The Trial Of The Incredible Hulk

Synopsis: David "Belson" drifts into New York City, and goes on a subway. With him is a woman and two guys. When the two guys attack the woman, David tries to help, but is beaten and turns into the Hulk and saves the woman. When he turns back, he finds himself arrested, and the woman accuses David of being her attacker. David is approached by Attorney Matt Murdock, who wants to represent him. When he tells Murdock that he can't pay him, Murdock tells him that he is hoping that David can help him incriminate Wilson Fisk, a powerful criminal. David doesn't want any part of it, but Murdock convinces him to trust him. Murdock goes to see the woman, but can't get her to change her story. Later in her room, someone tries to kill her, but she is saved by Daredevil, a crime fighter. Murdock tells David that he has to go trial, but David says he can't, but Murdock says they have no choice. Later, while David is in his cell, he turns into the Hulk and escapes. David tries to leave town, but Daredevil find
Year:
1989
153 Views


THE TRIAL OF THE INCREDIBLE HULK 1989

english SDH subtitle - kt®

THE TRIAL OF THE INCREDIBLE HULK 1989

DAVID BANNER (VOICEOVER):

In each of us,

there lives a kind of beast

made of rage.

Years ago, I used science to study this beast

to bring him out of me.

I used gamma radiation to release him.

But I used too much.

Far too much.

Now the beast is out of my control,

emerging whenever anger strikes.

[roar]

My name's David Banner.

The world thinks I'm dead.

I travel alone.

I try to keep the beast caged

within myself.

[roar]

OVERSEER:
All right, lunch!

[multiple voices in the background]

What'd you bring today?

Huh?

[laughing]

What?

Come on.

Come on!

Let's go.

Lots of men pass through here.

Working families, migrants.

I was hoping you

might be one to stay.

So was I.

It's not all hard labor on this spread.

Plenty of different jobs.

It's not the work.

What, then?

Man like you could have a

future on a place like this.

Not a man like me.

If there's trouble,

you could tell somebody.

Somebody might understand.

Can't just keep moving on,

you gotta stop somewhere.

You have a nice place here.

Good luck with it.

Where will you go?

The city.

That's not a good place.

People get lost in that city.

You have to stop someplace.

[music playing]

[alarm beeping]

[music playing]

How long you want it for?

By the week.

Stay a couple of months,

I'll paint the place.

Save your paint.

[sighing]

Used to get the sun all morning.

From my roof I could see the mountains.

Now all I got in my face is

some rich man's tinker toy.

Remember tinker toys...

MATT MURDOCK:
I think your

client has to change his plea, John.

I don't see any other to work this case.

Well, can I give you a ride to the courts?

Aw, no thanks, Kyle.

I haven't even gotten to

my office yet this morning.

Kyle!

Nice suit.

Aw, thanks!

You know, it's funny you

should mention that 'cause I

got a really gooddeal...

very funny.

Good morning.

You don't have to look so serious, Matt.

There's no clients here.

It's just us serfs.

But you are due in court at 1100 hours.

1100 hours.

Will you fire him?

Please?

You hired him.

Mmm.

New scent today.

- You like it?

- Yes.

And you had pancakes

and syrup for breakfast.

You're guessing.

Strawberry jam.

[gasp]

AL PETTIMAN:
Matt!

It's OK, Al.

Do you mind if I ask a sight question?

You're more sensitive

about it than I am.

Why do you sit here and

look out window so much?

Are you remembering when

you were a boy and you see?

No.

It's just to feel the sun.

Feel how warm the glass is.

Is Mr. Fisk in his tower today?

Nobody knows.

MATT MURDOCK:
We're going

to pull it down someday.

Brick by brick.

And him along with it.

Not without proof, Matt.

Thank you, counsel.

The Fisk Tower's not

made of brick, sir.

I was speaking symbolically,

Pettiman. A figure of speech?

Oh.

Yes, sir.

Sorry, sir.

Would you fire him, please?

You're the senior partner.

Do you have to talk like you're

still in the army, Pettiman?

Just lighten up.

Yes, sir.

Ma'am.

Miss Klein.

Christa.

Sugar?

[traffic noise]

[dark music note]

[dark music note]

[dark music note]

[dark music note]

[dark music note]

Are you nervous?

Shut up!

[dark music note]

[dark music note]

VOICE ON HEADSET:

Alarms are cut.

Get down! Everybody!

Come on! Get down!

VOICE ON HEADSET: ...and fall to the vault.

GUNMAN:
Quiet! Get down!

Don't move! Don't even think...

SECOND GUNMAN:
Down!

Down!

GUNMAN:
Get down!

SECOND GUNMAN:
Down!

VOICE ON HEADSET: (VOICEOVER)

Secure the back entrance.

Keep the customers down and silent.

Blow the safe.

VOICE ON HEADSET: Enter.

Empty drawers A through F.

VOICE ON HEADSET: There are

two clerks behind the counter.

GUNMAN:
Get down!

Drawer M.

Drawer S.

V through X.

Drawer DD.

40 seconds to go.

Start diversion.

[beep]

[crowd getting worried]

Car's on fire.

Car.

Look at the car.

Exit.

And scatter.

Hey!

[sigh]

Hey!

Whoo!

- Beautiful!

- Settle down.

[dark music note]

That's beautiful too.

Hey, you're beautiful too, Pop.

(SARCASTIC) Oh, I really love you.

Tell me an old story.

Hey.

Wait, Dad.

Tell me a story from

the good old war.

(LOW) Excuse me, please?

Would you mind sitting next

and pretend we're together.

(ANNOYINGLY) Old man drunk.

Old.

Right after that, I want

to tell you, I'm single.

But I'm looking for a

meaningful relationship.

What's your name, hey?

I sleep with the windows open,

I don't mind doing the dishes

if you do the cooking.

What do you say, huh?

Look, I didn't ask for this.

So.

When can I call you, huh?

I'm busy this life.

- I get off here.

- No you don't.

[dangerous music]

You garbage, get off me.

DANNY:
I guess it wasn't your stop.

You know, someday you're going

to do something good for this world.

You'll die.

(WHIMPERING) Help?

Please?

Help?

You.

Take off.

Now.

JOHN:
Danny!

Back off!

[soft cry]

I'm going to take

this woman as my wife.

Get outta here.

Leave her alone.

[sounds of struggle]

[ripping and growling]

Kill it, John!

[growling]

John, Kill it!

[gunshot]

[growling]

[roaring]

[alarm bells ringing]

[crowd screaming]

SOMEONE IN CROWD:

Everyone suit up! Suit up!

[screaming]

[alarm bells ringing]

Need a paramedic!

[screaming]

[growling]

[alarms continuing]

[subway train passing]

[slower breathing]

[slow music playing]

[gasping]

All right, on your feet.

Let's go.

[door lock disengaging]

[door slamming]

[door slamming]

David Belson?

Yes.

I'm Matt Murdock.

I'm an attorney.

May I?

I'm very interested

in your case.

I have no money.

That's not my interest.

What is?

The two men you described

in the subway car.

I think I know them.

I have reason to believe

they may be part of a team.

Thieves and killers who work

for a man named Wilson Fisk.

I can't prove it yet.

The police don't seem to care

too much about finding those men.

Some do.

They think I'm responsible.

Are you?

A woman's in the hospital

with a concussion.

An elderly man just

died of a gunshot wound.

Serious charges.

The two men attacked the woman.

Ellie Mendez.

I never got her

name, all right?

The men attacked Ellie Mendez.

I tried to help.

And what happened?

Exactly what I

said in the report.

They knocked me down, I don't

remember much after that.

Maybe that's not good enough.

Maybe you're hiding something.

Mr. Belson, I can go to work

on getting you out of here.

Maybe I belong in a cage.

[whip sound]

Who are you?

Nobody.

No fingerprints on file.

No record.

No next of kin.

As if you don't exist.

Leave it that way.

So.

You don't care about anybody.

Even survival.

No plans, no hopes.

You don't give a damn about

yourself or anyone else.

I have my reasons.

You're a liar.

If all that were true, you never

would've helped Ellie Mendez.

When Ellie Mendez revives, she'll

tell the police exactly what happened.

They'll let me go.

And that'll be the end of it.

Oh, she has revived.

Her story is that

you attacked her.

The other men were

trying to help.

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Gerald DiPego

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