The Truman Show Page #8

Synopsis: He doesn't know it, but everything in Truman Burbank's (Jim Carrey) life is part of a massive TV set. Executive producer Christof (Ed Harris) orchestrates "The Truman Show," a live broadcast of Truman's every move captured by hidden cameras. Cristof tries to control Truman's mind, even removing his true love, Sylvia (Natascha McElhone), from the show and replacing her with Meryl (Laura Linney). As Truman gradually discovers the truth, however, he must decide whether to act on it.
Genre: Comedy, Drama, Sci-Fi
Production: Paramount Pictures
  Nominated for 3 Oscars. Another 38 wins & 65 nominations.
 
IMDB:
8.1
Metacritic:
90
Rotten Tomatoes:
94%
PG
Year:
1998
103 min
3,265 Views


TRUMAN:

You think I imagined it, don't you?

MARLON:

I think you're missing your dad.

(trying to be delicate)

The anniversary was yesterday, wasn't it?

Truman is surprised Marlon remembered. Marlon nods to the

sidewalk.

MARLON:

You got sand in your cuffs.

Truman looks down at his feet. A small, tell-tale pile of sand

has poured out of his tight trouser cuff.

TRUMAN:

Maybe you're right. If only the old

woman hadn't left her dog behind.

We see a flashback in Truman's head of the earlier scene in the

Lower Manhattan street. It confirms that the old woman's DOG

was abandoned on the sidewalk.

INT. TRUMAN'S MOTHER'S APARTMENT, QUEENS. DAY.

TRUMAN stands in the corridor of his mother's cramped, fussy.

doilyed apartment with his older sister, RAQUEL, late forties,

prematurely grey. Through a doorway, the figure of his MOTHER

is visible asleep in bed, despite the early hour. Truman and

Raquel speak in hushed tones to avoid waking her.

RAQUEL:

Don't you dare go in. Truman. I just

got her off to sleep.

TRUMAN:

It was Dad. I swear.

Raquel fixes Truman with a contemptuous stare.

RAQUEL:

Well, the next time he shows up. bring

him over. Until then, I'm not saying a

word about this to Mom and neither are you.

TRUMAN:

If it wasn't him, it was his twin. Can you

think of a reason he'd want to hide from us?

RACQUEL:

I know a reason he'd want to hide from you.

Look at how you treat us. You live ten minutes

away, we hardly see you from year to year and

then you turn up with this story so insane you

don't even believe it yourself. Haven't you

hurt her enough, Truman? She already blames you.

TRUMAN:

(incredulous)

I was seven years old!

RAQUEL:

But you're here and he's not. Has it really taken you

this long to invent a story to ease your conscience?

TRUMAN:

I'm telling you he's alive!

RAQUEL:

(snapping back bitterly)

And I'm telling you he's fish food!

Truman meets her unforgiving eyes. Without another word, he

walks out of the apartment.

Truman safely departed, the figure in the bed, rolls out.

CHRISTOF, fully clothed, relishing the danger of being so close

to Truman without being detected. Raquel's demeanor immediately

changes, all trace of bitterness gone from her face, she appears

younger, posture more upright, almost a different person.

Christof hugs Raquel.

CHRISTOF:

You did well.

INT. DRESSING ROOM SOMEWHERE. NIGHT.

A cavernous dressing room contains a long row of identical

mirrored make-up tables. At the only occupied table, Truman's

contrite father, KIRK, is having what's left of his homeless

disguise cleaned from his face by a MAKE-UP ARTIST under the

watchful eye of two DARK-SUITED BODYGUARDS.

From a mezzanine floor out of Kirk's vision, CHRISTOF and CHLOE

also take in the proceedings. Behind their heads, a monitor

shows a surveillance picture of an agitated TRUMAN sitting in

his car, trapped in rush-hour traffic.

CHLOE:

We've tightened security.

Christof nods indifferently, knowing the damage is already done.

CHLOE:

(referring to Kirk)

Why would he do this to us?

CHRISTOF:

Old age. Sentiment. You play someone's

father all those years, you are someone's

father...He sees the way Truman is. He

feels responsible.

Christof turns and enters an office adjacent to the balcony,

containing a state-of-the-art monitor and VCR. Chloe follows.

Christof plays the cued recording without comment. We focus on

the screen.

EXT. LONG ISLAND SOUND. DAY, TWENTY-SEVEN YEARS EARLIER.

A younger-looking CHRISTOF sits in a motorboat in the calm

water of Long Island Sound. Truman's father, KIRK, twenty-seven

years younger and a DARK HAIRED BOY, Truman's age at the time,

acting as a stand-in, sit in the stern of a sailing dinghy.

Two SCUBA DIVERS in the ocean.

YOUNG CHRISTOF:

(barking instructions to Kirk)

...as soon as we give the cue, tack to windward...

Kirk rehearses turning the tiller in the instructed direction.

YOUNG CHRISTOF:

The freak wave will strike from the

starboard side. Remember, you don't

go to the diver. The diver goes to you.

To simulate the wave, one of the divers puts his full weight on

the side of the dinghy to capsize it. Kirk and the boy are

tossed into the water. While the boy immediately bobs to the

surface in his life jacket, Kirk fails to surface. After a long

moment, he reappears with the second diver some distance away.

now wearing a spare aqualung.

YOUNG CHRISTOF:

...Good! Good!...of course, on the day you

only surface once you're safely beyond the

cove...Try it one more time...You okay?

Kirk is staring at Truman's stand-in, clinging to the upturned

boat. Kirk's expression suggests he is not a totally willing

participant in the masquerade.

The present-day Christof freezes the monitor on Kirk's uncertain

face.

INT. TRUMAN'S GARAGE. DUSK.

A cluttered garage, dimly lit by a single work lamp. TRUMAN

looks over his shoulder before turning his attention to a dusty

trunk under a canvas sheet. The trunk is fastened with a

combination lock. He deftly dials the correct combination and

opens the lid.

Inside, mementoes from his youth. A "HOW TO SAIL" book, a

stack of "GREAT EXFLORERS" magazines, and beneath it all, a

garment in a drycleaning bag. Truman carefully lifts up the

plastic to reveal a schoolgirl's lavender cardigan decorated

with pearl beading. He puts the cardigan to his nose and

breathes deeply.

Rate this script:2.0 / 1 vote

Andrew Niccol

Andrew M. Niccol is a New Zealand screenwriter, producer, and director. He wrote and directed Gattaca, S1m0ne, Lord of War, In Time, The Host, and Good Kill. more…

All Andrew Niccol scripts | Andrew Niccol Scripts

0 fans

Submitted by aviv on November 01, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Truman Show" Scripts.com. STANDS4 LLC, 2024. Web. 17 Nov. 2024. <https://www.scripts.com/script/the_truman_show_379>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Truman Show

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "character arc"?
    A The transformation or inner journey of a character
    B The physical description of a character
    C The dialogue of a character
    D The backstory of a character