The Unknown Man Page #5

Synopsis: Prominent attorney Brad Mason takes on the defense of Rudi Walchek, a young hit-man hoodlum accused of murder. Convinced of the youthful thug's innocence, Mason get him acquitted. Later, he learns from the murder-victim's father that Walchek is a low-level member of a protection-racket gang and was undoubtedly guilty. Mason is anxious to get the gang-leader, but when he discovers it is the eminently respected head of the city's Crime Commission, he feels that a conviction in a court-of-law would be impossible. In a rage, he kills the man, but all evidence, including the murder weapon points to Walchek. When the latter is again brought to trial, Mason, although he senses a higher justice is at work, feels he must defend him with the best of his ability.
Director(s): Richard Thorpe
Production: MGM
 
IMDB:
6.6
APPROVED
Year:
1951
86 min
43 Views


start and I'm not starting.

You mean to say that you're going

to do nothing? Right.

Look, grow up. There's no new case

against Wallchek. The old one is busted.

Busted, snafu-ed, smashed.

You smashed it, remember.

Alright, I smashed it. I was wrong.

I'm green, I'm naive,

I'm anything you like.

But right now I'm trying to put things

square and you won't raise a finger.

Licked before we start?

Start what?

Are you scared to start something?

What kind of a man are you?

What kind of a town is this, anyway?

I'll show you.

Our fabulous metropolis.

Eleven hospitals.

Half a dozen parks, two museums ..

An opera house and sundry

other holes of lesser delights.

A cultured city teeming

with pride and industry.

All that's good and strong in men.

Teeming also, with all that's

base and weak in them.

Gambling, extortion.

All the syndicated pastimes.

The traffic in vice is highly organised.

I know that Joe, but ..

Highly organised, ruthlessly administered

and way beyond the clutch of the law.

I don't believe that.

Nobody is beyond the law.

Not today. Not in this country.

No?

No.

Crime today my friend, functions

from skyscrapers and plush hotels.

The big wheel, the boss man, the brains

behind it all is may be your friend.

A guy you like to have

a drink with at the club.

Your most exclusive club.

You know this man?

No .. I don't know.

I know that he exists.

Suppose I did know him.

When I try to bring him in, within a

week I'm peddling vacuum cleaners.

He goes on as he goes, and I can't

even do the little bit I've been doing.

Grabbing the small-fry,

the Wallcheks, the hired help.

Go on home, Sir Lancelot.

Home to your nice clean

practice and your pretty wife.

Stop bunny-hugging crime

before it blows up in your face.

I tell you it's dynamite.

Hey.

Take it easy, will you.

Look, I'll put a man on Wallchek.

I'll have him tailed night

and day wherever he goes.

Maybe he'll put some other guy to sleep.

If he does.

Next time he'll be a dead duck for sure.

Hulderman, Hulderman.

First name?

Peter.

Peter Hulderman.

62549 Cedar Street.

Age of deceased?

Sixty-one.

Family?

None.

Cause of death?

A guy in a truck knocked

the old boy over and beat it.

"Old Hulderman was dead."

"This was the first real shock."

"Now he had to go on."

"He had to find out."

"He went back to Wallchek's apartment."

[ Telephone ]

[ Telephone ]

[ Telephone ]

Yes?

"Wallchek?"

"Be there tonight at 9:30."

"Don't be early because I'll be

out, but don't be late either."

"9:
30 sharp. Understand?"

"Hello? Wallchek?"

"Now he knew and now he would

have given everything not to know."

"His faith in his world of perfect law

and justice had begun to crack."

"It went on cracking."

"Get me the facts I told him. Facts,

evidence, proof, a witness with guts."

"So, back he goes to Cedar Street."

"To the shopkeepers,

the scared little rabbits .."

"Who will suffer the crime

and take the punishment."

"All that day he goes from shop to shop

walking miles and getting nowhere."

"Getting nothing but a shake of the head

and a frightened look in their eyes."

"They're not sticking their necks out."

"They're not talking."

"They won't come forward.

No, not one of them."

"As the day wears on,

Brad gets desperate."

"Finally, he remembers

the Crime Commission."

"He had nothing to eat or drink all day

but he doesn't even wait to telephone."

"He needs help badly."

"It's just 9:
20 when he rings the bell."

Andrew.

Thank heaven you're home.

I know it's a little late, but I ..

Tell me, have you got guests?

No. No, I'm alone.

Mind if I come in for a minute?

What is it, Brad? You look terrible.

Oh, my head is sort-of

spinning a bit, but ..

I'll be alright if I can just

sit down for a minute.

Been on my feet all day and ..

I'm weary.

Oh, that's good.

You don't mind my dropping in

like this do you, unexpectedly?

That's quite alright.

Here.

Come on, take a good pull.

Thanks.

Boy, what was that?

Brandy.

That's the first I've had in a ..

I don't, you know.

You look all in. Shall I

call up Perry Garvin?

Oh no, no. I don't need a doctor.

I just want to talk, Andy.

What's the trouble?

You remember the Wallchek case?

I found that today.

Where?

In his apartment.

Then he did it?

I think I've known since

just after the verdict.

But that's not the half of it. I went

to see old Peter Hulderman and ..

Look, would it surprise you to know that

this town is riddled with the most ..

Vicious form of extortion?

It wouldn't surprise me.

I've stumbled on to

a regular hornet's nest.

I don't know where it's leading me, but

one thing I do know, I can't turn back.

Were you serious when you wanted me

to join the Crime Commission of yours?

Certainly.

Right then. I'm with you.

That's great news, Brad. We need you.

And I need you, believe me.

You're my last hope.

That's what we're here for.

If the law won't act or can't ..

It's up to the ordinary decent citizen

to clear up the mess himself.

Take my word, we'll

do everything we can.

I know. Now then, where do we start?

Where did you start?

With Hulderman.

No, no. No more thanks.

I think you need it.

So you went to Hulderman?

Uhuh.

And he talked?

To me, yes.

Will he talk to us?

He can't .. he's dead.

Dead?

Since when?

This morning.

Thank you.

It seems they'll stop at nothing.

Then I went to the D.A.

He says there is somebody

running this town.

Behind all this. The big wheel.

I know it sounds like nonsense, but ..

I'm not sure.

I've often wondered if there

wasn't some superior brain.

[ Blender noise ]

Forgive me, I'm expecting someone.

Don't move .. I won't be a moment.

[ Blender noise ]

[ Blender noise ]

Sorry.

How do you feel now, better?

Alright.

You know, when I was a boy

I was crazy for milkshakes.

I used to dream of the day when

I could have them by the dozen.

Well, now I can.

And you know something?

I'm still crazy for milkshakes.

I feel there is a moral

in that somewhere.

Who was it, Andrew?

Who?

Your visitor. Who was it?

A friend.

What friend?

Look here, what is this?

You drop in unasked, cry on my shoulder

and then start firing questions at me.

Who was it?

I think you must be drunk or crazy.

No, I'm not drunk but

there are things that ..

Drive a man almost crazy.

Such as?

Such as, you're searching the home of a

murderer. Suddenly the telephone rings.

You sound like a detective story.

You pick it up.

There is a voice that's

vaguely familiar and ..

A noise that you can't place at all.

A noise like a fan or a motor running.

The voice says to be at

some place at 9:
30 sharp.

You hang up.

You try to remember the voice.

You go on trying all day.

That night, you're at

the home of a friend.

At 9:
30 somebody calls.

The host goes out and you're alone.

There is only a noise.

That noise.

Who was it, Andrew?

The D.A. put a man on Wallchek.

They're tailing him.

They'll know. They'll

Rate this script:0.0 / 0 votes

Ronald Millar

Sir Ronald Graeme Millar (12 November 1919 – 16 April 1998) was an English actor, scriptwriter, and dramatist.After Charterhouse and studying at King's College, Cambridge, for a year, Millar joined the Royal Navy in 1940, during the Second World War. He established himself as a playwright after the war and, between 1948 and 1954, lived in Hollywood, where he wrote scripts for MGM. On his return to Britain, he successfully adapted several C. P. Snow novels – and, in 1967, William Clark's novel Number 10 – for the stage. He also wrote the book and lyrics for the musical Robert and Elizabeth. He acted as speechwriter for three British prime ministers, including Margaret Thatcher, for whom he wrote the famous line "The lady's not for turning."Millar was the son of a professional actress, Dorothy Dacre-Hill. Prior to becoming a full-time dramatist and then a speechwriter, Millar acted in a number of West End productions during and after World War II, in the company of luminaries as Ivor Novello, Alastair Sim and John Gielgud. He also appeared in the 1943 war film We Dive at Dawn directed by Anthony Asquith. One of his most well-received productions was Abelard and Heloise featuring Keith Michell and Diana Rigg. more…

All Ronald Millar scripts | Ronald Millar Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Unknown Man" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/the_unknown_man_21550>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the primary purpose of the inciting incident in a screenplay?
    A To set the story in motion and disrupt the protagonist's life
    B To provide background information
    C To establish the setting
    D To introduce the main characte