The Sounds of the Underground
- Year:
- 2007
- 61 min
- 40 Views
(Mellow music)
(Silence)
Intercom:
Transfers availableto the four, five, six
and Q, R and W trains.
(Train sounds)
Free.
I don't understand that word.
The land of the free.
You're free to think. Go out there
and try to do some of the sh*t
you think of. It will put you
away so fast,
and so quick, and you will
stay away.
From being free.
(Train noises)
(Soft string music)
(Fast string music)
(Train sounds)
(Slow string music)
(Train sounds) The quality of
the music and performance,
varies a lot. So a lot of it is quite
annoying and just a nuisance, but
when they're good, they
brighten the place up,
add a little bit of atmosphere,
cheer your day up.
disgusting.
So, it's nice to
have a bit of fun along the way.
(Train sounds)
I'm just sitting here
playing a guitar. That's
hard enough.
-Your name? -My name is
Alex. -That's it?
-That's it. It's Alex. That's all.
-Where are you from? -Me? Earth.
I'm a down to earth guy, man.
Anywhere I hang my hat
is home.
(Guitar music) (Train sounds)
This is called the hole, man.
That's right.
You ain't down in the train.
You ain't down in the station.
You're down
in the hole.
after the summer. I'm just
tired of New York.
I've been
here too many years
and it's too expensive living in New York.
(Upbeat music)
Female voice:
Thank you!(Drum music)
(Female celebratory yell)
(Female yell)
(Traffic noises)
There's some real talent on the
streets and subways of New York City.
I mean, New York draws artists.
I mean, that is part of the
energy. What gives vitality to
the city. Um... (cough)
And it's a shame that the city
live here. It's lost a lot of that
artistic quality, yet at the same time,
it's just like the song says:
if you can make it in New York,
you can make it anywhere.
You got a bartender that takes
5, 10s and 20s.
You got a guy at the door
taking money after 10 o'clock.
You want me to go there
and do something for nothing?
You're a millionaire!
You know, you got a f***ing
million dollars, man.
You want me for free and everything you got?
You don't give out no free music
when you got new musicians there.
I don't go over to the CD player
and push the button in the back
where it doesn't need to take money.
I don't see open the pool
tables up. You know,
they don't give out spit, but then
they want you and I refuse to do that.
I will not go to work for free for nobody.
(Spanish music)
Look at her all pretty,
got no place to go. Got some
toe tapping.
shake.
Mama come your way.
Senorita
(Train sounds)
(Mellow music)
all the styles that I grew up
hearing and they definitely
involve rock. I mean I love
Aerosmith as I do,
you know, James Taylor.
-I was inspired by a lot of people.
People that I didn't even know then.
(Clapping sounds)
A lot of where mainstream pop culture
gets its influences and ideas
is from the street. Whether that's
voguing or rap music or hip hop,
hopping and mocking and
krunking.
(Techno music)
Truthfully, I ain't ever worked.
Work is for people that don't play
guitar. That's what I told them.
I agree with them
wholeheartedly. Exactly right.
I am lazy, shiftless,
man... Don't even show me no
kind of tool. I don't even want to go
near Sears.
I get hives when I get
near Sears, man.
I'm a musican,
I make a living at being a musician.
(Honking horns) And I
mean it's no different than
whatever- if you're a cab driver.
You make a living taxing people
around town. You don't pull up
to anybody that sticks out their arm
and go yeah, I'll give you a free ride.
Pretty sure. Yeah, my ass,
and this is
New York City.
(Mellow music)
Most of the time, I think
they're great.
Occasionally,
like later,
in the evening, coming home
from work in particular, if it's louder,
or a large part of them and they're more
aggressive, it can get more annoying,
but genuinely I think, particularly not on
the train, but in the subway stations
they're fantastic. -I've had somebody
pour beer on the case. I've had
like a real psychotic man who
spit at me. But these are
also people that are not well.
-I'm a hustler.
Man, you know.
It's all comes with the turf.
I had a girl give me head in
Los Angeles and pick my
pocket at the same f***ing time.
Don't ask me how she did it.
She took me outside of a club,
gave me head, and first we smoked
a joint, she gave me head,
and I went inside to buy a drink and
didn't have a god damn dime
in my pocket and she was gone.
(Guitar music)
Those are the first steel guitars
and when they made them, they
didn't have a name for them and
their name was Delfrea brothers
and they couldn't write it across the
head stock like CF Martin and company
and the instrument didn't really
have a name because it's a steel guitar.
It wasn't a guitar,
it wasn't a classical guitar.
It was a Dobro.
Where I live, you can really
say it's Chinatown and if you go down
one block and you cross the park,
across the soccer field, it's
the all new Dominican republic.
Oh man.
(Laughing)
You go. You don't go, right?
F***ing...
...get the f*** out!
(Crowd yelling)
It's hard in these streets, and
here especially
in the projects and we have
been through this all our life.
We move into shelters, dealing
with everything. You got to take
life as it hits you. That's how
you got to see it.
(Dog barking)
They judge us because
the way we dress, the way act,
sometimes even the way we walk.
This is my mom's. That's my name.
That's where I'm from.
(Soft music)
Trust no one. You know you
can't trust no one in this world.
Beast and M.O.B.
Money over b*tches.
All you want to do is buy these.
I need a lighter. You don't got
a lighter?
(Background chatter)
We live it and we love it.
Dancing and nobody else
does it like we do.
(Booming music)
My name is Marcus.
I was born in Brooklyn,
boom. I'm ten. Peace.
(Booming music)
My name is Joshua Himenez.
Middle name Tai... freaky Tai.
That's what the girls call me.
(Hip hop music)
Rey Rosado, I was born in the BX
1-25-81, I'm 24 years old.
(Clapping)
(Train sounds)
I've been doing it over
probably 12 years, 13.
About. He's been doing it for how long?
-Three years.
It's just a hustle we do on
a daily basis. Get that money,
that bread. You know how it is.
If I want to kill the J the R...
-The D, the A.
-Basically
speaking, all trains we have to necessary.
-When performers come
into the subway, um... -Onto the car.
...onto the car, it's almost an
intrusion of sorts,
you know, and as New Yorkers,
we're almost trained. You hear
the speakers, the people
saying, don't give to panhandlers
and stuff like that and it's
almost too much in your face sometimes.
(Train sounds)
You got more self-employed
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