The Thirteenth Floor Page #4
DOUGLAS:
Let's talk, " honey bear" You remember her?
GRIERSON:
Of course not. She's mistaken me for someone else. Or someone
else.
DOUGLAS:
I want you to look around and tell me what you remember.
GRIERSON:
I don't know, Mr. Hall. I'd rather go home. I don't feel very
well.
DOUGLAS:
You have the feeling you've been here before? Please try to
remember. Do you recognized anybody?
GRIERSON:
I'm trying.
DOUGLAS:
Her? What's her name?
GRIERSON:
I think her name Erika, I believe. I believe her name is Erika.
DOUGLAS:
Do you remember did you talk to her?
GRIERSON:
I'm not sure. And that one looks familiar too.
DOUGLAS:
Bridget. Her name's Bridget.
GRIERSON:
Bridget. Oh Yes. I remember Bridget.
DOUGLAS:
Did you give her something to give me? Did you give her a letter
or a note?
GRIERSON:
The man behind the bar. You're right. I wrote a letter. And gave
it to him.
INT. THE BASEMENT
ASHTON:
You looking for anything special? What are you?
DOUGLAS:
My name's Ferguson. I'm a bank teller.
ASHTON:
I'm Clark Gable. I talked to the Ferguson guy. He doesn't know a
thing. I need to talk to Fuller.
DOUGLAS:
He's upstairs.
ASHTON:
Cut the crap! You think I don't know what's going in? I need to
see him I need to talk to him again.
DOUGLAS:
You read the letter. I need to know what's in the letter.
ASHTON:
Everything. When I read it, I thought it was a gag. The world's a
sham. Fat chance. but I'm not stupid, Mr. Hall. I watched you and
Ferguson do the old switcheroo. That stuff about going to " the
ends of the earth"
DOUGLAS:
What stuff?
ASHTON:
I did exactly what the letter said. I chose a place I'd never go
to. I tried to drive to Tucson. I figured, what the hell. Never
been to the countryside. And I took that car out on the highway.
I was going over 50 through that desert. After a while, it was
the only car on the road. It was just me, the heat and the dust.
I did exactly what the letter said. "Don't follow any road signs
and don't stop for anything. Not even barricades." But just when
I should've been getting closer to the city. Something wasn't
right. There was no movement, no life. Everything was still and
quiet. And then I got out of the car. And what I saw scared me to
the depths of my miserable soul. It was true. It was all a sham.
It ain't real.
DOUGLAS:
Why would Fuller write about the limitations of the simulation?
I know them.
ASHTON:
I'm asking the questions now. I want to know why would you put us
through this? Why are you f***ing with our minds?
DOUGLAS:
You weren't supposed to find out.
ASHTON:
Well I did. Now I want you to show me what is real. Is this real?
Is that real blood? How do you like having your life f***ed with?
DOUGLAS:
Damn, what's going on? Where's the letter?
INT. THE 13Th FLOOR
WHITNEY:
Snap out of it. You won't hit me again?
DOUGLAS:
Did you yank me back?
WHITNEY:
Yeah, barely, man. Just barely. You didn't start the timer. It
couldn't engage. What are you doing this alone for anyway?
DOUGLAS:
He tried to kill me.
WHITNEY:
Who?
DOUGLAS:
Ashton.
WHITNEY:
Jesus!
DOUGLAS:
he found out his world isn't real. This is a mistake. This whole
project, this experiment. We are screwing with people's lives!
WHITNEY:
Now you're talking crazy. I know you just had a bad f***ing trip.
DOUGLAS:
Bad f***ing trip? These people are real. They are as real as you
and me.
WHITNEY:
Yeah, that's because we designed them that way. In the end,
they're just a bunch of electronic circuits.
DOUGLAS:
I tell you something else. I'm shutting this bad f***ing trip
right down. I'm telling everybody tomorrow.
WHITNEY:
You can't do that. You're talking about 6 years of our lives.
All of us. You can't just pull the plug and go home.
INT.HOTEL ROBBY
DOUGLAS:
I'm looking for Jane Fuller.
Receptionist
I'm sorry, she's no longer with us.
McBAIN
the lady vanished. Any idea where to?
DOUGLAS:
Why would I?
McBAIN
Hannon Fuller doesn't have a daughter. I think I made the age-old
mistake. "Never trust a beautiful woman."
DOUGLAS:
Who is she, then?
McBAIN
We don't know. It took us a couple days to contact the French
authorities. Guess what? They never heard of her either.
EXT.OUTSIDE THE HOTEL
DOUGLAS:
Do you remember me? Miss Fuller checked out. Did you drive her
anywhere? I'm looking for her.
DRIVER:
No can do. Company rules.
EXT.
DOUGLAS:
Hello! My name's Douglas hall. I'm looking for a young woman
named Jane Fuller.
WOMAN:
I think you picked the wrong house.
DOUGLAS:
Maybe she's going under another name. She's about 5'8". Blonde
hair.
WOMAN:
What do you want from her?
INT. SUPER MARKET
DOUGLAS:
Excuse me, I'm looking for Natasha Molinaro.
CLARK:
NATASHA:
$7.01 Just slide it through. Want cash back?
DOUGLAS:
No.
NATASHA:
Why don't you take a picture? It'll last longer.
DOUGLAS:
Must be deja vu or something.
NATASHA:
Paper or plastic?
DOUGLAS:
plastic.
NATASHA:
there you go.
NATASHA:
Mr. Hall. You forgot your credit card.
DOUGLAS:
Thanks.
NATASHA:
No problem.
DOUGLAS:
Sorry about staring at you in there. You must get that a lot.
NATASHA:
Yeah, but mostly from the wrong kinds of guys. You're not from
here, are you?
DOUGLAS:
What makes you ask?
NATASHA:
Well, it's just I don't know I just had this funny feeling that
we met before.
DOUGLAS:
Maybe in another life.
NATASHA:
yeah, I guess that would explain it. Anyway, I got to get back to
my daily grind, so. Maybe I'll see you around sometime.
INT. THE SUPERMARKET
NATASHA:
7.28 Out of 10. Here's your change. Thank you very much.
McBAIN
Thank you.
COP:
Natasha Molinaro.. 27 single. Changes job like other change
underwear. Came from Austin, Texas, made some money modeling.
Left school without a degree. Her roommate has no idea what she
was doing yesterday or the day before. Looks like Molinaro
doesn't have an alibi.
McBAIN
What else did the roommate say?
COP:
Says lately, Natasha hasn't been feeling well. She's been having
some sort of amnesia attacks. Going out all night sleeping all
day. Thought she was using drugs.
McBAIN
Did she have a history of drugs?
COP:
Nope. She's clean.
McBAIN
Hey Bernie? Good work.
JANE:
look, I can explain. I'm sorry. I need to see you Fuller' office.
DOUGLAS:
I know the truth.
JANE:
Where are you?
DOUGLAS:
You could call it the end of the world.
INT. THE OFFICE
DOUGLAS:
How many simulated worlds like this are there?
JANE:
Thousands. Yours is the only one that ever created a simulation
within the simulation. Something we never expected.
DOUGLAS:
So you had to kill Fuller.
JANE:
No. I was sent in after his death. I was to pretend to be his
daughter, inherit the company. And shut it down. But he tricked
us. He changed his will.
DOUGLAS:
If you didn't kill Fuller. Who did?
DOUGLAS:
I stabbed him.
JANE:
But it wasn't you. It was your user. He downloaded into you.
Manipulated you.
DOUGLAS:
Like a puppet.
JANE:
A puppet doesn't have a soul.
DOUGLAS:
I can't have a soul any more than Fuller.
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"The Thirteenth Floor" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/the_thirteenth_floor_613>.
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