The Siege Page #4
- R
- Year:
- 1998
- 116 min
- 984 Views
ELISE:
Ralph, spare us.
The freelancer lowers the gun. Hub looks at Khalil, whose
face is badly bruised.
ELISE:
HUB:
Really? I'm taking him into custody
just the same.
ELISE:
What are you going to charge him
with? Jaywalking?
(Hub stares at her)
I don't suppose we could just have a
little chat with him here first?
HUB:
Not in this lifetime.
ELISE:
You know, Hub... may I call you Hub?
If you guys hadn't blown the
surveillance, we'd have been able to
follow the money. What do you think,
Khalil, you would have led us right
to your friends, wouldn't you?
Khalil averts his eyes from any contact with her.
HUB:
What friends --? What have you got
for me, Elise?... Enlighten me.
(she stonewalls)
Tell me now or tell me downtown.
Still nothing. Hub calls out to his agents.
HUB:
Get this guy out of here and book
him.
As the other agents approach Khalil:
ELISE:
One phone call and he's mine again.
You know the number. I have --
HUB:
You have "the right to remain silent,"
you have "the right to an attorney.
Anything you say can and will be
held against you in a court of law --
"
ELISE:
(overlapping him)
Oh, come on... Do you have any idea
what you're starting here, the kind
of shitstorm you're about to --
HUB:
(overiding her)
-- Kidnapping. Obstruction of Justice.
Assault.
As he heads out of the room, he says to a waiting Agent.
HUB:
Cuff her.
CUT TO:
HUB'S UNMARKED CAR
Elise sits, handcuffed, alone in the back seat. Up front,
Frank is driving with Hub beside him.
FRANK:
So, Elise... You okay back there,
you don't get carsick or anything?
ELISE:
Shouf mountains, right? Shiite or
Sunni?
FRANK:
Wow. You're really good.
(to Hub)
She's really good.
HUB:
You ready to tell us what's going on
here, Elise --? Was the paintbomb a
warning?
ELISE:
(to Haddad)
American University of Beirut? I was
there from '79 to 82.
FRANK:
(a look to Hub)
No sh*t?
ELISE:
My father taught Economics. Henry
Kraft?
HUB:
Is there a terrorist cell operating
in this city that we are unaware of?
ELISE:
(ignoring him; to
Haddad)
Such a tragedy. Growing up in that
city was... paradise. Like an exotic
Paris, wasn't it, Frank --?
HUB:
You ever been in Rikers, Elise? You
know what happens in there?
Elise looks at him, utterly unfazed by the threat.
ELISE:
...Yum.
Frank's BEEPER goes off. As they look at one another, we:
CUT TO:
Red lights flashing, have sealed off a Brooklyn Street. On
the rooftops SWAT teams are already deploying.
SHARPSHOOTERS politely insinuate themselves into the
surrounding family APARTMENTS and take up firing POSITIONS.
THE 87 BUS
Stands alone in the middle of the street. Through a Marksman's
SCOPE we SEE the terrified passengers forced to stand, catch
glimpses of the TERRORISTS, obscured by the hostages.
Hub confers with the NYPD officer-in-charge.
NYPD OFFICER:
-- definitely Arab-types, only this
time they're still in there...
HUB:
Any communication at all?
NYPD OFFICER:
Nope. It's weird they're just in
there.
HUB:
Get the frequency of the driver's
radio and patch it through to this
number. We need two lines. Frank,
get a negotiator out here.
NYPD OFFICER #2
Sir, they've got kids in there. We
count six.
This rocks Hub for a moment but he covers it well.
HUB:
That gives us something to work with.
Elise leans forward as Hub opens the driver's door.
ELISE:
What's happening out there...
Hub takes off his jacket, folds it carefully on the seat.
ELISE:
They've taken another bus, haven't
they? Talk to me...
HUB:
Oh, now you want to talk. You want
to be my friend, is that it?
ELISE:
Listen, these guys are the real deal.
HUB:
How do you know?
She just looks at him.
HUB:
Is there a terrorist cell operating
in Brooklyn?
ELISE:
(a long moment)
Yes.
HUB:
Was the blue paint a warning?
ELISE:
Yes. And I'm afraid this time they'll
blow the bus.
HUB:
If they wanted to blow the bus then
why haven't they blown the bus --?
ELISE:
I... don't know.
He starts away.
ELISE:
Agent Hubbard. Please. Maybe I can
help.
A COMMAND POST:
Has been hastily improvised behind a SWAT van.
FRANK:
The driver's name is Larry Kaiser.
He says they've got explosives
strapped to their chests, they got
automatic weapons, and they're
speaking Arabic.
HUB:
Where the hell's the negotiator?
FRANK:
Tunnel's got twenty minute delays
and they're working on both bridges.
HUB:
(to the cop)
What else did he say about the device?
Did he describe it at all? Anything
about a button, or a cord, or...
Pulls up and raises its satellite dish.
ELISE:
(almost involuntary)
Oh, God.
Frank turns to look at her. She is suddenly pale.
ELISE:
(as it dawns on her)
...They're not here to negotiate.
FRANK:
Meaning?
ELISE:
They were waiting for the cameras.
Hub is deep in conversation with the cops. Frank interrupts.
FRANK:
-- Hub...
Hub looks up. Frank nods for Elise to repeat what she said.
ELISE:
They're want the newsies here. They
want everybody watching.
Hub and Frank look at each other. Can this be true?
ELISE:
You've got the shooters in place?
FRANK:
-- So?
ELISE:
Use 'em.
HUB:
What?
ELISE:
Kill 'em now.
They just look at her.
ELISE:
It's lose-lose any way you play it...
Do you want to lose little or lose
big?
The NYPD officer has been listening:
NYPD OFFICER:
I got the marksmen on the com --
They're looking for a clean shot.
As the Policeman waits for a response on his radio, two more
NEWS VANS pull up. The MEDIA CIRCUS has come to town:
reporters breathlessly offer their live, on-the-scene reports.
Hub and Elise stare at one another.
NYPD OFFICER:
Shooter says they've got the
passengers all standing in the aisles.
He says, no go.
Hub can see the dread in Elise's eyes. As the seconds tick
away, TWO NEWS HELICOPTER jockey for position above.
HUB:
(to the cops)
We have rules of engagement we're
gonna follow here, folks, so put the
safeties back on your weapons.
(looks at Elise)
Nobody's killing anybody until we
see what's what.
He grabs the phone.
HUB:
(on the phone)
Larry, this is Agent Hubbard of the
FBI, I'll be negotiating our way out
of this. Let me talk to one of them...
I know... I know. You just hang in
there, Larry... No, don't worry,
I've got somebody here who can
translate.
He looks over at Frank, who's listening on another cell.
HUB:
(on the phone)
Sir, -- My name is Anthony Hubbard.
I don't have any authority to make
deals, or respond to demands. I just
want to find out if you need anything
in there? If any of the passengers
are in need of medical attention?
He waits as Frank translates. Hub covers the mouthpiece.
HUB:
-- Frank?
FRANK:
I don't know if they understand.
HUB:
(on the phone)
Sir, is there anything you want to
say to me? That I can tell my people
here?
FRANK:
The guy's just breathing into the
phone, maybe they're not even Arabs.
HUB:
(on the phone)
I get the feeling you don't want to
talk, but will you listen --?
...Whatever grievance you have,
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