The Unattainable Story Page #4
Can we talk about
something else?
David is re-finding his soul.
He's gone to war,
for God's sake.
He went to jail.
It hasn't been easy.
But he's changed.
I created a character
like him.
Oh, he took a few wrong turns,
but everybody can
redirect themselves.
Okay, look.
Can I say something?
Hey, now that you're
not with Peter anymore,
could you please
pick a guy with substance?
Somebody who's got
his sh*t together?
Peter was a child also.
Who ever meets
a man of substance!
Oh, thanks a lot.
You know what?
I go for stories, not people.
And I really wish that
I could go for
someone like you.
Then why don't you?
Stories don't stabilize.
Yeah, but the good guys
usually win.
In stories, yes.
In real life? No.
[Skene] We'll go from
page three.
If you wouldn't mind reading
for Alma?
It shouldn't be
too hard for you.
Okay, uh, let's begin.
Almshe...
Your innovative
German architect
is as you say,
unusually minded.
He has addressed his
love letter to me, not you.
But it is indeed
for you,
from Mr. Gropius.
Oh.
"Oh"?
Men are always
in love with you, Alma.
This I've learned
to accept.
I suppose it comes
with marrying,
uh, a beautiful woman
much younger than me.
But your being in love
with one of them...
No, no, no, no, no.
Gustav, it was just
we talked.
It seems much more
than just talking.
His pen moves along
with all the
passion of a French composer.
Gustav, I'm isolated here.
You work all the time.
I hardly notice you.
Look.
I brought you
these presents.
[Jacqueline]
Are you sure it was Freud
you met in Lighton?
I was wrong.
I was wrong not to
ever give you presents.
Oh, and I remember
this piece you wrote.
I made notes for it,
um, to make it better.
Let me show you.
My composition?
I'm sorry, Alma. I...
I should not have.
But I have already thought
of a way to publish it.
You must forgive me.
Let me show you
that I am not
the insensitive man
that I have been.
That will be first.
Then we will see.
Everyone cannot change so,
so quickly, Gustav.
Yes, they can, Alma.
They can change.
[melancholy instrumental music]
"I wear perfume and lipstick
as I wait."
[Jacqueline] David says
Says it's why
he likes me.
[scoffs] Hmm.
But not even he
can solve the problem
of how long it takes
to accept the past.
What are you doing?
I'm just checking out
the ocean.
But I was at the sailboat
putting up the new mast.
Does the engine
work yet?
Most of the time.
'cause I'm going out
for my sauna.
I so admire those
rituals of yours.
Yeah, well, you didn't
admire them
when we were together.
Yes, I did.
It was something I could
touch down against.
Hey, I'm gonna be
around town soon.
Could I come visit you?
Sure. You wanna take a sail
when you're up here?
Okay.
Maybe.
How do you handle
the loneliness?
I keep busy.
Well, who did you go to
the movie with last night?
-Alone.
-You're lying.
That's a good answer.
You know, now that
we're separated,
you aren't gonna have to be
faithful to me for the rest
of your life, right?
Oh, I know.
Listen, I gotta go.
Talk to you later.
[sorrowful instrumental music]
[Jacqueline] Being alone
caught me off guard.
After 18 years,
it's not an easy
hole to fill.
[Skene]
But you were filling it.
It seems you had all
your pieces in place.
You had your Gropius.
It was a struggle.
[seagulls squawking]
[chuckles]
Okay.
Maybe.
Maybe I will marry you.
Oh, I know you.
You're planning to get away
as you say that.
I wanna grow old
with you.
What movie is that from?
Ah...
We should do stuff.
Do you wanna golf?
-Canoe?
-No!
Say something romantic.
All right.
Well...
We will come in
from the beach
when we're 70.
We'll make love,
then I'll hold you
like this,
and I'll tell you that
you're the love of my life.
That is pretty good.
I've got an idea.
Let's go for a drive.
[Jacqueline] I can't.
This is how
the pages add up.
David, I can't
help it.
I wish I had been born
an investment banker,
believe me.
Yeah, well,
judging from your finances,
so do I.
What the f***?
At least I'm working.
There's nothing wrong
with working.
I don't want to
feel guilty about it.
You know, watching over me
is not a profession.
You don't have to be so
You need a job, too.
You'd be much happier.
You sure you're not
talking about yourself?
No, I'm not.
[ominous music playing]
[door shuts]
[Peter]
We fought all the time.
-No, we didn't.
-Yes, we did.
You know what that's
analogous to?
When I was a little boy
about five years old,
I loved Dr. Seuss'
The Cat in the Hat.
I had an illustrated book.
I loved it so much.
One day I got
a pair of scissors,
I cut out
all the illustrations
of the cat
until I realized
that I'd destroyed the book.
The very thing that
I'd wanted.
Your theater friends
didn't like me anyway.
I don't like all of them
that much myself.
But who cares.
So what are you doing
all the way up here
in Gloucester?
Just driving around.
"Just driving around"?
You're four and a half hours
north of New York
just driving around?
I'm visiting an old friend.
I see. Okay.
What's the matter?
Peter, I'm sorry.
I really am sorry.
Me, too.
Me, too.
- Bon appetit.
-Thank you.
Merci.
So what are you doing
down there in New York?
What are you writing now?
You know, I'm actually
writing a new play
about Mahler and Freud.
Why are you writing
about Freud?
I thought you were Jungian.
Mahler actually went
to see Freud, not Jung.
You know, I have to
stick to some facts.
His wife was
cheating on him.
so he went to see Freud.
Occupational hazard
of marriage.
Is that so?
May we have some
olive oil as well?
Thank you.
When are you
going back to New York?
Tomorrow.
How are you doing?
Listen to me.
You have some dreams
to achieve.
Whatever nonsense
you tell yourself...
No matter what nonsense
you tell yourself,
that's what's important
in your life.
Don't waste it.
[gentle instrumental music]
with a woman if she didn't
have a musical speaking voice.
You know what?
That's interesting,
because I find that people
always listen
to female singers
when they really
wanna rage.
Rage inside.
[David laughs] Right.
Hey, let's dance.
Come here. Come on.
Oh, God!
Oh, sh*t.
Beethoven knew that
he had to get his music out
no matter what.
Before that
he could not die.
Maybe Beethoven just
needed money.
Money and talent have
nothing to do with each other,
you know that.
Why are you
getting upset?
I just hate how money
messes people up.
I mean,
look at yourself.
I mean, you lost
10 years of your life
to the pursuit of money.
I'm trying to
tell you something.
Okay, okay.
I get it, I get it.
That reminds me.
What?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Unattainable Story" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/the_unattainable_story_21536>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In