The Truth About Charlie Page #3

Synopsis: A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his, and he wants it back, seemingly convinced that she's hiding the cash. Meanwhile, more people end up dead...
Genre: Mystery, Thriller
Director(s): Jonathan Demme
Production: Universal Pictures
  2 nominations.
 
IMDB:
4.8
Metacritic:
55
Rotten Tomatoes:
34%
PG-13
Year:
2002
104 min
$5,293,525
Website
117 Views


Reggie?

How'd you know | about those people today?

What? | Those three.

And the missing money.

Where did you find out | about all that?

Uh, shoot.

Uh...

Look...

I'm afraid I can't tell you.

I promised.

Promised? Who?

I'm sorry.

I want you to hear this. | Huh?

It's Aznavour. | You know him?

"- Shoot the Piano Player," right?

Exactly.

- Hello? | - Hello, Mrs. Lambert.

Don't hang up on me. | Look, I'm sorry | about the elevator.

- I have nothing to say to you. | - We've gotta talk.

Who is it? | The guy from the elevator.

- What? Give me the phone. | - Wait. Who... | Is that Dyle there?

Who? | Mr. Dyle.

Has he laid his little | Charles Aznavour routine | on you yet?

What's he saying?

Yeah. That's right. | Reggie.

Okay. | Nobody wants to hurt you.

- Reggie, what did he say? | - All we want is what's ours. | We know that you have it.

Dyle's not to be trusted.

He wants your money. | He'll do any...

What did he say?

That if I don't | give him the money, | he'll kill me.

Why would he kill you? | He's just saying that to scare | you, Reggie. That's all.

As long as they think | you have that money... | Then why is Charles dead?

He obviously knew | where that money is. | Reggie, listen.

I'm on your side, | and I wish you'd tell me | everything you know...

promises or no promises... | so I could be of some help.

I think you'd better go, | Joshua.

I'm afraid | I've lost my appetite.

Oh.

I'm very tired.

I understand. It's... | It's been a long day.

Please, | I really need to think.

Well, just remember, | I'm on your side.

Yeah.

Hey!

You people | want to get rich or not?

Don't go getting | all rhetorical on us now, Dyle. | Hey.

Answer my question. | Rich or not rich?

Does she have the money | or not, Dyle?

I think she does.

Here's my problem. | You say there was nothing | with Charlie in the train,

in his bags, | in his clothes... whatever.

But size up, Dyle, it's all smoke. | You got zero credibility | around here.

You're right, Lola. | I already got what I want.

Yet I choose to subject myself | to this bullshit anyway.

You just want to | get in her pants... anyway.

Zadapec, I'm not even touching | your psychodrama in the elevator | and your crazed phone call.

You know what, Dyle?

One more | little crazed phone call...

this time to | the Paris police department... | and they have Charlie Lake's killer.

Isn't that right?

Right?

Now don't forget that | the next time you come | waltzing in here.

Don't forget that for a minute.

All high and mighty | like you're God's gift to us.

Zad?

He's right, buddy.

No more | loose cannon stuff, okay?

We're stuck with him | for the time being,

and he is stuck with us.

Cool, Zad?

Okay, maniac?

The only way this works | is if she trusts me.

Lose that, end of story.

Hey, Zadapec.

Your phone call really | spooked her. I want you to | tell me exactly what you said.

Well, you're not gonna like it.

Mr. Bartholomew?

Are you there, | Mr. Bartholomew?

- Shh, Mrs. Lambert.

Shh, shh, shh, shh. | What's going on, | Mrs. Lambert?

Mr. Bartholomew. | Yes.

Who is Dyle? | What about Dyle?

The man in the elevator... | Zadapec... | Zadapec. Yes?

He called | Joshua Peters "Dyle." | Zadapec called Peters "Dyle"?

Tell me about him. | Dyle.

Now. | Okay. All right. | Um, okay. Uh...

Carson J. Dyle. | Major, Special Forces.

Highly decorated | in the Gulf War. | Mogadishu.

Then he drops out. | Head honchos Global Options,

the top-drawer service outfit | of the '90s, till | his untimely demise.

Demise? | Death, Mrs. Lambert.

I know what demise means, | Mr. Bartholomew.

Carson Dyle | was terminated in 1998...

by Eastern European | militia near the former | Yugoslavian border,

40 kilometers east of Sarajevo.

Now, wait. | Dyle worked with Charles? | He knew Charles?

Unfortunately for Dyle, yes.

In '98,

Dyle mounted a special ops unit | for a high-level covert | hostage extraction...

on behalf of the O.D.C.

In those days, the O.D.C. | Couldn't deal directly | with outside contractors.

That's where | your Charlie Lakes came in.

He was | an independent facilitator.

The O.D.C. would put him | on the research payroll | for a limited time.

He would book the professionals, | negotiate with the adversaries...

wrangle all the slimy details.

Your husband brokered the deal | to go in, transfer the assets | and get our man out.

Keep going. I'm with you.

The unit choppered in, | accompanied by Charlie,

transporting $6 million | in internally flawless, | Eppler-cut diamonds as ransom.

They were ambushed | shortly after landing.

Carson Dyle and most | of the Global Options team | were totally decimated.

Cut to ribbons. | Never had a chance.

Your husband and the three | from the photograph...

were the only ones | to make it out alive.

We believe those four | stashed the diamonds...

with plans to return | and claim them for themselves.

But how did Charles manage to...

The four of them lied | during the inquiry and waited.

We believe Charlie Lake | broke from his agreement | with the other three,

recovered | the diamonds on his own | and completely vanished.

And maybe Carson Dyle lived. | Trust me, Mrs. Lambert.

Carson Dyle is dead.

You've gotta find out | everything you can...

about your enthusiastic | new friend Peters...

or Dyle, | or whatever his name is.

We need to know | how he fits into the equation.

Oh, Mr. Bartholomew, | I already told you.

My great goal is for | far less involvement | in this sordid mess. Not more.

I was wrong about you, | Mrs. Lambert.

Meeting the widow | of a man like Lake...

Well, I was expecting...

a siren, a harpy, a shrew.

But you... | You have decency, dignity...

what my father | used to call gumption.

I'm very touched.

You are actually quite sweet | for a stars-and-bars | company man, aren't you?

You've discovered | my secret side, Mrs. Lambert.

Keep it under your hat.

Boo!

Excusez-moi, mademoiselle.

Merci, mademoiselle.

Ah. She left this | for you, Mr. Peters.

Aznavour!

Merci, monsieur.

Hello? | Bonjour, monsieur.

Uh, is he an American? | Yes, he is.

One moment, please. | I'll try to find out. | Merci, monsieur.

Oh, my God. | You "are" Dyle!

- Reggie? | - It's the only name "I've" got.

Reggie, we need to talk.

I've never been so betrayed | and humiliated in all my life.

- I had to make sure | that you weren't involved. | - You had to make sure...

I wasn't involved! | No, no. | That's not what I meant. I...

Merci, mademoiselle. | Merci beaucoup, monsieur.

You're meant to be dead, | monsieur.

I do owe you an explanation.

Reggie, my name | is Alexander Dyle. | Carson was my brother.

Shake hands? | "How do you do?"

You have got to be joking.

Reggie.

Reggie. | It's Regina!

I can explain everything. | Monsieur Philippe.

Reggie, wait!

Please, Reggie, | you gotta listen to me.

Reggie, Charles and | the three people following you...

they betrayed Carson.

They stole the money | he was entrusted with.

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Jonathan Demme

Robert Jonathan Demme ( DEM-ee; February 22, 1944 – April 26, 2017) was an American film director, producer, and screenwriter. He rose to prominence in the 1980s with his comedy films Melvin and Howard (1980), Swing Shift (1984), Something Wild (1986), and Married to the Mob (1988), as well as the critically acclaimed concert film Stop Making Sense (1984), in collaboration with the band Talking Heads. He is best known for directing The Silence of the Lambs (1991), for which he won the Academy Award for Best Director. He later directed Philadelphia (1993) and Rachel Getting Married (2008). more…

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Submitted on August 05, 2018

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