The Wager Page #2
Is that all?
All right,
all right.
Shoo, shoo,
shoo, shoo.
Go on, disappear.
Come on, I want
to talk to you.
You know, I
dont golf, right?
You know
how hard it was
to get all that
inyour contract?
You re notTom Hanks.
We only got $300,000
budgeted for your entourage.
But once youwin that
little golden statue,
Well, I m not
sure I need all this.
LfTom needs it,
you need it.
It s notwho you are,
It swho you look like.
Ill cancel the interview
ifyou want.
His blog has an
insane readership.
I knowwe
need this.
Nah, nah, nah,
well do it.
All right,
this is the deal.
over the studio s head
for his scene, planning
It could get U G L Y.
You are the man.
I sayit s
studio business.
Give him
what he wants.
Well deal with it
after the awards.
Don t let anything
get in the way.
kill us, you knowwhat I mean?
I m just here to give
you the heads up.
Besides Colin, weve
got one more problem.
What s that?
(male)
I understand.
(female)
Get out of
the way, Toby!
I should go.
Careful,
shrapnel.
What happened?
Colin said
something and then
Becca in wardrobe
said that they saw
her'boyfriend'
storm out ofhere.
Well, let s give
her some privacy.
Gladly.
All right, guys, nothing
to see here, okay?
What?
Blessed are
the peacemakers.
Uh, peacemakers
get shot, bro.
Remember Bosnia?
Get out
ofhere, Colin!
(Michael)
It s me.
(male)
Okay, what s the
problem this time?
So what happened?
I have no idea.
You have no idea?
You are never
gonna believe it.
I asked her ifher
pants were the right size.
Colin told me
that I m fat.
Uh!
He s such a pig.
What?
I hate Hollywood.
Hello.
Colin has a way
withwords.
Uh, yeah.
Butyou know
that s not true.
Don t let him get
you down, okay?
You ready
to do this?
All right.
Are we
ready to shoot?
You mean the princess
got it together?
Did you
pray for her?
What do you mean?
Well, isnt that
what you Christians do?
I saw that I saw
that on 'LarryKing.'
I must have
missed that episode.
(Toby)
Guys, okay.
Whichversion of the scene
do youwant to shoot?
(Michael)
signed the contract,
right, Colin?
You know, I, for a second,
thought that this was my movie.
Think I m just gonna
be the servant now.
Can I getyou like a Huggies
or a little babywipe?
(Toby)
Look, ljust want to know
which one, pink or yellow?
and Maggie dont make love.
Wait a minute,
so I have to like
I have to
like read these?
[Dramaticinstrumental
music playing]
I couldnt
stay away.
Michael?
You know, It s not
safe here for you.
You promised.
I promised to
keep you alive.
I am dying without
you, Mr. Slater.
No, Maggie,
not like this.
(Colin)
Cut, cut,
cut, cut, cut.
Hey, Michael?
Cassandra, we re just
gonna hold for a second.
(Cassandra)
Thanks for just helping
me through all this.
I didnt do
anything, really.
Where are all
the good men like you, Michael?
(Michael)
I wouldnt know.
Your little
friend really
looks up
to you, huh?
Yeah, I guess so.
He seems
like a good kid.
Did we get it?
(Colin)
Uh, no.
Okay, I thought Michael
nailed that last take.
Can I get ice chips?
Guys, sit down.
Let s be
quiet, okay?
Let s focus.
Sit down.
Uh, it s
not the acting per se
and you look great.
But, okay.
Toby, give me
a second.
Give me a second.
All right,
you knowwhat, Michael?
What do you
think, Michael?
Colin, well do
whatever you need.
It s your baby.
Okay, great,
you knowwhat?
I dont buyit.
What is is the, 'Not now,
Maggie, not like this'?
What is that?
These are
two passionate human beings
and I want
them to express
their passion
for each other in this moment.
That s not up
for discussion.
Oh, you re right.
I m sorry.
I dont knowwhat
got into my head.
Why did I think that
I could competewith
That s irrelevant
and you knowit.
People in the real world
make love as a means
of expressing their feelings
to each other.
Nobody relates
to your archaic,
moral ideology anymore.
I m sorry!
All right, fine.
Why dont we shoot your
scene thenwell shoot
what happens next.
This one night results
in an unwanted child
raised with
no father.
Relate to that.
your narrow minded
religious agenda
to ruin my film!
Let me tell you what s
gonna ruinyour film,
the fact that you re
a second rate hack.
Get off my set.
You stay here!
Sorry, Cass.
Whatwas
that all about?
Just a difference
of opinion.
You might want to
stay out ofit.
(male)
Michael Steele?
What s this?
This is divorce
papers from my client.
[Sentimental instrumental
music playing]
For so long
I was dying.
I was dying
for a change.
And forever and forever
and forever I will love,
perfect love.
I will love.
I will love.
(Michael)
Tired, huh?
Been a long day.
Ill get a bed
ready for you.
Wait right there
for a minute, okay?
[Sentimental instrumental
music continues]
Oh, all mylife
I was dying,
I was dying
for your touch.
Thenyou made it.
Yeah, you made it andyou
held me in your arms.
Oh, in your arms.
(male TVevangelist)
You have heard that it was
said, do not commit adultery.
Anyonewho looks at has
already committed adultery
with her in his heart.
And if your right
eye offends you,
pluck it out and
cast it from thee
for it is profitable
for thee that one of my
[knocking on door]
Cass, it s late.
You okay?
Yeah, I came
to see ifyou are.
It s not the best
day of mylife.
Yeah, I thought that
you might want to talk.
[Seductive instrumental
music playing]
Nice house.
We like it
I like it.
Maybe shed rather live
in my dump than The Palisades.
Maybe.
Just kidding.
[Seductive instrumental
music playing]
(Michael)
Yeah, I know
howyou feel.
(Cassandra)
Michael, I m here cause
I dont have any friends.
Ive never
felt so alone.
(Michael)
Yeah, I know
howyou feel.
(Cassandra)
How do you keep
it all together?
I dont know, Cass,
sometimes I feel
like a disaster.
Well, if you re a disaster,
thenwhat does that make me?
Hey, I m sorry
about everything
that happened today.
I was out ofline.
No, youwerent.
Colin deserved it.
He is a hack.
Maybe.
Even so, it made me
realize how much
I still have
to figure out.
Come on.
[Camera shutters]
[Camera lens shutters]
You need this
as much as I do.
This is not
a movie, Cass.
I m married.
Not anymore.
[Camera shuttering]
Okay, I m not
gonna beg.
It s a little late for that,
dontyou think?
Are you trying
to humiliate me?
Why are you
acting so strange?
Oh, Michael.
Cassie,
wait a minute.
Charlie,
go back to bed.
[Camera shuttering]
(male)
Get over here.
Cassandra Brevin just came
out of Michael Steele s house.
(Cassandra)
Let go of my door.
Don t be
ridiculous.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Wager" Scripts.com. STANDS4 LLC, 2024. Web. 7 Nov. 2024. <https://www.scripts.com/script/the_wager_21593>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In