The Three Musketeers Page #3

Synopsis: The hectic adventures of D'Artagnan, a young provincial noble who just comes to Paris to enter the musketeers. He will meet action, love, hate, the king and the queen as his impetuousness gets him involved in political plots... and of course virile and indestructible friendship with the three musketeers Athos, Porthos and Aramis.
Director(s): George Sidney
Production: WARNER BROTHERS PICTURES
 
IMDB:
7.2
Rotten Tomatoes:
71%
NOT RATED
Year:
1948
125 min
394 Views


I need you my Lady.

Buckingham is in possession of|a set of diamond studs.

Twelve studs.

I would be grateful,|immensely grateful,

if you were to go to England|and steal two of them.

Steal two.

What am I, a common thief?

I could hardly trust a common thief|with such a mission.

The jewels were presented|to Buckingham only last night.

By the queen.

Oh, so he reached the queen.

How comical,|despite all your precaution.

I leave the making of excuses|to Rosewood.

And his excuses|can be quite imaginative.

It is claimed that|some lone monster named D'Artagnan

annihilated all my men.

Oh no, what a catastrophy!

It takes a good man to prevent|a catastrophy my Lady.

And a great man|to make use of one.

You and I, my dear|are rare creatures

in this ancient world of impulsive men.

We have intellect.

We think.

When we think our impulsive enemies|are helpless.

The King opposes my plans|for war with England.

It is my belief that|if Buckingham's relations

with the queen|can be demonstrated,

his Majesty's objection|to my plans may be lessened.

But your grace, how can you|trust me with such a confidence?

What if I refuse to go to England?

Can there be any one|be more trustworthy

than an ambitious woman|of fashion...

with a history?

You said yourself my Lady,

I know everything that transpires|or has transpired... in France.

The spies. They're everywhere.

Can you go to England?|To England?

Nobody knows I come to you.|Only the queen.

Oh the poor queen.

Oh Constance.

Richelieu arranged a banquet|for the first of the month

for the express purpose of|displaying the queen's new jewels.

It's a set of|twelve diamond studs

and he gave them to her|for her birthday

and she has to wear them.

But I...|But they're in England.

She gave them to Buckingham.

Richelieu has found out and now|he wants the King to find out.

And she just has to wear them|at the banquet or...

Well, it's only nine days|and I don't...

I love you.

Oh...

Oh, you need this letter.

You tell the queen I'll be back|with the jewels in nine days time.

What would I do without you?

When I come back...

When you come back...

So this letter must be delivered|in England

and the jewels returned to Paris|by the first of the month?

We have just one advantage.

Richelieu doesn't know|we're going.

My friend, my friend.

My young country friend.

When will you learn about Paris?

By now, Richelieu,|without the slightest question,

knows even the color|of your underpants.

Well, it is my obligation,|not yours.

If we all went,|there'd be a better chance

that one of us would survive|to return to Paris.

To die among friends.

Can a man ask more?

Can a world offer less?

Who wants to live|till the last bottle is empty?

It's all for one D'Artagnan.

And one for all.

On your way|Four against one...

In the queen's name wouldn't you,|on your way!

Stay with your master, Porthos. Go!

The town of Becourt lies|just beyond there.

I once knew a Lady|that lived there.

Some of my most beautiful memories|are associated with this road.

D'Artagnan, are you alright?|D'Artagnan, are you alright?

This way, lieutenant.|That was long ago, I tell you.

I hope your Lady|still lives in the town.

That was long ago, D'Artagnan!

Long ago!

Separate, men.|We will cut them off.

Here, master!

Husanne.

We meet again, D'Artagnan.

Ride, D'Artagnan, the queen.

Planchet.

A boat for England.

The port was closed last night.

By whose orders?

Richelieu, monsieur.

Our beloved Reginald.

A boat for England.

No boats.|The port is closed.

I am the count De Wardes.

I have special permission|for revenue.

You will have to get it signed|by the governor of the port.

Where could I find this individual?

The last house on the point.

And such a handsome man he was.

Don't talk like that.|He is not dead.

Well, I'd rather be dead|than resemble a seal.

Or maybe I...

Maybe I'd just rather be dead.

What a man.|Hmm.

I said what a man.

Letters from the famous|Countess De Winter.

By the way, Planchet, don't forget.

My name is...

I am the count De Wardes.

The count Du B...

I can not think of no one|I can put my trust in.

The only good thing is that|you are not an Englishman.

An Englishman in his grace|would probably take this box

back to Paris without|looking to see what is inside it.

With all respect Sir,|I am a Frenchman.

You skeptic.

Malice.

Malice!

You disgusting thief.

Which one of you|stole these jewels?

I will have you hanged|from the highest bridge in London.

Oh, your...|Don't lie to me!

No one has been in my room, except...

Summons my jeweler.

This instant!

How many days do you have left?|Five?

Without the one or two stops, sir...|Never mind about that.

If your feet have wings and|you roll the wind.

How long does it take|to get to Paris?

Three days.|You are alone?

I came to Paris with friends, Sir.

I hope at least|one of them is alive

and can help me get back.

Rosewood. Draw 100,000 Francs|for the Countess De Winter.

Yes, monsieur.|Oh and Rosewood,

what about that body of|young D'Artagnan?

He is dead.|Excellent.

Then why do you look so unhappy?

Well, five of my men|have each assured me

he has killed him.

And each of them|in five different places.

Place extra guards on every road.

Close the gates of Paris

until D'Artagnan's corps is|delivered to me here in my palace.

Or his person is lodged|in the Bastille.

Yes, monsieur.

Nobody has seen him.

I have every confidence that you,

you a man of equal capacities|to the King,

will someday be equal to a man

that is not yet a musketeer.

Hello, D'Artagnan.

Portos!

I thought you were wounded.

I am, I am, but the jewels...

Here, safe.

Ah, that man, that Buckingham.

Two have been stolen and|he wants two made in 48 hours.

Well, come on, man.|Take your horse. I need you.

Porthos, when did a wound come|between you and a fight?

Well, unfortunately|the position of this wound

comes between me and my horse.

I give you my word|I was not running away.

I was fighting magnificently when...

who should appear?

But no, what a beautiful woman.

I let my eyes stray for|just one moment when... zip

I am disgraced.

When was I ever wounded|in a locality?

So it was impossible to explain.

Well.

I can see you're in doubt.

No, my dear friend,|merely in a hurry.

Where can I find Athos?

In a monastery.

Where?

My friend Athos has renounced|the world of the flesh.

But it has only been a few days.

Yes. He says a great deal|can happen in a just few days

that can change a man's life.

I suspect...

His Lady has great courage|in remembering him.

Oh heaven, heaven.|Let Athos still be alive.

I said wine!|I have none.

What kind of idiot...

Why don't you go down|in your cellar?

I can't go down there.

Why not?|Merci, gentlemen.

Believe me,|there is a madman in my cellar.

A madman.

He took refuge in my cellar|a week ago.

He's been down there for a week.

All my food. All my wine.

Three more days like this|and I am ruined.

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Robert Ardrey

Robert Ardrey (October 16, 1908 – January 14, 1980) was an American playwright, screenwriter and science writer perhaps best known for The Territorial Imperative (1966). After a Broadway and Hollywood career, he returned to his academic training in anthropology and the behavioral sciences in the 1950s.As a playwright and screenwriter Ardrey received many accolades. He was awarded a Guggenheim Fellowship in 1937, won the inaugural Sidney Howard Memorial Award in 1940, and in 1966 received an Academy Award nomination for best screenplay for his script for Khartoum. His most famous play, Thunder Rock, is widely considered an international classic.Ardrey's scientific work played a major role in overturning long-standing assumptions in the social sciences. In particular, both African Genesis (1961) and The Territorial Imperative (1966), two of his most widely read works, were instrumental in changing scientific doctrine and increasing public awareness of evolutionary science. His work was so popular that many prominent scientists cite it as inspiring them to enter their fields. more…

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Submitted on August 05, 2018

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