The Truth About Charlie Page #3
Reggie?
How'd you know | about those people today?
What? | Those three.
And the missing money.
Where did you find out | about all that?
Uh, shoot.
Uh...
Look...
I'm afraid I can't tell you.
I promised.
Promised? Who?
I'm sorry.
I want you to hear this. | Huh?
It's Aznavour. | You know him?
"- Shoot the Piano Player," right?
Exactly.
- Hello? | - Hello, Mrs. Lambert.
Don't hang up on me. | Look, I'm sorry | about the elevator.
- I have nothing to say to you. | - We've gotta talk.
Who is it? | The guy from the elevator.
- What? Give me the phone. | - Wait. Who... | Is that Dyle there?
Who? | Mr. Dyle.
Has he laid his little | Charles Aznavour routine | on you yet?
What's he saying?
Yeah. That's right. | Reggie.
Okay. | Nobody wants to hurt you.
- Reggie, what did he say? | - All we want is what's ours. | We know that you have it.
Dyle's not to be trusted.
He wants your money. | He'll do any...
What did he say?
That if I don't | give him the money, | he'll kill me.
Why would he kill you? | He's just saying that to scare | you, Reggie. That's all.
As long as they think | you have that money... | Then why is Charles dead?
He obviously knew | where that money is. | Reggie, listen.
I'm on your side, | and I wish you'd tell me | everything you know...
promises or no promises... | so I could be of some help.
I think you'd better go, | Joshua.
I'm afraid | I've lost my appetite.
Oh.
I'm very tired.
I understand. It's... | It's been a long day.
Please, | I really need to think.
Well, just remember, | I'm on your side.
Yeah.
Hey!
You people | want to get rich or not?
Don't go getting | all rhetorical on us now, Dyle. | Hey.
Answer my question. | Rich or not rich?
Does she have the money | or not, Dyle?
I think she does.
Here's my problem. | You say there was nothing | with Charlie in the train,
in his bags, | in his clothes... whatever.
But size up, Dyle, it's all smoke. | You got zero credibility | around here.
You're right, Lola. | I already got what I want.
Yet I choose to subject myself | to this bullshit anyway.
You just want to | get in her pants... anyway.
Zadapec, I'm not even touching | your psychodrama in the elevator | and your crazed phone call.
You know what, Dyle?
One more | little crazed phone call...
this time to | the Paris police department... | and they have Charlie Lake's killer.
Isn't that right?
Right?
Now don't forget that | the next time you come | waltzing in here.
Don't forget that for a minute.
All high and mighty | like you're God's gift to us.
Zad?
He's right, buddy.
No more | loose cannon stuff, okay?
We're stuck with him | for the time being,
and he is stuck with us.
Cool, Zad?
Okay, maniac?
The only way this works | is if she trusts me.
Lose that, end of story.
Hey, Zadapec.
Your phone call really | spooked her. I want you to | tell me exactly what you said.
Well, you're not gonna like it.
Mr. Bartholomew?
Are you there, | Mr. Bartholomew?
- Shh, Mrs. Lambert.
Shh, shh, shh, shh. | What's going on, | Mrs. Lambert?
Mr. Bartholomew. | Yes.
Who is Dyle? | What about Dyle?
The man in the elevator... | Zadapec... | Zadapec. Yes?
He called | Joshua Peters "Dyle." | Zadapec called Peters "Dyle"?
Tell me about him. | Dyle.
Now. | Okay. All right. | Um, okay. Uh...
Carson J. Dyle. | Major, Special Forces.
Highly decorated | in the Gulf War. | Mogadishu.
Then he drops out. | Head honchos Global Options,
the top-drawer service outfit | of the '90s, till | his untimely demise.
Demise? | Death, Mrs. Lambert.
I know what demise means, | Mr. Bartholomew.
Carson Dyle | was terminated in 1998...
by Eastern European | militia near the former | Yugoslavian border,
40 kilometers east of Sarajevo.
Now, wait. | Dyle worked with Charles? | He knew Charles?
Unfortunately for Dyle, yes.
In '98,
Dyle mounted a special ops unit | for a high-level covert | hostage extraction...
on behalf of the O.D.C.
In those days, the O.D.C. | Couldn't deal directly | with outside contractors.
That's where | your Charlie Lakes came in.
He was | an independent facilitator.
The O.D.C. would put him | on the research payroll | for a limited time.
He would book the professionals, | negotiate with the adversaries...
wrangle all the slimy details.
Your husband brokered the deal | to go in, transfer the assets | and get our man out.
Keep going. I'm with you.
The unit choppered in, | accompanied by Charlie,
transporting $6 million | in internally flawless, | Eppler-cut diamonds as ransom.
They were ambushed | shortly after landing.
Carson Dyle and most | of the Global Options team | were totally decimated.
Cut to ribbons. | Never had a chance.
Your husband and the three | from the photograph...
were the only ones | to make it out alive.
We believe those four | stashed the diamonds...
with plans to return | and claim them for themselves.
But how did Charles manage to...
The four of them lied | during the inquiry and waited.
We believe Charlie Lake | broke from his agreement | with the other three,
recovered | the diamonds on his own | and completely vanished.
And maybe Carson Dyle lived. | Trust me, Mrs. Lambert.
Carson Dyle is dead.
You've gotta find out | everything you can...
about your enthusiastic | new friend Peters...
or Dyle, | or whatever his name is.
We need to know | how he fits into the equation.
Oh, Mr. Bartholomew, | I already told you.
My great goal is for | far less involvement | in this sordid mess. Not more.
I was wrong about you, | Mrs. Lambert.
Meeting the widow | of a man like Lake...
Well, I was expecting...
a siren, a harpy, a shrew.
But you... | You have decency, dignity...
what my father | used to call gumption.
I'm very touched.
You are actually quite sweet | for a stars-and-bars | company man, aren't you?
You've discovered | my secret side, Mrs. Lambert.
Keep it under your hat.
Boo!
Excusez-moi, mademoiselle.
Merci, mademoiselle.
Ah. She left this | for you, Mr. Peters.
Aznavour!
Merci, monsieur.
Hello? | Bonjour, monsieur.
Uh, is he an American? | Yes, he is.
One moment, please. | I'll try to find out. | Merci, monsieur.
Oh, my God. | You "are" Dyle!
- Reggie? | - It's the only name "I've" got.
Reggie, we need to talk.
I've never been so betrayed | and humiliated in all my life.
- I had to make sure | that you weren't involved. | - You had to make sure...
I wasn't involved! | No, no. | That's not what I meant. I...
Merci, mademoiselle. | Merci beaucoup, monsieur.
You're meant to be dead, | monsieur.
I do owe you an explanation.
Reggie, my name | is Alexander Dyle. | Carson was my brother.
Shake hands? | "How do you do?"
You have got to be joking.
Reggie.
Reggie. | It's Regina!
I can explain everything. | Monsieur Philippe.
Reggie, wait!
Please, Reggie, | you gotta listen to me.
Reggie, Charles and | the three people following you...
they betrayed Carson.
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"The Truth About Charlie" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/the_truth_about_charlie_21516>.
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