The U.S. vs John Lennon Page #2
and the pursuit
of happiness at its best.
...2, 3, 4!
We don't want
to fight your war!
1, 2, 3, 4!
We don't want
to fight your war!
The ferment was considerable,
with a leading role played
by young people throughout.
People who were normally
supposed to be apathetic
and obedient and passive
were actually entering
the political arena
to press their own demands
and organizing to do something about it.
In this age of protest,
one of the most recent
finds 4,000 Londoners
decrying British support
for U.S. Action in Vietnam.
There were a few
minor scuffles, but no arrests.
The demonstrators were
stopped from approaching
Prime Minister Wilson's
Downing Street home.
The whole culture
had become radicalized,
and it's in this atmosphere
that The Beatles
were being forced
to engage with the world.
Do you mind being
asked questions?
For example, in America people keep
asking you questions about Vietnam.
Does this seem useful?
It seems a bit silly to be in America
and for none of them to mention Vietnam
as if nothing was happening.
But why should they ask you about it?
You're successful entertainers.
That is the thing...
It's because Americans
always ask showbiz people
what they think about this sort of...
The British, you know...
"Showbiz,"
you know how it is.
But, I mean, you've got to...
You can't just keep
quiet about anything
that's going on in the world
unless you're a monk.
Sorry, monks,
I didn't mean it.
I meant, actually...
The thing you have to
understand,
which people don't understand
necessarily about John,
is that his thought processes
were shifting.
He was in a process
of evolution.
Our society is run
by insane people
for insane objectives.
If anybody can put on paper
what our government
and the American government,
et cetera,
and the Russian, Chinese...
What they are actually
trying to do
and how with what
they think they're doing,
I'd be very pleased to know
what they think they're doing.
I think they're all insane.
I'm liable to be put away as insane
for expressing that,
that's what's insane about it.
He was engaged with the world,
and what was happening in the world
would change him.
And then, you know,
something quite
dramatic happened.
It's sort of hard to describe Yoko
because she's completely unique.
She had developed
quite a good reputation
as a conceptual artist.
In fact, she used to call her stuff
"Music of the Mind."
With my presentation
of performance art,
I was always aware that I
wanted to inspire people
and stir people
so that they can wake up.
She once told me, like,
"If half the people don't get up and leave,
I haven't done it right,"
because she wanted
to really affect people,
and affecting people sometimes
gets them very upset
if they're not used to being aware
of their feelings.
She suddenly makes them feel something,
they get angry,
and they get angry at her
for making them feel something.
I always had this dream of meeting
an artist woman, you know,
that I would fall
in love with and all that,
even from art school,
you know?
And then we met
and we were talking and that,
and then I don't know
how it happened.
You just realize that she knew
everything I knew
and more, probably,
and it was coming out
of a woman's head.
It just sort of bowled me over.
I believe
that when he met Yoko
he found the rest of his voice.
Yoko gave John this sense
or belief that he could
say and do anything
he wanted to say and do
without apology.
We crossed over into
each other's fields,
like people do
from country to pop.
We did it from
avant-garde left field
to rock and roll left field.
We tried to find a ground there
that was interesting to both of us,
and we both got excited
and stimulated
by each other's experiences.
We came from totally
different backgrounds,
but we were very, very similar
in a sense
that we were totally,
fiercely rebellious people.
What are they doing?
This Japanese witch
has made him crazy
and he's gone bananas.
But all she did was take
the bananas part of me
out of the closet more.
It was a complete relief
to meet somebody else
who was as far out
as I was, you know?
That was the real thing.
Would you come out?
No.
Why not?
Because this is a bag event...
Total communication.
Don't you think it's a little bit
out of fashion, what you do?
Do you think it's a fashion
to stay in a bag?
What is it?
It's total communication.
What is total communication?
An invention of John Lennon
and Yoko Ono, or is it...
No. No, it exists.
We're showing you
one example whereby...
- Total immersion?
- Well, that's your version.
If a black man goes
for a job in a bag...
If everybody had to go in a bag for a job,
there'd be no prejudice.
You'd have to judge people
on their quality within.
And we call it
total communication.
When we went to
Austria to show it,
we did a press conference
there in a bag,
and it was great because
all the press came in,
and they never saw us.
We were just both in a bag.
And they interviewed the bag
and they're saying,
"Is it really you?"
And "What are you wearing?"
And "Will you sing a song?"
And that.
"Why us?"
And they said,
"What is this?"
I said,
"It's total communication."
They said,
"But why did you pick on us?
We've never seen a Beatle."
Somewhere I read
of the freedom of assembly.
Somewhere I read
of the freedom of speech.
Somewhere I read
of the freedom of press.
Somewhere I read that
the greatness of America
is the right to protest for right.
It was another kind of atmosphere.
You have to imagine and understand
that we the Black Panther party,
we popped up
right in the middle
of an already ongoing
nationwide protest movement.
Let me tell you something.
Brothers and sisters,
if you wind up
on a poverty gig
and you don't save
half that money
to buy a gun a week,
then you laggin'.
You jivin'.
I think the Black Panther party
probably was dangerous,
but not dangerous in the way
that most people assume
it might have been.
Not dangerous
because people had guns,
but dangerous because of its ability
to provide an example
of the possibility
of standing up to power.
You have to be
more politically aware
in a day and age like this.
It's almost impossible
to close your eyes to it.
And they're afraid of us
because we are...
we are not only a cultural
and political threat,
we are a military threat
to those generals
that are running that war
and controlling young kids'
minds over there.
We're a military threat.
When it gets down to
having to use violence,
then you're playing
the system's game.
The establishment will irritate you,
pull your beard
and flick your face,
to make you fight.
Because once
they've got you violent,
then they know
how to handle you.
The Vietnam War
divided this country
as it had not been divided
since the Civil War.
F*** you, L.B.J.!
F*** you, L.B. J!
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"The U.S. vs John Lennon" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_u.s._vs_john_lennon_21531>.
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