The Siege Page #2
- R
- Year:
- 1998
- 116 min
- 994 Views
HUB:
Still, the rhetoric sounds political.
Militia?
TINA:
Not their style.
HUB:
Frank --?
FRANK:
Jihad isn't known for their sense of
humor, and Hamas is raising so much
money here, why queer their deal?
TINA:
Anyway, isn't Green the color of
Islam, not blue?
FRANK:
-- And, excuse me, but why do we
immediately assume they're Arabs?
HUB:
I want a composite of the suspects
in circulation by the end of business
today. Tina, you cross-check it
against the mainframe. Mike, have
you got the lab analysis on the paint?
MIKE:
Not yet...
HUB:
-- See if any was sold in quantity
the last month. Danny --
Tina's phone buzzes. She picks it up as Hub keeps going:
HUB:
-- find out what stop these guys got
on the bus, maybe there's a witness.
FRANK:
Hub... I think we're all eager to
give up our weekends on this. It
just occurs to me, has anybody even
committed a crime here? I mean,
assault with a deadly color?
Hub deals with Haddad's irreverence by ignoring it.
HUB:
Here's what I don't like. They know
explosives. They know our response
time. They put in a call and walk.
A young agent, FRED DARIUS, hands Hub a piece of paper:
FRED:
Excuse me, sir. I think you should
see this. Came in on the Fax.
Only two words are written: "RELEASE HIM."
HUB:
Release him? Him who? Who are we
holding?
TINA:
Marv Albert?
SUSSMAN:
McVeigh? Sheik what's-his-name from
the Trade Center.
FRANK:
-- Omar Abdel Rahman... a**hole.
FRED:
The Hamas guy got released in April.
FRANK:
Under protest.
HUB:
(looks at the fax)
Why be coy about it?
SUSSMAN:
You think it's phony?
TINA:
(covering the phone)
Hub, somebody's flashing a government
badge over at the warehouse where
they're working on the bus. Our tech
guys want to know if we're cooperating
with any other agencies on this thing.
Off Hub's look, we:
CUT TO:
AN OLD WAREHOUSE IN BROOKLYN - DUSK
Hub and Haddad join AGENT FLOYD ROSE, a tall Black man.
AGENT ROSE:
-- She's looking for wiring signatures
on the device and asking for copies
of any latent prints we've managed
to lift.
HUB:
-- Agency?
AGENT ROSE:
Smells like it. Turns out she's also
been talking to some of the
passengers.
THEY OPEN THE DOOR
In the klieg lights -- THE BUS. Men in white coats dust every
inch and generally behave as if investigating a crashed UFO.
In their midst, a young WOMAN, midwestern pretty in a serious
suit. She looks up as Hub enters.
HUB:
Hi.
WOMAN:
Hi, there.
HUB:
Special Agent Anthony Hubbard. FBI.
WOMAN:
Oh, sh*t, I've been trying to liaise
with you all day. My name is Elise
Kraft, National Security Council.
She offers her hand. Hub doesn't take it yet.
HUB:
-- And you've been trying to "liaise"
with me all day? Did you think of
trying the phone book, Elise? We
have fourteen lines, that's not
counting the unlisted ones.
ELISE:
(still holds out hand)
Hi, I'm Elise Kraft, National Security
Council.
Finally, he takes her hand. And doesn't let go.
HUB:
And I'm Colin Powell. What exactly
do you people want with my bus.
She tries to take her hand away, but he tightens his grip.
ELISE:
We're all on the same team here,
Agent Hubbard.
HUB:
Who exactly is "we" on this particular
team, Elise?
ELISE:
It's never the question that's
indiscreet, only the answer.
He smiles. She smiles back. Convinced she's charmed him.
HUB:
Tell you what, you send me an official
inter-agency request for cooperation
on this and I'll give you copies of
everything we come up with. Otherwise,
get your ass on out of here before
you contaminate my crime scene any
more than you already have.
ELISE:
There's no reason to be nasty.
HUB:
You think this is nasty?
(smiles)
In case you haven't heard. The CIA
has no charter to operate
domestically. Which puts you in
violation of federal law.
ELISE:
Not according to the Cooperation
Agreement, Special Order 12333 -- I
suggest you reread the paragraph on
sharing information. I happen to be
well within my authority.
HUB:
Special Order 12333 refers to domestic
terrorism. You got something you
want to "share" with me?
(he waits... but no
answer is forthcoming)
Us being teammates and all?
ELISE:
(holds up a clipboard)
Unfortunately, not yet. But as soon
as I do, I'll --
HUB:
-- get back to me, yeah, I know.
(takes the clipboard
from her hands)
Here's what I'm gonna do. I'm gonna
have a couple my "teammates" here
escort you back to wherever you came
from. And then I'm gonna go back to
the office and wait for that official
cooperation request. Okay by you?
ELISE:
Swell.
HUB:
Nice meeting you, Elise. Is that
Elise with an "E" or an "A"?
ELISE:
Nice meeting you, too, Special Agent
Hubbard.
OUTSIDE THE WAREHOUSE
Hub watches as Elise is led away by two AGENTS. Agent Rose
stands nearby.
HUB:
Tail her.
NICE LIVING ROOM -- NIGHT
In Frank Haddad's home. The Haddad's are celebrating the day
FRANK JR. has finished reading the Holy Koran.
FRANK JR (O.S.)
(in Arabic)
"In the Name of Allah, the beneficent,
the merciful. Say: I seek refuge in
the Lord of Men, the King of Men."
Frank's TEACHER offers the final benediction. Those who are
Muslim cover their face with their palms.
TEACHER:
(in Arabic)
"Make me know that which I have become
ignorant of; and make me recite it
in the hours of the night and the
day; and make it an argument for me
O Thou Sustainer of all the worlds!"
Ameen!
ALL:
Ameen.
Later --
The guests mingle, eat pastries and drink sweet tea.
TINA:
...Nice, wasn't it?
HUB:
Very.
TINA:
(after a moment)
You ever gonna stop by, pick up your
things?
Nearby, Mike and Danny observe them.
DANNY:
-- He doing her?
MIKE:
Some detective you are. They stopped.
FRED:
Really? I wonder if she likes white
guys.
DANNY:
I wonder if she likes bald guys.
Hub, meanwhile, congratulates Frank's wife, NAJIBA.
HUB:
You must be so proud...
NAJIBA:
Small children, small worries. Big
children --
FRANK:
-- big orthodontia bills. Someday,
you'll understand.
And then Frank notices Hub's DRIVER standing in the doorway.
FRANK:
Where we going?
HUB:
You're staying with your family. I'm
back in the morning.
CUT TO:
Sequence omitted from original script.
Sequence omitted from original script. (ALREADY SHOT)
INT. HUB'S OFFICE - EARLY MORNING
Hub is looking at surveillance photos of Elise. Frank enters.
FRANK:
You sleep here?
(Hub smiles, but
doesn't look up)
Immigration called.
A SMALL GREEN ROOM -- AS SEEN THROUGH A TWO-WAY MIRROR
Hub and Frank watch a dark-skinned MAN being questioned by a
uniformed OFFICIAL. An INS Supervisor shows them a false-
bottomed suitcase stuffed with money.
INS OFFICIAL:
-- all in small bills. So we figure,
smurf, right? Then I think,
considering the gentleman's
nationality, plus where he's been
recently, we better call Frank.
FRANK:
-- who's trying to score points with
his boss, bigtime.
HUB:
Has he broken any laws?
INS OFFICIAL:
No, sir. He's twenty bucks under the
$10,000 limit.
FRANK:
(pulls out a $20 bill)
Not anymore.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Siege" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/the_siege_965>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In