The Strange Love of Martha Ivers Page #10

Synopsis: In 1928, young heiress Martha Ivers fails to run off with friend Sam Masterson, and is involved in fatal events. Years later, Sam returns to find Martha the power behind Iverstown and married to "good boy" Walter O'Neil, now district attorney. At first, Sam is more interested in displaced blonde Toni Marachek than in his boyhood friends; but they draw him into a convoluted web of plotting and cross-purposes.
Director(s): Lewis Milestone
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.5
Rotten Tomatoes:
100%
UNRATED
Year:
1946
116 min
794 Views


died in the gutter anyway.

Neither one of them had any right to live.

You didn't think Walter had, either.

Good-bye, Martha.

Sam.

Sam's going away.

- Did you hear what I said, Walter?

- Yes, I heard you.

We can't let him go, can we?

Martha's waiting for your answer, Walter.

We'd always be afraid of him.

We couldn't live that way.

We'd be fools to let him go,

knowing so much about us.

You may have a little trouble

squaring this one.

You broke into the house.

You demanded money.

You tried to attack me

and I shot you in self-defense.

I've a right to kill in self-defense.

That's what the law says, doesn't it, Walter?

Isn't that what the law says, Walter?

It'll hold up, Walter.

I'm a man with a police record.

It's a perfect case,

if you can get Walter to be your witness.

Do you want to bet?

I feel sorry for you.

Both of you.

- You love him.

- I hate him.

- That's why you dropped the gun.

- I was afraid.

For the first time in my life, I was afraid.

I felt you'd no longer stand by me.

That you'd leave me.

No, Martha, I won't leave you.

I love you.

Don't cry, Martha. It's not your fault.

- It isn't, is it, Walter?

- No, nor mine.

Nor my father's, nor your aunt's.

It's not anyone's fault.

It's just the way things are.

It's what people want

and how hard they want it.

And how hard it is for them to get it.

He's near the gate.

I'm glad he's going.

- He'll always be here.

- No, he won't, Walter. He won't.

And he'll never tell. You needn't be afraid.

And you'll see, things will be different

now between you and me.

Just like...

just like nothing ever happened.

Just like nothing ever happened.

Will you kiss me, Martha?

You believe me.

Ivers, Ivers, Ivers.

No.

No, Martha Smith.

I missed a bus once and I was lucky.

I wanted to see if I could be lucky twice.

Don't look back, baby. Don't ever look back.

You know what happened

to Lot's wife, don't you?

- Whose wife?

- Sam's wife.

Sam's wife.

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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Submitted on August 05, 2018

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