sorry, but this must be.

Please, the woman is poor, she

has seen the statue, please.

Is everything okay?

I have tasted the flesh

of fallen angels.

There is no escape.

Your men are weak.

Help me Marcus.

He takes you where you want.

What's going on, in

between the trees.

It's a curse...

here long ago left the country.

It can not be undone.

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Jon Knautz

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Submitted on August 05, 2018

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