The Tenth Man Page #4

Synopsis: Based on the novel of the same name by Graham Greene, this is a story of a French advocate Chavel who, while imprisoned by the Germans during the occupation, trades his material possessions to another prisoner in exchange for his life when condemned to the firing squad. At the end of the war, Chavel, posing as one of the other prisoners, returns to his home which is now occupied by Therese, the sister of the prisoner he traded his possessions to, and who bitterly awaits the return of the man who had indirectly caused the death of her brother. His real identity unknown to Therese, Chavel is invited to stay as a caretaker and to identify Chavel should he return to the house. The relationship between Chavel and Therese develops until one night, someone calling himself Chavel turns up at their doorstep.
Genre: Drama, War
Director(s): Jack Gold
Production: Gaumont British Picture Co.
  Nominated for 3 Golden Globes. Another 1 win.
 
IMDB:
7.1
NOT RATED
Year:
1988
100 min
431 Views


what you'll do?

I mean, er...

You'll want to get married one day.

There's not much to choose

from round here.

There's Roche,

the great Resistance hero.

- And then there's you, of course.

- Ah, yes.

No. You'll be off,

back to your own sort.

Find a job and a girl who

works in the civil service.

- Knows about things.

- I'd like to stay here.

Maybe we should go to

that dance Roche mentioned.

I'm not too keen on those things.

You go.

I wouldn't go on my own.

But it would have been nice.

She's gone to bed.

They seemed friendly.

Maybe they don't hate us.

Of course they

don't hate you.

Well, good night.

You don't have to

use the back stairs.

You're not a servant.

- Terese? Is that you?

- Yes.

- Good night.

- Good night.

I think we should eat in

the dining room tonight.

There's no need to behave like Gypsies.

It's our house.

- It'll need cleaning out.

- I'll do it.

Ah, yes.

I'll get some water.

Look.

His whole life's in here.

Him in his cradle.

The christening.

That old priest's

still in the village.

And here... is Jean-Louis

at his first communion.

That priest again.

He called on us, let us know Chavel used

to have him for dinner at Christmas.

Mother let him know there wouldn't

be any more grand dinners.

What a bunch.

Mean.

Hard eyes.

No wonder he turned

out the way he did.

Can you imagine them doing something

human, like dancing or kissing?

Can you imagine them in love?

- How would they show love?

- I suppose they...

expressed it just like you...

and me.

I suppose that's your admirer Roche,

come to pay his respects.

Open up,

or Mother will start yelling.

Yes.

- Who is it?

- Jean-Louis Chavel.

- Who? - Chavel. Open the door.

It's wet out here.

Who is it?

Chavel.

- I'm sorry, can't you hear me?

- He says it's Jean-Louis Chavel.

Please.

Let him in.

Eh?

I apologise for

breaking in on you like this.

- What do you want?

- Shelter. Something to eat.

You're Chavel?

Jean-Louis Chavel?

Yes, I'm Chavel.

I knew you'd come one day.

I hope you'll allow me to...

Oh!

Erm...

I think you'd better go.

I can't.

They're looking for me.

Young men with guns who call

themselves the Resistance.

- Why? - This is a great

time for settling scores.

Anyone who has an enemy can

find himself labelled a collaborator.

But you have the perfect answer.

You were in a German prison,

condemned to death.

They're saying that I was

put there as an informer.

It was wrong of

me to come here

but a hunted animal heads

for the place it knows as home.

I'm sorry.

I'll leave.

Yes.

You'd better go.

I had another reason for coming. I had

a message for Mademoiselle Mangeot.

From her brother.

Message?

I'm sorry, monsieur, you are...?

You should know.

You were in the same prison.

I'm Jean Perrette.

Of course.

I thought I recognised your face.

Is this Chavel?

Oh, yes.

Yes.

It's Chavel.

I shouldn't have come back.

I'm...

Please forgive this intrusion.

Forgive.

You have a message

from my brother?

He wanted you to know

that he loved you.

He thought this was the best

thing he could do for you.

I'm sorry, mademoiselle,

I should have realised.

I should have known that this door

would no longer be open to me.

You don't have to go.

I wouldn't turn a dog out in this rain.

You can stay.

- It's not long till morning.

- You're very kind.

You need dry clothes.

You'll find everything in your room,

as you left it.

I wouldn't presume!

It's not my room any more.

Please.

Who's there?

What's all this noise?

My mother's not well. I won't tell her

who you are, she couldn't take the shock.

Who's this?

Someone who knew Michel.

Another one wanting a free meal.

And a hand-out.

I wonder that my son managed to

hold on to any of his money at all.

I said he could stay tonight.

What's your name?

Er, Toupard, Madame.

Philippe Toupard.

- You knew my son?

- Yes, he talked about you a lot.

You must be very

proud of him.

I'm starving.

Can you come with me, monsieur?

We have a lot to talk about.

Who are you?

What are you doing?

Look, I don't know what's going on here.

All I want is... a night's shelter.

No trouble.

I was on my way to Switzerland.

I got myself into something,

er, rather messy,

involving the police.

I thought it wise to lie low

for a couple of days.

May I see your

watch a moment?

A man in prison had a watch like this.

His name was...

- Breton.

- You're the son he talked about.

I had to pull quite a few strings,

use friends in high places to get him out.

You think he'd be grateful.

When he found out...

he threatened to kick

me out of the house.

Called me a collaborator.

Then he had a heart attack.

- What brought you here?

- Well, I remembered the story.

He'd told us about

a man in prison with him,

who bought his life.

You know, you were there.

I thought it was worth a try.

Jean?!

Can you help me?

Mother's not well.

She's having her

soup in her room.

Monsieur Chavel.

Oh, no,

I wouldn't dream of it.

You found everything?

In perfect order.

Fresh, dry clothes.

I am deeply grateful.

You're from Paris, yourself,

Mademoiselle Mangeot,

isn't that right?

My parents are from Normandy

but we were born in Paris...

my brother and I.

I've forgotten the bread.

You think you can

get away with this?

I reckoned Chavel wouldn't have

the nerve to come home.

I... decided to do it for him.

Everyone in the village

will know you're not Chavel.

I had to risk it,

just for the night.

I must say,

I like the man's style.

Mm. It's the best soup

I've ever tasted.

All right, what's going on?

What's your game and why are

you going along with my story?

To help her.

She had it in her head Chavel

would show up one day.

He became an obsession with her.

I thought this would cure it.

She could, er, start living.

Hm.

Well, I think I was a bit hasty,

saying I'd leave in the morning.

- I caught a look in her eye.

- You're forgetting she hates Chavel.

But I'm not Chavel.

Not the real Chavel. I'm the Chavel she's

invented for herself, not the dull reality.

- She spat in your face.

- I saw a play in Paris once,

by Shakespeare,

where the same thing happened.

A king murdered some woman's husband

and he was practically lifting her skirt.

The actor wiped his

face with his sleeve.

I remember the way he did it.

- Worked rather well.

- You should've been an actor.

When you're living off your wits, you learn

to be different things to different people.

Perhaps I could learn to be

Jean-Louis Chavel.

You won't get the chance.

You'll be gone by sunrise.

I'll make you.

- All this must be rather a blow to you.

- What do you mean?

Anyone with half an eye

can see you're in love with her.

- You must be mad.

- No, it's perfectly reasonable.

I mean, here you are, a man who's been

locked up in prison for three years.

You suddenly find yourself

with a young girl.

Pretty enough, but...

not quite your class.

It must be like being shipwrecked

Rate this script:0.0 / 0 votes

Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

All Graham Greene scripts | Graham Greene Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Tenth Man" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_tenth_man_21451>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Tenth Man

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of a "pitch" in screenwriting?
    A To describe the characters
    B To present the story idea to producers or studios
    C To outline the plot
    D To write the final draft