The Trouble with Harry Page #2

Synopsis: There is a dead well-dressed man in a meadow clearing in the hills above a small Vermont town. Captain Albert Wiles, who stumbles across the body and finds by the man's identification that his name is Harry Worp, believes he accidentally shot Harry dead while he was hunting rabbits. Captain Wiles wants to hide the body as he feels it is an easier way to deal with the situation than tell the authorities. While Captain Wiles is in the adjacent forest, he sees other people stumble across Harry, most of whom don't seem to know him or care or notice that he's dead. One person who does see Captain Wiles there is spinster Ivy Gravely, who vows to keep the Captain's secret about Harry. Captain Wiles also Secretly sees a young single mother, Jennifer Rogers, who is the one person who does seem to know Harry and seems happy that he's dead. Later, another person who stumbles across both Harry and Captain Wiles is struggling artist Sam Marlowe, to who Captain Wiles tells the entire story of what h
Genre: Comedy, Mystery
Director(s): Alfred Hitchcock
Production: MCA Universal Home Video
  Won 1 Golden Globe. Another 4 nominations.
 
IMDB:
7.1
Rotten Tomatoes:
90%
PG
Year:
1955
99 min
1,319 Views


Sam?

- Hi, Calvin.|- You hear any shootin'?

- Nope.|- I did.

And there shouldn't be|any shootin' around here.

- Why?|- It's posted land, that's why.

- Why's that?|- 'Cause I posted it.

What's wrong with people doing|shooting now and then? Let off steam.

Bullets and guns are dangerous.|They kill things.

No one around here could hit|a freight car with a cannon.

I guess you're right, Sam.|All the same, the law's the law.

I got a mind to scout around to find|out who's shooting and level a fine.

And pick up a little piecework?

If I can do anything to make it|any harder for you, let me know.

How'd you want your bacon,|Mr Marlowe?

- What were you saying?|- I asked how you want your bacon.

Sliced.

- Where is Calvin?|- Off somewheres unimportant.

What a wonderful day.

So was yesterday, but you didn't say|anything to me about it.

What you want Calvin for?

These marvellous pictures.

Someone told me they were yours.

Why don't you sell them,|make a lot of money?

Never thought of it. I guess|I'll just have to think about it.

And that song. You sing it so|beautifully. You wrote it yourself?

What do you want to borrow?

I think people need encouragement|sometimes, don't you, Mr Marlowe?

- How'd you know my name?|- It's on the pictures, isn't it?

- It's not supposed to be readable.|- I can tell it's not supposed to be.

They're very professional,|don't you think, Mrs Wiggs?

Well, Miss Gravely,|all I know is nobody buys them.

Thank you for your encouragement,|Miss Gravely.

- Now I wonder how you know my name?|- Easy. Wiggy just said it.

Wiggy. What a perfectly ridiculous|little nickname.

Do you mind if I call you Wiggy,|Mrs Wiggs?

Not if you pay all your bills|on time.

Alright, Mr Marlowe,|Bacon, beans, cabbage,

sugar, salt, tea, oleomargarine.

- $1.95.|- And half a box of cigarettes.

- Ah, yes. Ten cents, two five.|- That much?

I don't seem to be able to find...

I know, Mr Marlowe, as soon as|we sell some of your paintings.

Let me make my position clear -

Shhh.

What do you think?

I think it'll hold coffee.

Will you try it, Mr Marlowe?

Put your finger through the handle,|please.

How about the size?|What about the handle?

Hm?

I mean, does it fit?|Is it the right finger size?

It's my finger size.

- I'll take it.|- Fifteen cents.

- And the saucer?|- Ten.

- That seems a fair price.|- What's important about finger size?

I wanted to be certain|it would fit a man.

- A certain size man.|- A man?

A certain somebody is coming over|to my cottage this afternoon.

- Not really?|- For coffee and blueberry muffins.

Why, you old social butterfly, you.

Old?

That was figuratively speaking.

I think we've got|a nearsighted cider customer.

How old do you think I am, young man?

Hmmm. Fifty.|How old do you think you are?

Forty-two. I can show you|my birth certificate.

You'll have to show more than your|birth certificate to convince a man.

- What do you mean?|- You have to show your character,

the inner self, the hidden qualities,

the true Miss Gravely,|sensitive, young in feeling,

timeless with love and understanding.

I can do it!|At least, I think I can do it.

Do what?

- I'll see what that gentleman -|- At a time like this?

- Where are your scissors?|- Outside.

We're going to cut her hair.

- Hair?|- Cut it short.

Bring it up-to-date,|make a nice romantic styling,

take ten years|off your birth certificate.

- How are you fixed for ribbon?|- Should be some around somewhere.

- Powder, rouge, lipstick?|- I think so.

Nothing cheap, shoddy or obvious.

Just youth, gentility, character.

I'll go out and get the scissors.|You find the other things.

- Ah, here they are.|- Excuse me, young man, I...

Oh, well.

All right, Ernest. Let's go.

Well, always grow back, I guess.

There's Calvin.

- Is he alone?|- Yep. Guess he didn't sell his car.

Hey! Would you mind|getting out of my picture?

Next thing you know, they'll be|televising the whole thing.

Huh.

- This your body, little man?|- Don't turn me in.

It was an accident,|an accident, pure and simple.

I thought he was a rabbit|or a pheasant or something.

- It could've happened to you.|- Suppose we straighten this out?

I guess that's the only way out.

First thing I seen|when I rolled out this morning

was a double-breasted robin|drunk as a hoot owl,

from eating fermented chokecherries.

Right away I knew somebody|was in trouble.

What I didn't know|was that it was me.

The larder was empty and I got to|thinking about a toothful...

Stands to reason|that they can't touch you for it.

Nothing these days|stands to reason.

It was accidental,|an act of God, perhaps.

In a way you should be grateful|that you were able to do your share

in accomplishing|the destiny of a fellow being.

Suppose, for instance,|it was written in the book of heaven,

that this man was to die

at this particular time,|at this particular place.

And suppose for a moment|that the actual

accomplishing of his departure had|been bungled, something gone wrong.

Uh... Perhaps it was meant to be|a thunderbolt

and there was|no thunder available, say.

Well, then you come along,|and you shoot him...

and heaven's will is done|and destiny fulfilled.

Your conscience is quite clear.|You've got nothing to worry about.

Sammy, I haven't got a conscience.

And it's not heaven|that's worrying me

because I don't expect|I'll ever have to face it.

And it's none of those noble things|you were talking about, no.

- Nothing like that.|- Then what is it?

It's me. It's me that's worrying me,

me and my future life.

I know the police|and their suspicious ways.

You're guilty until|you're proved innocent.

I want nothing more to do with him.|Bury him, and be done with him.

He's no good to anyone now.

Lay him to rest.|Put him under the sod. Forget him.

I never did it and you never saw him.

Yes, what about all those|other people who saw him?

How about the woman and the boy,|Miss Gravely and the tramp and...

the man who was reading the book,|Dr Greenbow?

- How about all of them?|- Nobody was interested, I tell you.

Nobody ever cared|until you came along.

Ah, that's what you think.

Suppose someone starts to care|after you've buried him?

I can't wait for people to start|caring whenever they feel like it.

I don't want a little accident|to turn into a career.

Suppose that woman|who called him Harry...

Suppose she decides|she loves him after all.

- She was hysterical with delight.|- Hm? What was she like?

Pretty as a rainbow.|Wish I was two years younger.

- And with a little boy?|- Yeah, about four or five years old.

Hmm. It's got to be Mrs Rogers|and her son.

Why don't we slip him underground|now that you've finished drawing him?

We could discuss|the smaller details later.

I don't like it. The authorities|like to know when people die.

All right, Sammy.

Forget it. You cut off home.

I killed him|and I'll look after his remains.

What'll you do, drag him around the|countryside the rest of the day?

I'll do my best.|That's all a man can do.

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John Michael Hayes

John Michael Hayes (11 May 1919 – 19 November 2008) was an American screenwriter, who scripted several of Alfred Hitchcock's films in the 1950s. more…

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Submitted on August 05, 2018

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