The Tomb of Ligeia Page #3

Synopsis: Some years after having buried his beloved wife Ligea, Verden Fell meets and eventually marries the lovely Lady Rowena. Fell is something of a recluse, living in a small part of a now ruined Abbey with his manservant Kenrick as the only other occupant. He remains infatuated with his late wife and is convinced that she will return to him. While all goes well when first married, he returns to his odd behavior when they return to the Abbey from their honeymoon. The memories of Ligea continue to haunt him as well as her promise that she would never die.
Director(s): Roger Corman
Production: American International Picture
 
IMDB:
6.6
Rotten Tomatoes:
78%
NOT RATED
Year:
1964
82 min
341 Views


A colleague of mine in Switzerland,

a charlatan really, one Franz Mesmer,

claims to have brought to ground some subtle,

invisible fluid with miraculous healing powers.

M oo o c, Doco,

o oo c o c o

q o o

Do o o o

No

ut I knew an interested disciple...

...one who sought relief from an incurable ill.

- Were they cured?

- I say, were they cured?

- I think not.

You don't seem certain.

At any rate, hypnotism's effect on memory

interests me more than its curative powers.

Through it,

one is able to call to mind things long forgotten...

...or to forget things... best not called to mind.

And might we see a demonstration?

I can't effect the sale of the abbey

until something more is done.

You see, legally, Ligeia is still alive,

still your wife.

I await your pleasure, sir.

Christopher, I must talk to you. Since last night,

until you arrived, I had not seen Verden.

- And something else, something horrible.

- Rowena.

We mustn't keep our guests waiting.

(doctor) This is a surprise.

Is Lady Rowena going to assist you?

Would you mind, my dear, assisting me?

- No.

- Sit down.

Ko c, o o co o

M oo, ooo o co oo

- ut...

- Please.

Doctor.

Christopher.

No, Roo, oo g

What do you remember of your mother?

Well, nothing really, other than portraits.

She died when I was three.

No, oo

(Roa sprs) oo o g

You had but to come to me. I never left my room.

Rowena...

...you must trust me.

Give over your will to mine.

No o coo o o

Give over your will to mine.

Your hands are melting into mine.

Soon, very soon,

they will be one with mine.

You will try, but you will not be able to...

You will try soon... You will try soon...

You will try now, but you will not,

you cannot move them.

Close your eyes.

Rowena...

- (drowsihy) Yes?

- You may let loose of my hands now.

Rowena, you wish to let loose of my hands now,

oco o o oo,

o o o, o o g

So young.

All brightness,

and butterflies are a wonder to behold.

- See them? See them?

- Yes.

There is one resting on a rosebush,

one whose wings you can almost touch.

Reach out, Rowena. Touch those wings.

You can almost... No, it flew away.

No o, Roo

There is no need to weep.

Your mother is coming.

Can you see her?

What is she doing? What does your mother

usually do when you are about to cry, Rowena?

She sings to me.

She sings to you.

What does she sing, Rowena? Sing it for us.

(chnihdishn) I have a bonnet trimmed with blue

Do you wear it? Yes, I do

I will wear it when I can

Going to the ball with my young man

I have a bonnet trimmed with blue

Do you wear it? Yes, I do

I will...

What a...?

Where...?

(dEEphy) Who knoweth the mysteries of the will?

The will herein lieth which dieth not.

M ooo o oo ooo o go

o o oo ooo,

o o o o o oo o

- I will always be your wife.

- (moarns)

Kenrick, the lights

I'm so...

Oh, I'm so sleepy.

She'll rest more easily now.

- I confess, I am confounded by what I've seen.

- Yes.

- Should you require further assistance...

- Thank you, Doctor.

- Good night.

- Good night.

Don't go. Please, don't leave me tonight.

- You need rest.

- ut there are things I must ask you.

- Tell you.

- Hush, my dear. Tomorrow will be soon enough.

- I'll be in my room.

- ut, Verden, I...

Good night, my dear. Good night.

(scrEams)

(cat yowhs)

(cat yowhs vicioushy)

(cat yowhs)

(cat yowhs)

(cat yowhs)

(scrEams)

(gasps) I...

Some things appeared in my room:

a dead fox, a saucer of milk... Verden?

- Yes?

- Where have you been?

Alone.

- I was alone.

- ut where?

Walking.

I woke, dressed and...

...walked. I was resting.

Verden, for whom...?

Why have you got that food?

- Why?

- (KErnrick) Sir...

og oo

Ko c, c o ox o o ooo

- I, sir?

- Yes. I seem to have found it outside my room.

- Well?

- Perhaps one of the maids may have mislaid it.

One of the maids? Yes, well... look into it.

Yes, sir.

Oh, and...

Ko c, o o Roo o o oo

...some things in her room. Have them removed.

o o o, oo

o o o, o

M, oo o o o oo o

I shan't be able to show you

what disturbed me. Perhaps you could show me.

I'm truly sorry, ma'am.

I sleep alone,

I eat alone.

And that's as it should be.

After all, I'm not his wife. Am I?

It's a... a legal technicality.

Is it now? Along with the fox,

the food, the saucer of milk,

my hairbrush filled with black hair, with hers.

- Are they just legal technicalities as well?

- ut you said that these objects disappeared.

Someone else besides myself was there.

Did you imagine her words on my lips last night?

Woo o oo oo ooo

No

That woman is alive. There.

From somewhere in the abbey,

she comes to destroy me.

Somewhere in the abbey, her abbey,

she's alive, and with her husband.

Let's walk for a bit, my dear.

M o o o o

Don't ask for explanations.

We must be in a position to demand them.

y tonight, we will be.

Promise.

M:

Is there something else I can fetch you, ma'am?

- Just my husband, Kenrick.

- (door chosEs)

- I'm sorry to come upon you unannounced.

- You always did stand on ceremony.

Yes. Yes, quite.

M:

Oh, don't leave us, please.

- Kenrick...

- Sir?

Where is your master?

As I've told Lady Rowena,

he's working over some ancient treasure.

- In his study? Splendid. Then send for him.

- He's not there, sir.

Where else might he work?

- I say, where else might he work?

- I can't quite say, sir.

You can't say or you won't say. Which is it?

No, Go o,

lf, Kenrick, you are unsure

of your master's whereabouts,

o o c o o o qo o

Yo,

Where is Ligeia?

I'd have thought the answer an obvious one.

She's lying beneath a white stone

and a carpet of pretty, red flowers.

- Isn't that the case, Kenrick?

- Of course, sir. It was only that... that...

- Yes?

- It was such a strange question to ask.

Oh, quite.

Yes, quite.

Why do you suppose I should ask that question?

- I... I...

- Go on, man, speak up

Perhaps...

Po o o go

o oo o o o g co

Perhaps she prefers the company of Verden

to the dubious comforts of her coffin.

Or perhaps... Look at me

Po o oo o oo

No No,

No Po o o o oo

o go go o oo

Please, sir, no more. Please.

I've no wish to torment you. Produce

your master or point the way for me to find him.

Give me leave, sir. You must give me leave.

Go to your room. Lock the door.

Do not leave until I return.

- ut if Verden comes...

- I can't promise all will be well.

ut it will be done with. Soon.

(mEtahhic scrapirng)

- (ChnristophnEr) Have you another spade?

- (marn) Yes, sir.

M:

(gasps)

(maid srnEEzEs)

Oh, excuse me, ma'am. These want water.

I'll take them. Thank you.

- Anything else, ma'am?

- No. No. Thank you.

Night, ma'am.

(bird cahhs)

(thnurndEr rumbhEs)

(scratchnirng)

(cat mEows)

(cat yowhs vicioushy)

(sihErncE)

(cat mEows)

(yowhs)

(cat yowhs)

- (ChnristophnEr) That'll do.

- (marn) Right, sir.

You've earned your ale tonight.

(cat yowhs)

(gasps)

(scrEams)

It's wax

(KErnrick) You must hurry, sir.

He's beyond my help now.

Verden?

Verden?

(sobs)

(yEhhs)

Rate this script:0.0 / 0 votes

Robert Towne

Robert Towne (born Robert Bertram Schwartz; November 23, 1934) is an American screenwriter, producer, director and actor. He was part of the New Hollywood wave of filmmaking. His most notable work was his Academy Award-winning original screenplay for Roman Polanski's Chinatown (1974), which is widely considered one of the greatest movie screenplays ever written. He also wrote its sequel The Two Jakes in 1990, and wrote the Hal Ashby comedy-dramas The Last Detail (1973), and Shampoo (1975), as well as the first two Mission Impossible films (1996, 2000). more…

All Robert Towne scripts | Robert Towne Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Tomb of Ligeia" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_tomb_of_ligeia_22047>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Tomb of Ligeia

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what is a "logline"?
    A A brief summary of the story
    B A character description
    C The first line of dialogue
    D The title of the screenplay