The Victim Page #2

Synopsis: Annie's (Jennifer Blanc) life is in jeopardy after she's witnessed the horrific rape and murder of her closest friend. Fleeing from two attackers (Ryan Honey, Denny Kirkwood) she stumbles across kyle (Michael Biehn), a recluse living in the middle of the woods. Kyle finds the stillness of the woods comforting. The ruggedly handsome loner stays far from civilization - that is - until a single knock on his door throws his solitary life into chaos. Two worlds collide in this psychological thriller that will make you question your trust in mankind.
Genre: Thriller
Director(s): Michael Biehn
Production: Anchor Bay Entertainment
 
IMDB:
4.5
Metacritic:
11
Rotten Tomatoes:
35%
R
Year:
2011
83 min
Website
212 Views


No one's here.

I didn't say anyone was.

It's just that these woods,

they're a--

well, they're a great place to hide.

Yeah, I know they are.

You seem nervous.

You seem nervous, too.

This young woman,

she's wanted in connection

with a homicide.

Finding her would be

a big help to our case.

It might blow it wide open.

Well, I don't know

what I can tell ya.

I haven't seen anyone.

Fair enough.

If you do see her,

here's my card.

Please give me a call.

Anything for law enforcement.

Hmm.

To be honest with you,

you look a little bit

suspicious.

I don't think you're alone in here.

What? I said I was.

Yeah. You did.

You did.

But I guess we can say

just about anything

we want to, can't we?

I guess so.

You have a wonderful evening.

You too, Officer.

( Engine starts )

That was them.

- Who are you?

- What do you mean?

You heard 'em.

They said you were a fugitive.

He's a liar.

They showed me your mug shot.

I've been arrested.

Once.

- Once.

- For what?

Possession of marijuana.

It was no big deal.

They plea-bargained it.

I ended up doing

community service.

Look, I am no angel.

I'm a dancer in a nightclub.

And I like to party

and have a good time.

And that's what we were

doing with these cops

when everything went crazy.

But I know a lot of girls

who've gotten themselves

into all kinds of sh*t.

And that's not me.

Other than that one little f***-up,

I have never been

in any serious trouble.

I swear.

I come all the way out here

to get away from people,

to get away from trouble,

this crap lands on my doorstep.

Listen...

I think we should just go

to somebody else

in the sheriff's office.

We can't do that.

This guy's a bigshot.

He runs the whole show.

He can do whatever he wants

and cover it up.

I'm finding that hard to believe.

It's true.

Well, you're right about that.

This guy's pretty heavy-duty.

What do you wanna do?

We could get proof.

What kinda proof?

MEW-

I know where she's at.

I can take you there

and you could see

I'm telling the truth.

Once we find Mary,

we can prove that he killed her.

All we have to do is drive there.

Please let me take you there.

I'm begging you.

Please.

( Car door opens )

( engine starts )

( music playing )

: Light :

J' And day J'

J' Raining J'

J' Crimson brown J'

J' Wasted... J'

Is that your cabin?

No.

It's my uncle's, but he

hasn't used it in years.

Why not?

Uh, he used to use it

for hunting and fishing,

but he's too old for that now.

J' From the dark... J'

So why do you live there alone?

So far from everyone?

Come on, you can tell me.

I guess I just like being alone.

Why?

I don't know.

It's, uh--

it's complicated.

What do you mean?

Why do you ask so many questions?

J' Broken J'

J' Spoken today J'

J' With you I might... J'

( hip-hop music playing faintly )

$0?

What do ya think?

Yeah, it's cute.

What, you don't like it?

No, it's totally sexy.

It's just that Kim wears

something similar on stage.

( Sighs )

I forgot.

Oh, God.

Poor Kim.

I feel so bad for her.

I know, the whole escort thing.

Can you imagine?

Have you met her boyfriend?

( laughing )

He's such a jerk.

I know.

Hang on.

I'll try another one.

And then cocktails.

Tell me about the friend.

What do you want to know?

Just the essentials.

Bad boy.

He's a narc,

so he's definitely

gonna have some blow.

What does he look like?

He's kinda got that rugged

Johnny Depp thing going on.

Good enough.

Well?

- Now that's hot.

- Really?

- You don't think it's too girly?

- No.

I sorta wanna do you right now.

You wish.

So...

are you coming or not?

Don't I always?

That's why I love you.

I love you, too.

What if she's not there?

Are you sure you're

telling me the truth?

Why don't you trust me?

I didn't say I didn't.

Take a left.

On that dirt road.

It should be on the right.

J' Broken J'

J' Spoken... J'

Is this the place?

J' With you, I I

J' Might break J'

J' Away... J'

Are you all right?

I don't know if I can do this.

You have to.

We're here.

What, are you gonna

stay in the car?

No.

I'll come with you.

This is where we were partying.

(sighs )

This is where she was.

They moved her body.

God damn it!

They moved her body.

That's Mary's.

You believe me now?

Yes.

But what do you want me to do?

I still say you should just

find some other cops,

talk to them.

And say what?

Tell them the truth.

Do you think they'll believe me?

Without her body, there is no crime!

What are you yelling at me for?!

I'm just trying to help!

I don't even know how I got

involved in this situation!

God damn it!

I'm sorry.

Come on.

Annie.

Yeah?

I've been thinking.

There's other agencies

we can go to:

the FBI, the DEA.

How old are you?

What?

- How old are you?

- 54.

You don't look 54.

You look really good for 54.

Really?

Yeah.

I don't know--

I've just, um,

always had this thing

for older men.

What are you doing?

Why?

You don't like me?

I didn't say that.

I think you like me.

You like me.

J' I don't know

why we don't know J'

J' How to talk to

one another any more J'

J' Well the--

the constant stream of J'

J' He said, she said J'

J' You know,

it makes me wanna run J'

J' For the door J'

J' And she says "go" J'

J' Well, the-- the time

we have is right now J'

J' That is my only concern J'

J' Because when I am

dead and gone J'

J' You know it doesn't matter

if it's you or me or him or her J'

J' The only thing that I got

are lessons learned J'

J' And she says "go" J'

J' Well, I don't care what you J'

J' Have to say no more J'

J' So then I say "go" J'

J' No, I don't care

if you run away any more J'

J' You and me J'

J' All the things we fight

for and never see J'

J' Oh, no,

in the light of day. J'

- Are you okay?

- Yeah.

Not only do you

look good for 54,

- you f*** good for 54.

- ( chuckles )

Where are you going?

I'll be right back.

( Whispers )

That's romantic.

( Pop music playing )

I don't know why I keep

going out with him.

I know why.

Aside from the coke,

I don't know why

I keep going out with him.

He's always got money.

So what's the problem?

I don't know exactly.

It's just--

he's just so straight.

You know, with the church

and the family and the barbecues

and the blah, blah, blah, I--

I don't know, it's just weird.

( Phone vibrates )

Hold on.

- Oh, boy.

- ( sighs)

Hi, baby.

( Mimics stuffy nose )

Yeah, no,

I'm just really not

feeling good right now.

Yeah, I think I'm coming down

with a cold.

Oh.

You wanna do that to me?

Oh, you better stop it right now.

You're making me all hot.

Okay '

I'll call you when

I'm feeling better, okay?

Okay.

Ugh.

Such a freak.

What'd he say?

Same sh*t he always says.

I don't know.

He's such a freak.

Men are so weird.

KYle?

KYle?

KYle?

- Hey, you.

-( muffled whimpering )

Relax, shh.

I won't shoot.

You need to relax.

Still, shh shh

shh shh shh shh.

Be still.

We're gonna wait right here

until loverboy gets back.

Rate this script:0.0 / 0 votes

Michael Biehn

Michael Connell Biehn (born July 31, 1956) is an American actor, primarily known for his military roles in science fiction films directed by James Cameron; as Sgt. Kyle Reese in The Terminator (1984), Cpl. Dwayne Hicks in Aliens (1986) and Lt. Coffey in The Abyss (1989). He was nominated for the Saturn Award for Best Actor for Aliens. His other films include The Fan (1981), Navy SEALs (1990), Tombstone (1993), The Rock (1996) and Planet Terror (2007). On television, he has appeared in Hill Street Blues (1984) and Adventure Inc. (2002-03). more…

All Michael Biehn scripts | Michael Biehn Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Victim" Scripts.com. STANDS4 LLC, 2024. Web. 4 Nov. 2024. <https://www.scripts.com/script/the_victim_21575>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Victim

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the primary purpose of the inciting incident in a screenplay?
    A To provide background information
    B To establish the setting
    C To introduce the main characte
    D To set the story in motion and disrupt the protagonist's life