The Sixth Sense Page #2
The stranger slowly looks up for the first time. His eyes lock
on Malcolm.
STRANGER:
You don't know so many things.
Beat.
MALCOLM:
There are no needles or
prescription drugs of any kind in
this house.
The stranger suddenly comes forward into the doorway. Malcolm
stumbles back onto the edge of the bed.
Anna sees the stranger for the first time. Her face drains of
color.
The stranger looks at Malcolm. He half grins.
STRANGER:
Are you drunk?
The stranger's stare slides to Anna.
STRANGER:
Did you get him drunk?
The stranger gazes at Anna. Gazes directly into her eyes. A
penetrating, unwavering stare.
STRANGER:
Do you know why you're scared when
you're alone?
Anna's expression instanly changes.
STRANGER:
I know.
MALCOLM:
What do you want? I don't
understand what you want.
The stranger turns and glares at Malcolm.
STRANGER:
What you promised.
Malcolm stops all movement.
ANNA:
--My God.
MALCOLM:
--Do I know you?
STRANGER:
Let's all celebrate, Dr. Malcolm
Crowe. Recipient of awards from the
Mayor on the news. Dr. Malcolm
Crowe, he's helped so many children...
And he doesn't even remember my
name?
Malcolm can't speak. Beat. The stranger's face starts to
tremble.
STRANGER:
I was ten when you worked with me.
Beat. Malcolm's intelligent eyes race for answers.
STRANGER:
Downtown clinic? Single parent
family?
(beat)
I had a possible mood disorder...
(beat)
I had no friends... you said I was
socially isolated.
(beat)
I was afraid -- you called it acute
anxiety...
(beat)
You were wrong.
(beat)
Come on, clear your head... Male,
nine... Single parent... Mood
discorder... Acute anxiety.
Malcolm looks like someone hit him with a sledgehammer.
STRANGER:
I'm nineteen. I have drugs in my
system twenty-four hours a day...
I still have no friends. I still
have no peace. I'm still afraid.
Tears jump into the stranger's eyes.
STRANGER:
...I'm still afraid.
Malcolm stands.
MALCOLM:
Please give me a second to think.
Malcolm's shaking hands touch his mouth as he stares at the
stranger. Beat.
MALCOLM:
Bed Freidken?
STRANGER:
Some people call me freak.
MALCOLM:
...Ronald... Ronald Sumner?
Tears fall down the stranger's face.
STRANGER:
I am a freak.
Malcolm looks up at the sound of those words. Something clicks
in his head.
MALCOLM:
--Vincent?
MALCOLM:
Vincent Gray?
VINCENT GRAY stares with surprise through his tears.
Malcolm lets out a deep breath like he just emerged from deep
waters.
MALCOLM:
I do remember you, Vincent. You
were a good kid. Very smart...
Quiet... Compassionate...
Unusually compassionate...
Vincent's eyes burn at Malcolm.
VINCENT:
You forgot cursed.
VINCENT:
You failed me.
MALCOLM:
(whispers)
Vincent... I'm sorry I didn't help
you... I can try to help you now.
Vincent turns to the sink. His hand goes in. He turns arund and
raises a gun at Malcolm. He FIRES. A VIOLENT, EAR-SHATTERING
ECHO. Malcolm clutches his stomach and folds like a rag doll
onto the bed.
Vincent instantly moves the gun to his own head. ANOTHER
HORRIFIC BLAST SPIKES THE AIR. Vincent crumples onto the
bathroom floor.
ANNA'S CHILLING SCREAMS FILL THEIR HOME.
DISSOLVE TO:
EXT. BENCH - AFTERNOON
The legend, "Two Years Later" appears.
A man flips open a worn file folder on his lap. Handwritten
notes fill every line. At the top of the first page reads,
"Vincent Gray, age 10, Referred January 19, 1989."
The man's hand touches the name almost reverently.
He glances through the page. Words and phrases are circled
throughout the file.
"...Acute anxiety"
"...Socially isolated"
"...Possible mood disorder"
"...Parent status -- Divorced"
"...Communication difficulty between mother-child dyad"
The man's hands flip the page. At the top of this new page
reads, "Cole Sear, age 8, Referred September 1998."
As the man's fingers move through the notes we again see words
and phrases circled throughout this new case history.
"...Acute anxiety"
"...Socially isolated"
"...Possible mood disorder"
"...Parent status -- Divorced"
"...Communication difficulty between mother-child dyad"
The hands close the notepad. The hands are slightly shaking now.
WE PULL BACK to reveal the shaking hands belong to Dr. Malcolm
Crowe.
Malcolm sits on a sidewalk bench facing a row of brownstone homes
across the street. He gazes blankly at the brownstones. Beat.
A door opens. Malcolm is brought out of his trance.
COLE SEAR steps out his front door. Cole is a munchkin of a boy
with large, black eyes that seem to take in everything around
him.
His hair is dark, with a small patch of jet white on the side.
Cole carefully locks the door behind him.
He moves to the bottom of the stairs and looks around nervously.
Anxiously.
The eight-year-old child reaches into his pocket and slips on a
pair of VERY LARGE GLASSES. They look comical on him.
Malcolm rises to his feet. He smooths out his shirt. Looks down
and buttons his jacket.
When he looks up, Cole is gone.
Malcolm barely catches a glimpse of the boy. Cole runs at full
speed down the street and turns the corner. TINY SNEAKERS
For a second, Malcolm doesn't react. The second passes. He
stuffs the file in his bag and starts running too.
CUT TO:
EXT. STREET - DAY
Malcolm hauls down the sidewalk. He comes to a hard stop at a
street intersection. Searches. Spots Cole running into a
parking lot.
COLE sprints across the empty lot and reaches the doors of a
building. He has to use all his strength to push open the highly
ornate doors. He slips inside.
Malcolm jogs into the parking area. His pace slows to a walk and
then to stillness as he gazes up at the building. Its old stone
and huge towers make it stand out from the modern buildings all
around it. Malcolm stares up at the historic Philadelphia church
quietly.
A SHOOTING PAIN PIERCES HIS SIDE. Malcolm's hand goes to it
quickly. He waits for it to pass before starting for the ornate
doors.
CUT TO:
INT. CHURCH - DAY
Only a few people sit and pray in the sea of oak pews.
Malcolm scans the majestic room and finds what he's looking for
in the last row of the church.
He moves down the center aisle towards the back.
Malcolm finds Cole playing in his pew with a set of green and
beige plastic soldiers. Cole makes the soldiers talk to each
other.
COLE:
(soft)
Pro... Fun... Add...
The words are unintelligible.
Cole senses someone. He looks up and sees Malcolm staring at
him. The boy immediately goes white. Every cell of his body
still with fear.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Sixth Sense" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/the_sixth_sense_27>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In