The Turin Horse Page #2

Synopsis: 1889. German philosopher Friedrich Nietzsche witnessed the whipping of a horse while traveling in Turin, Italy. He tossed his arms around the horse's neck to protect it then collapsed to the ground. In less than one month, Nietzsche would be diagnosed with a serious mental illness that would make him bed-ridden and speechless for the next eleven years until his death. But whatever did happen to the horse? This film, which is Tarr's last, follows up this question in a fictionalized story of what occurred. The man who whipped the horse is a rural farmer who makes his living taking on carting jobs into the city with his horse-drawn cart. The horse is old and in very poor health, but does its best to obey its master's commands. The farmer and his daughter must come to the understanding that it will be unable to go on sustaining their livelihoods. The dying of the horse is the foundation of this tragic tale.
Genre: Drama
Director(s): Béla Tarr, Ágnes Hranitzky (co-director)
Production: Cinema Guild
  7 wins & 14 nominations.
 
IMDB:
7.8
Metacritic:
80
Rotten Tomatoes:
89%
NOT RATED
Year:
2011
155 min
$53,690
Website
3,261 Views


have been put to rights.

The bishop says

to the congregation,

"The Lord was with you!

"Morning will become night,

"night will be at an end..."

The storm continues to rage outside,

the wind still sweeps relentlessly

across the land from the same direction,

but now there is nothing

in its path to obstruct it.

Only a great cloud of dust

whipped up by the wind

rushes recklessly forward,

bone-dry dust and the ravaging nothing

that the wind rolls before it

as it rages unbridled

over the barren land.

THE FOURTH DAY:

- Come!

- What is it?

- Come quick!

- What's wrong?

The well!

F***!

Cover it!

And the brandy?

Why didn't you eat?

You're not going anywhere...

Drink!

At least drink a little water!

Drink!

For my sake!

Pack up clothes, dishes, needle

and thread, things like that.

What for?

We're not staying here. Pack!

Blankets, brandy.

Brandy!

Potatoes, too.

Get the handcart.

Come on!

THE FIFTH DAY:

What's this darkness?

Light the lamps!

F***!

Why didn't you fill it up?

It's full.

Bring some embers!

What is all this?

I don't know.

Let's go to bed.

Even the embers went out.

Tomorrow, we'll try again.

We can hear them groping their way

to their beds,

we can hear them lying down,

and pulling the blankets over them.

We can hear them breathing,

only their breathing can we hear.

Dead silence outside, the storm is over.

Dead silence falls on the house, too.

THE SIXTH DAY:

Eat.

We have to eat.

directed by

script

co-director and editor

cinematography

music

delegated producer

and production manager

set

costumes

sound

supporting cast

steady-cam

assistants of director

focus puller

lighters

dolly

SFX:

film grader

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László Krasznahorkai

László Krasznahorkai (Hungarian pronunciation: [ˈlaːsloː ˈkrɒsnɒhorkɒi]; born 5 January 1954) is a Hungarian novelist and screenwriter who is known for critically difficult and demanding novels, often labeled as postmodern, with dystopian and melancholic themes. Several of his works, notably his novels Satantango (Sátántangó, 1985) and The Melancholy of Resistance (Az ellenállás melankóliája, 1989), have been turned into feature films by Hungarian film director Béla Tarr. more…

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Submitted on August 05, 2018

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