The Thomas Crown Affair Page #6

Synopsis: Self-made billionaire Thomas Crown is bored of being able to buy everything he desires. Being irresistible to women, he also does not feel any challenge in that area. But there are a few things even he can't get, therefore Thomas Crown has a seldom hobby: He steals priceless masterpieces of Art. After the theft of a famous painting from Claude Monet, the only person suspecting Thomas Crown is Catherine Banning. Her job is to get the picture back, no matter how she accomplishes her mission. Unfortunately, Catherine gets involved too deeply with Thomas to keep a professional distance to the case. Fortunately, Thomas seems to fall for her, too.
Director(s): John McTiernan
Production: MGM/UA
  3 wins & 2 nominations.
 
IMDB:
6.8
Metacritic:
72
Rotten Tomatoes:
70%
R
Year:
1999
113 min
Website
5,306 Views


- He's in.

- Got him.

That's him.

Overcoat and briefcase.

Yeah, Mikey, we got him.

Center entrance. Grey overcoat.

Bring up the lobby

on the big monitor.

Move in quietly.

We don't wanna make a scene.

What the hell's he doin'? It's almost

like he wants to make sure we see him.

Let's play ball.

There he goes. Bowler hat.

Move in and pick him up.

Go. Move it.

Quietly. Excuse me.

Excuse me.

Sh*t, he switched the painting.

Stay with the painting.

What? I can't...

Sh*t! There's another one.

Where is he?

What the hell...

- There's guys with bowler hats...

- All over the goddamn place.

- Did you warn him?

- What? No. No!

- Then he knew you were gonna betray him.

- Sh*t. They're going for the stairs.

That does it. Now we got

four floors to keep track of.

Stay with him. He disappears, it'll be

ten years before he surfaces again.

- Is the Impressionist wing sealed off?

- Completely.

- There's no way to get in?

- Gates are down. We got men on the roof.

If he tries to put the painting back,

I guarantee it won't be in that room.

- Got 'em coming out of the woodworks.

- What's the deal?

He's going the other way.

- What?

- Where are you?

I can't hear you.

This is ridiculous.

He's got us running around in circles.

Paretti's trying to reach you.

I know, you're f***ed.

I'm coming down.

What do we do?

Start arresting people.

Come on.

Excuse me, sir. One moment.

Sh*t!

I knew it. Excuse me.

- Coming through.

- Get the civilians out of here.

How do we get this gate open?

Kill the sprinklers

in the Impressionist wing now!

It's water paint.

It's been here the whole time.

From what, one, two days

after the robbery?

There's something jammed

in the track.

Returned the damn thing

practically as soon as he stole it.

- Oh, Lord.

- Oh, dear.

This... This can't be.

It simply can't be.

Now, how the hell did he do that?

Where are you goin'?

Oh, office.

Write up my report.

- The job's done, right?

- Yeah.

So, the other painting, why do you

think he chose that particular one?

I have no idea.

But it's not insured by my people,

so I'm out of it.

Obviously, you'll still

have to pursue it.

I don't really give a sh*t.

You don't care if you catch him?

I'll do what they tell me to do.

- Did you ever care?

- Yeah.

He pissed me off.

But look,

the week before I met you...

I nailed two crooked

real estate agents...

and a guy who was

beating his kids to death.

So, if some Houdini wants

to snatch a couple swirls of paint...

that are really only important

to some very silly rich people...

I don't really give a damn.

You're a good man.

Okay. Get out of here.

And tell him I said hello.

I have no idea

what you're talking about.

Go on. And don't stiff us

for your phone bills.

Taxi!

You know, I'm just gonna run.

Thanks.

Excuse me.

You can't go out there

without an escort.

You would be Catherine?

He wanted you to have this.

Good day, ma'am.

How can I help you?

I have a reservation.

Okay, Miss Banning.

Will you be carrying

any luggage today?

Can you see that this...

gets to this man

at police headquarters?

This should take care of it.

- It won't get there till the morning.

- That's fine.

Departures for international flights

are up the escalator to your left.

Ma'am...

is everything all right?

Everything's fine.

You don't need to cry there,

lassie.

Did you set this up?

Did you set this up?

Miss, please,

the seat belt sign is still on.

I'll tell you what.

You pull a stunt like that again...

I'll break both your arms.

Rate this script:4.0 / 3 votes

Leslie Dixon

Leslie Dixon is an American screenwriter and film producer. She began her career as an original screenwriter, writing films such as 1987's Outrageous Fortune and Overboard. She then moved into adaptations and re-writes, developing the screenplays for: Mrs. Doubtfire, The Thomas Crown Affair, Pay It Forward, and Hairspray. She has also produced a variety of films, and the television series Limitless. more…

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