The Transfiguration Page #3

Synopsis: When troubled teen Milo, who has a fascination with vampire lore, meets the equally alienated Sophie, the two form a bond that begins to blur Milo's fantasy into reality.
Genre: Drama, Horror
Director(s): Michael O'Shea
Production: Transfiguration Prods.
  1 win & 7 nominations.
 
IMDB:
6.0
Metacritic:
65
Rotten Tomatoes:
84%
NOT RATED
Year:
2016
97 min
$21,926
Website
77 Views


that they'd make it seem like I snitched.

- Hey they'll kill you

if they even think you talked to them.

- I didn't tell them anything.

- Alright, you know it

doesn't matter what I think.

You saw it?

- Yeah.

- Sh*t-.

Did they see you see it?

- No.

I don't know.

- Milo I can't protect you from them.

You know that right'?

- Lewis, stop.

- Okay.

Okay.

- [Milo] Lewis.

- And don't trust the

cops either, alright?

They're frame you tor that

sh*t just 'cause they can.

- Okay I get it.

- Listen to your older brother.

- Alright I understand.

- Alright.

- So this is what you do, you sit up here?

- I study.

- That's cool.

Do you believe in God?

- No.

Do you?

- I guess.

Yeah.

I had a feeling that you didn't.

- I mean like, I think we're all special.

I believe in that, I guess it's magical,

but I don't think anyone intended anything

and I think when you die you're just,

you're just gone.

- Don't say that, it's so f***ing creepy.

- It's true, I think.

- Okay, okay moving on.

What would you do with a million dollars?

- What if I told you I had $1,000,000?

- Then I'd steal it.

- You would?

- No,

but I'd ask to borrow some.

- What would you do with it'?

- Get out of here, you know, move out.

- Where would you go?

- Anywhere.

But I have a cousin in Alabama.

She let me stay there.

I could pitch in, probably go there.

- Cool.

- Okay so what would you

do with a million dollars?

- I've got plans.

- That's it'?

- Yeah, I've got plans.

(train rattling)

(chattering)

(unnerving music)

- Thanks.

- You're welcome.

- [Woman] Asher.

- Bye.

(unnerving music)

- Yo Milo.

You talking to five, O?

- [Milo] No.

- That's not what we heard.

- You heard wrong, I don't do that.

- That kid screamed like

a little b*tch right?

- I don't know what you're talking about.

- Oh come on you don't think he screamed

like a little b*tch?

It's alright, Malik said he saw you there.

Right Malik?

- I don't know what you're talking about.

- Don't act f***ing smart okay?

- I'm not.

Can I go?

- This ain't over.

(screaming)

(laughing)

- Do you want to do it again?

(laughing)

Stop.

(talking on TV)

So I'll see you tomorrow then?

- Yeah.

- Bye.

- [Lewis] Uh-huh I see you bro.

- Lewis.

- What?

That was nice. (laughing)

- Lewis!

- [Lewis] What?

- What day is it?

- [Lewis] Friday.

- No, the date.

- [Lewis] 14th-.

(unnerving music)

(talking on TV)

. Hey-

- Hey, what's up?

- Nothing.

Can I watch TV with you'?

(talking on TV)

(doorbell ringing)

- The neighbors heard me screaming

and threatened to call

the cops so he let me go.

- Are you hurt?

- No, I don't think I need to

go to the doctor or anything.

I just really don't want to go back there.

- [Lewis] She okay?

- Yeah.

- Can I stay here'?

- Sure.

- Where's the ChapStick?

(beat-boxing)

Where's the ChapStick?

(beat-boxing)

(laughing)

Where's the ChapStick?

(beat-boxing)

Where's the ChapStick?

(beat-boxing)

(laughing)

Where's the ChapStick?

(beat-boxing)

(laughing)

Where's the ChapStick?

(dramatic music)

Where's the ChapStick?

(dramatic music)

(talking on TV)

(dramatic music)

- Don't you think you

should get your stuff'?

- You really thought I've

been in the same outfit

for like a week?

- And borrowing my clothes.

I mean it's tine, it's just,

you have to eventually right?

I mean it's tine, it's just,

you have to eventually right?

- Yeah.

- You can stay here as

long as you need to.

- Okay.

- Okay.

Thanks.

(screaming)

Are you sure you don't mind me not coming?

- It's fine.

Used to spending time by myself anyways.

Used to spending time by myself anyways.

- Thanks.

Oh and then...

- Oh we'll get your stuff.

Think I've convinced Lewis to come.

Think I've convinced Lewis to come.

- Okay let's see.

- We'll do it, see you soon.

(talking on TV)

(talking on TV)

- Hi.

. Hey-

- Sorry I was, I was

wondering if you had a stamp,

- Sorry I was, I was

wondering if you had a stamp,

and an envelope?

- No.

- No?

- [Lewis] I don't know.

- Okay, okay then.

- So you really like him?

- Yeah, I do.

(talking on TV)

- Hi, I'd like to cash this check

and pay these two bills with it.

And can I get a money order?

(baby crying)

(baby crying)

(birds squawking)

(dramatic music)

- She didn't say anything, she just left.

- She didn't say anything, she just left.

(signing)

(knocking on door)

- Hi.

I know,

I know,

I know you saw that stuff,

but if we could meet then,

if we could meet then I could explain.

(phone ringing)

- [Answering Machine] Seven,

two, three, four, nine, seven...

(train rattling)

(chattering)

(unnerving music)

(distant shouting)

- [Woman] God damn you.

- [Man] F***ing.

(thumping)

(screaming)

- [Woman] F***ing f*ggot.

- You f***ing loudmouth b*tch.

- You f***ing loudmouth b*tch.

Shut up.

(shouting)

(unnerving music)

(unnerving music)

(unnerving music)

(slashing)

(unnerving music)

(vomiting)

(unnerving music)

(screaming)

(unnerving music)

(train rattling)

(talking on TV)

(orchestral music)

- [Man On Computer] I warned you.

(talking on TV)

- You look like sh*t.

- When you were there did you kill anyone?

- No.

No.

I saw a lot of parts,

you know like body parts after bombings

but no I never killed no one, why?

- I was just wondering.

- You do what you have to do,

no matter what.

Whatever it is you're doing,

there's someone doing a

whole lot worse, you know'?

- I guess.

- No, ain't no guess,

you gotta remember that.

No matter how bad you think you done

there's somebody doing a whole lot worse

who's doing now.

- You think?

- You can trust me, I know.

I f***ing know.

Ain't nothing you doing as

bad as what people are doing

all the time to each other.

You know what people

just close their eyes to

and let happen.

You know I bet whatever it

is you're worried about,

it ain't nothing compared

to the sh*t that goes on.

- Yeah.

Goodnight Lewis.

- Goodnight Milo.

- What?

- Milo and Lewis.

You know it's like she gave us names

she knew we get our asses kicked.

- Yeah.

- I miss her.

- I miss her too.

- Hi.

I'm sorry for leaving like that

and for not speaking to you.

I wasn't snooping I was just

looking for a pen and paper.

I didn't even really know what it meant,

but it kind of freaked me out.

I mean I shouldn't have

just left like that.

I'm sorry.

- It's fine.

- So, so what was all that?

Are you working on a book about vampires,

a crazy killer or something?

- It's nothing that matters any more.

- Really, 'cause it

seemed really detailed.

Did you come here to write more'?

- I'm not writing anymore,

I'm making a plan.

(unnerving music)

- [Man] Sh*t, you're just

giving all this to me?

- Yeah.

- [Man] Why the f*** would you do that?

- So we can trust each other again.

I never spoke to the cops.

- Is this stuff hot'?

- Yeah, very.

- [Man] You got all this yourself?

- Yeah.

- How?

- I broke into places.

- [Man] It's a lot of valuable sh*t.

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Michael O'Shea

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Submitted on August 05, 2018

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