The System Page #8

Synopsis: Gambler John Merrick (Frank Lovejoy) is the head of a bookie syndicate and the newspaper is crusading against him and the rackets, primarily because Merrick is in love with Felice Stuart (Joan Weldon), daughter of the newspaper publisher who can not break up the romance through persuasion. A senate committee investigating crime gets involved, the racketeers, other than Merrick who is a "nice guy", strike back and kill a reporter, and Merrick's own son, Jerry Merrick (Robert Arthur), commits suicide. Merrick, to his own disadvantage, helps bring down the syndicate. Since it is in black-and-white-, deals with crime and was an American-made film, some will call it "film noir" since that seems to be the current guidelines for putting a film in that, at one time limited-and-defined genre. It ain't, and neither are most of the others currently so classified.
 
IMDB:
6.4
APPROVED
Year:
1953
90 min
84 Views


or Mr. Bruno has committed perjury.

Now, Mr. Chairman,

Mr. Merrick was asked if he knows

how Angelo Bruno earns his living.

His answer is that he does not know.

Did you put Bruno into

business as a bookmaker?

I loaned him some money,

I didn't tell him what to do with it.

Did he use that money to

start a bookmaking operation?

I don't know what money he used.

Didn't you supply him with wire service

information and take his lay off bets?

Well, that's what he says.

- Was he telling the truth?

What?

- Is Bruno telling the truth?

Is it not the duty of my client to

pass on the veracity of Mr. Bruno.

Rephrase your questions, Mr. Wiley.

Very well.

Did you have any

business dealings with Bruno?

I loaned him some money.

- Why?

He was broke.

You make it a habit of giving

money to anyone who might be broke?

Have you ever heard of the LMG

Wire Service of Chicago and St. Louis?

I might have.

You might have?

Can't you do better than that?

Of course you can, you own

the Clarkton franchise for the LMG!

Well, that's what you say.

Have you ever heard of

a man called Mr. Marty?

I know a lot of people named Marty.

- From Chicago.

Hmm.. I've heard of him.

But you don't know him though?

This is very serious, Mr. Merrick.

Please think carefully before you answer.

I'll ask you the question once more.

Have you ever heard..

or did you ever meet..

a man called Mr. Marty of Chicago?

No.

Big Ruben?

- No.

Didn't you do a big lay off business

with the syndicate in Chicago

owned by Mr. Marty?

I own a truck line, a wholesale liquor

business, a hotel and a laundry.

You haven't answered my question!

Do you do a lay off business

with Marty's syndicate in Chicago?

Mr. Chairman, my client has

already answered that question.

I think the records will show

he has denied being a gambler.

This is a not a question about gambling.

It refers to a monetary

interstate transaction.

The witness is directed to answer.

I have no business dealings

with Chicago or St. Louis.

And you stand on that answer?

- Yes.

The witness is excused

until further notice.

Perhaps under the circumstances,

it's advisable to give an explanation.

Mr. Merrick, I have bad news for you.

Your son has just committed suicide.

Mr. Johnny, they took him away!

Buster.. they took him away!

Alright, Charlie. Alright, alright.

I was going to find him something.

What the hell have they done!

They took him away!

Me.. it was me!

I let them do it.. it was me!

Charlie, it's not your fault.

You had nothing to

do with it, understand?

He was my boy, my Buster!

Why shouldn't.. why did he?

Try not to think why.

From Rex, this letter.

Why, this kid of mine is smart!

Tells me that he's got his program

with the university arranged so he'll go

through law school in 3 years instead

of 4. He's going to go summer school.

Rex Merrick, Attorney at Law.

Better watch your step, Brady,

there's tough competition ahead.

Inspector Gordon?

- He's in his office.

You sent for me?

- Yeah, sit down.

Cigarette?

I'm sorry about your kid, Merrick.

Sorry for Liz Allen too.

On the Allen job,

we got a couple of suspects.

Picked up on a roadblock

couple of hours ago.

They don't know nothing.

They don't even know each other.

You sent for me, now tell me why.

Maybe you can introduce

these citizens to each other.

They're putting them through lineup again.

Take a look?

Yeah.

I heard they sent for you, Johnny.

What's the charge, Gordon? - No charge.

It's all for free.

They want me to look at a couple of

punks they picked up in the Allen case.

Any objections, Mr. Counsel?

On my mother's grave, I swear it!

He comes into my store and

he says to me, he says, "Maxie,"

"Hold for me these watches,

rings and cigarette lighters."

"I got a new job and these

here are my samples."

A favor?

- Just a favor.

How should I know this guy has

given me stolen goods to hold, huh?

Tell us about your arrest, Maxie.

- Look,

I'm in the fruit and vegetables.

I'm clean.

No arrests.

It's hard working in

the fruits and vegetables.

No arrests, huh?

- No arrests.

Alright, you lying tramp,

1937:
arrested in Slade,

suspicion of burglary.

1939:
arrested in Greenville,

possession of stolen goods.

1944:
arrested in Winthrop, possession.

1950:
arrested in Slade as a pickpocket.

No arrests, eh?

I thought you meant this year!

Step down!

Alright, alright, come on, get a move on.

Come on, get up there.

Alright, both of you, take your hat off!

Held for questioning in the Allen murder.

On the left identified by a driver's

license is Morton Kovik, Chicago.

On the right, no identification.

What's your name?

Where you're from?

Anybody here ever see

these two guys before?

OK, Mister. Tell us your story.

I tell it five times.

Well, OK then, tell it to us again!

I'm driving back home to Chicago,

I pick up this tramp hitchhiking.

I don't know him from Adam!

I want a lawyer.

Outside!

Alright, we'll get you a lawyer, Mister.

Come on, step down!

Alright, Maloney, move those two guys in

the next room. Come on, get a move on!

I know him. - Listen to me, Johnny..

- Specs Kovik.

The idiot nephew of the LMG Wire

Service. The other one is Little Harry.

Gunrunner from Chicago. Likes

to kill people, makes him feel good.

Yeah, they got Allen.

But I got no witnesses, no nothing.

You follow?

But I can think I get to Little Harry

if you let me talk to him alone.

Bring him into my office.

- You fool..

You get him to talking,

you hang yourself.

Ketteridge will hit him a subpoena. Roping

you in with the Specs, Marty, Big Ruben.

Everything you denied on the stand!

They'll hit you with 16 counts.

Federal rap, perjury..

Do you understand what you're doing?

I understand a lot more

than I did yesterday.

Ketteridge and Wiley..

those guys, they're right. I'm wrong.

My whole life I've been wrong.

Maybe that's why Rex and Jerry..

You can't run a clean sewer.

So it figures, doesn't it?

A heavy rap. Specs is a nephew.

Who do you think is going to take it?

Specs? Big Ruben? Marty?

No, you!

You're gonna take the fall alone.

But you're bigger than they are, Harry.

You can make them burn.

Just lift a finger, that little finger

and the state will strap them

in the chair and kill them.

You say the word.

And they're dead.

No gun, no trouble, nothing.

Just lift that little finger,

they're dead and you kill them!

That's power, Harry.

That's real power.

And they know it,

that's why they're afraid of you.

They're afraid that you'll make them burn.

Just by lifting that little finger.

Will they let me watch?

From the front row.

This committee is not directly concerned

with the legal question of your guilt

or innocence.

We're only interested in the fact that you

were brought to Clarkton to commit a crime.

You understand that?

- Yeah.

Do you solemnly swear that the evidence

that you're about to give is the truth?

Yeah. - The whole truth and nothing

Rate this script:5.0 / 1 vote

Jo Eisinger

Jo Eisinger (1909 - 1991) was a film and television writer whose career spanned more than forty years from the early forties well into the eighties. He is widely recognized as the writer of two of the most psychologically complex film noirs: Gilda (1946) and Night and the City (1950). His credits also include The Sleeping City (1950) and Crime of Passion (1957), a coda to the films of the noir style, for which he wrote the story as well as the screenplay. Starring Barbara Stanwyck, it is a strikingly modern commentary about how women were driven mad by the limitations imposed upon them in the postwar period. Jo Eisinger started writing for radio penning numerous segments for the Adventures of Sam Spade series. He returned to thriller and private eye adventure series writing for the ITC television series Danger Man (1960–61) and the mid-1980s HBO series Philip Marlowe, Private Eye. His script for an episode of the latter show, "The Pencil", earned him a 1984 Edgar Award. Eisinger's credits also include several films that departed from his accustomed genres of mystery, adventure and crime. Among them are Oscar Wilde (1960), starring Robert Morley and Sir Ralph Richardson, The Rover (L'Avventuriero, 1967), from the novel by Joseph Conrad and starring Rita Hayworth and Anthony Quinn, and The Jigsaw Man (1983), starring Laurence Olivier and directed by Terence Young. Eisinger wrote the books on which the Broadway plays What Big Ears! (1942) and A Point of Honor (1937) were based. His novel The Walls Came Tumbling Down (1943) was adapted for the long-running radio drama program Suspense in 1944; the episode featured screen and radio actors Keenan Wynn and Hans Conried. A film version of The Walls Came Tumbling Down starring Edgar Buchanan and George Macready was released in 1946. Jo Eisinger's second marriage was to Lorain Beaumont. Eisinger used his wife's maiden name for Mr. Beaumont, one of the characters in The Walls Came Tumbling Down. more…

All Jo Eisinger scripts | Jo Eisinger Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The System" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/the_system_19274>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The System

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the typical length of a feature film screenplay?
    A 30-60 pages
    B 150-180 pages
    C 90-120 pages
    D 200-250 pages