The Texas Chainsaw Massacre 2

Synopsis: Radio DJ Vanita 'Stretch' Brock's open request night is plagued by the annoying phone pranking of two road tripping, party-hard, hoodlums, but things take a disturbing turn when the hoodlums meet their demise at the hands of familiar chainsaw wielding maniacs. With the entire gruesome ordeal recorded on tape, Stretch seeks out the help of a former Texas Marshall who's on a personal quest of vengeance against this family of cannibals. While at first he turns her down, he eventually decides to use her tape to his advantage, asking her to air it during her request block- effectively baiting the cannibals to the radio station where he'll personally deal with them.
Genre: Comedy, Horror
Director(s): Tobe Hooper
Production: Media Home Entertainment
  1 win & 1 nomination.
 
IMDB:
5.6
Rotten Tomatoes:
45%
UNRATED
Year:
1986
101 min
3,862 Views


-Oh, yeah!

-Hook them horns, baby!

We are on our way

to the biggest party of the world.

Yeah!

Red River Rock 'n' Roll Request Line.

This is Stretch.

That's for Glen.

And could you tell the girls

at Mesquite High just to leave him alone?

Got it, and I believe it.

Glen is off-limits now.

This is Stretch on an open request line

on K-OKLA in Burkburnett, Texas,

Red River Rock 'n' Roll, from the tip-top

of the Dallas Fort Worth Metroplex.

Heck, let's give Stretch a call

and see what she says.

-What kind of name is Stretch?

-No idea.

Red River Rock 'n' Roll Request Line.

This is Stretch.

Yo, Stretch!

It's the one and only Buzz.

And Rick the Prick!

And from all the senior boys

at Wheeler High to all the senior girls,

who are so stuck-up, boy,

you're on the road to nowhere.

No, you mean,

"We're on the road to nowhere."

No, baby.

We're on the road

to Texas-OU Weekend in Dallas!

You're on the road to nowhere!

Hook them horns, baby!

Real funny, guys.

Okay, you wanna hang up now?

Tying up the line. Hey, come on.

-No way, baby!

-We got a lot more requests!

Hey, check it out, dude.

Let's play a little chicken

with the farmer here.

-Come on, baby! Come on!

-Come on!

Come on, man.

Come on!

-Hot damn!

-Hook them horns!

That was great! That was great!

You got that, babe? Hot line?

You better stick with us, baby!

Yeah. Later, sports. Just hang up, okay?

No way!

Hook them horns!

-L.G!

-Damn it, I'm trying, darling.

Don't call me darling, damn it.

It's 8:
11, Texas-time, on a Friday night.

I know nobody's listening

because y'all are all zooming,

but I got a shot of hot rock 'n' roll

for you anyway.

K-OKLA, Red River Rock 'n' Roll Request.

What it is, Stretch? This is the Buzz again.

Not again. Hang it up, lame-o.

Go call your mother.

Yeah, yeah, talk dirty.

But this is for Rick the Prick.

He wants to hear

Bright Lights, Big Titties.

Wrong. I don't want to hear it.

I want to see it!

Bright lights, big titties!

L.G? L.G., get in here, please.

What the f***?

Are you crazy?

Back up, pig f***er!

Come on. Hurry up. Get out of here!

Oh, my God!

They gotta hang up.

Step on it!

-Sh*t! What the f***?

-Come on, hurry up!

Hang up!

-What the hell is that?

-Look, it's some kind of geek.

-The geek's got a...

-Come on. What is that?

-Sh*t!

-Come on. Get out of here.

-Where'd he come from?

-I don't believe this sh*t!

Just keep driving. Come on.

-Hey, let's go. Come on.

-What the hell is that?

-Go on! What's he doing?

-God damn it!

What's he got there?

Jesus Christ!

-What?

-Come on. What is that?

-I don't believe this sh*t!

-Come on!

You can do it! Come on!

Oh, God. Oh, God. Oh, God!

-Holy sh*t!

-Come on, get out of here!

He's got a f***ing chainsaw!

-Sounds like a buzz saw.

-Buzz saw?

Hey, hang up, man.

Hang up. Hang up, hang up, hang up,

hang up, hang up, hang up, hang up!

Get him. Shoot the bastard. Get him. Sh*t!

F***! Shoot that motherf***er, yeah!

Sh*t! Keep back! God!

Son of a b*tch! Sh*t!

Missed us, a**holes.

What? It just cut off.

Did you do that? What happened?

It's like super feedback.

Just put the underwoofer

across the overflapper.

I don't know.

Just went dead air.

-I want the license plate.

-No problem.

All right, now, ease up here.

You go get your pictures.

Watch out, Bob.

All right, keep

the tension on that line.

Hey, loosen that chain.

We need some slack.

Easy. Easy.

You, get out of there!

Three-zero.

Cowboy, get away from there.

This is an accident scene.

The area is restricted.

-Not gonna tell you...

-It's all right. It's all right, Wendell.

Lieutenant Enright, sir.

We heard you might be headed this way.

Did you come over for the big game?

You know why I'm here.

Yes, sir,

something about the chainsaw killers,

your brother's kids killed.

But that was 14 years ago, sir,

way down in South Texas.

Now, these are other kids.

This is just an accident.

Just a couple of wild punks

out raising hell.

Yep.

One of those boys is so wild

sawed his own head off

going 90 mile per hour.

Hell.

Hell's exactly what they raised.

No, sir, that information's off the record.

You know, sir, this is always

a pretty hairy weekend for Dallas.

Whole lot of folks come to town

and don't give a damn about football.

You know, they just wanna go blood crazy

for a few and riot.

You know what "riot" means.

You were a Ranger.

I can't hardly keep them down by law,

and if...

If you go around

promoting this chainsaw...

Try to speak plain.

Saves time.

I have authority

from the DA's office to put you

right back on the next plane to Amarillo.

Well, you just do that, son.

I'd like to see that authority.

All right, Lieutenant Enright,

what's your deal?

All right.

I'm gonna ask some questions.

Put it in the press. Get it in the news.

Any information about this accident

and maybe some witnesses.

Yes, sir,

I know some old boys at the paper.

We'll get your story out for you.

Brazos.

Brazos.

Brazos!

Remember the Alamo, cowboy.

I won!

Come on!

A**hole.

You need a witness? I'm a witness.

This Mercedes? I think I was talking

to those kids when it happened.

No way was that an accident.

-You saw it.

-No, but I heard it.

You can listen. It's here on tape.

Regulations.

We gotta record all the call-ins.

End of the night, we wipe the tapes,

but I kept this one just 'cause...

It just got to me.

We got professionals working on this...

I didn't know what I'd heard,

but I read your story.

-What you're looking for is on this tape.

-...so don't fool with it.

You can slow it down now.

You're just a joke in this morning's paper.

"Cowboy chases chainsaws 14 years.

"Dallas police refuse comment."

Like you're, you know,

hung up on something crazy.

But I believe you.

I might be the only believer you got.

-'Cause it's right here.

-What is?

Right on here, those kids getting killed.

Now, this is evidence, sort of, right?

Yeah, it's time for you to go home.

-No, wait a minute, wait a minute.

-Come on.

Look, I came here

because I thought I could help you.

I deejay this dumb show

on K-OKLA up in Burkburnett,

but people listen to me

all across North Texas.

Now, I could put you on the radio,

get people to believe you,

get you some help.

You're gonna get in my way.

-Don't you get in my way.

-No, I'm already right in the middle of this.

This is my chance

to stop playing head-banging music

and do something real.

Well, I don't need anybody

to stand with me,

all right?

You can't do it alone.

I got a perfect willingness to die.

That gives me a moral

on this bunch of mad dogs.

They live on fear. They thrive on it.

I ain't got no fear left.

I ain't got no fear, Lord.

-Hardass.

-Hardass? Me?

Well, maybe a semi-hardass,

but I got a soft heart.

Looky.

-Built you a little fry house.

-L.G!

What, darling?

Oh, L.G.

Okay, everybody, hush up. Listen up, y'all.

The Texas-OU Chili Cook-off champion is

from Norman, Oklahoma? No.

Rate this script:0.0 / 0 votes

L.M. Kit Carson

All L.M. Kit Carson scripts | L.M. Kit Carson Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Texas Chainsaw Massacre 2" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/the_texas_chainsaw_massacre_2_19570>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "A/B story" refer to in screenwriting?
    A Two main characters
    B The main plot and a subplot
    C Two different genres in the same screenplay
    D Two different endings