The Wall Page #4
shoots you in the back,
and you survive,
is it okay to shoot him back?
I want you
to tell me something, Isaac.
Why are you here?
Why are you still here, Isaac?
How many tours
have you done now?
[Sighs]
Why do you keep coming back?
[Sighs]
Is it because of Dean?
Please, God...
How the f*** did I get here?
MAN ON RADIO:
Is that why?
Be honest with me, Isaac.
Is it because of Dean?
Just tell me... How...?
How'd you know that name?
MAN ON RADIO:
Just one thing.
[Wind blowing]
We were
from 'round about the same area.
His cousins...
...went to same school as me.
My dad knows his...
Seen his kid.
Held him.
More than Dean's ever done.
Clem works
by the f***in' Stop n' Shop...
MAN ON RADIO:
Clem?
Clementine, his wife.
[Sighs]
No f***in' way. I can't...
I can't go back to that.
F***in' day in, day out sh*t.
[ Sighs ]
And them, looking at me.
And they would.
They'd look at me, and they'd...
They'd see me.
F***...
Nope.
I can't go. I can't.
I can't do that.
Can't go back.
This...
Oh, God.
[Groaning]
F*** it.
You happy now, huh?
Now you know everything.
You're f***ed up,
you know that?
MAN ON RADIO:
Why is that?
'Cause you gotta mess
with my f***in' head, too?
[Wind rustling]
MAN ON RADIO:
Isaac, when this is over,
the skin will be cut
from your face.
Your eyes will be gouged.
F***in' shoot me, you prick.
MAN ON RADIO:
Your lying tonguewill be stapled to your chest.
[ Chuckles ]
Just f***ing shoot me, man,
and get it over with.
MAN ON RADIO:
But I willlet them find your body.
F*** it,
All right, you a**hole.
Where are you?
[Sighs]
MAN ON RADIO:
That was foolish, Isaac.
I could've shot you.
I could've easily shot you.
[Sighs]
Ize!
I just want to have
a conversation with you, Isaac.
[ Groans ]
Why are you trying
to get yourself killed?
Oh, f***.
MAN ON RADIO:
Isaac.
Isaac.
The radio you
risked your life for? It's dead.
[Sighs]
Are you dead, too?
You missed.
I'm still here.
You're not that f***ing good.
MAN ON RADIO:
Ha! He speaks!
Tear up the planks!
Here, here!
It is the beating
of his hideous heart.
What's that, one
of your gay-ass Haji poems?
MAN ON RADIO:
American.
- [ Radio breaking up]
- Tell Tale Heart.
Edgar Allen Poe.
I didn't catch a f***in' word
you're sayin', man.
MAN ON RADIO:
Edgar Allen Poe. Don't you...?
What's wrong
with your f***in' radio, man?
What is that?
MAN ON RADIO:
You must've studied his work.
He's an American great.
His writing is really...
- [ Radio breaking up]
- What is it?
Don't look at f***in' me.
MAN ON RADIO:
Did you knowthat he was an orphan?
He tried to be a soldier,
but didn't get very...
[Wind blowing]
Shane...
Shane, that you?
MAN ON RADIO:
He wasa better writer than a soldier.
[ Groans ]
MAN ON RADIO:
Once upon a midnight dreary,
[ Groaning continues]
while I pondered
weak and weary...
ISAAC:
Sar'nt Matthews!
MAN ON RADIO:
Suddenly there came a tapping...
ISSAC:
Is that you?
MAN ON RADIO:
...rapping at my chamber door.
In there stepped
a stately raven,
from the saintly days of yore.
Take thy beak
from out of my heart,
and take thy form
from off my door.
Quoth the Raven,
"Nevermore."
Or perhaps you would
prefer Robert Frost?
"A voice said, 'Look me in the stars
And tell me truly'..."
I see you, man!
MAN ON RADIO:
"Men of earth...
I knew you were taking a nap!
MAN ON RADIO:
If all the soul-and-body scars...
ISAAC:
I found that f***ing weasel!
MAN ON RADIO:
...were nottoo much to pay for birth."
ISAAC:
12 o'clock.In the f***ing trash heap!
MAN ON RADIO:
His poetry is so beautiful.
[Wind blowing]
[Chuckling]
[ Gasping ]
So, uh... you studied, huh?
Uh... studied, uh...
you studied here or abroad?
ISSAC:
Like, um...
I know they got those, uh...
study-abroad programs
or whatnot?
[ Matthews groans ]
ISAAC:
Hey!A shot from that distance,
he's gotta be at least
25, 30 feet up, man!
He's over 1,500 meters,
1,550 maybe.
Right?
Huh?
Why ain't you talking, man?
Come on, you there?
Oh, f***.
F***.
[ Gasping ]
Are you there, man?
[Wind blowing]
It's just, you know a lot
about books and sh*t.
I just thought,
I might even learn
some Haji Shakespeare
or some sh*t.
[Sighs]
MAN ON RADIO:
Shakespeare?Is that the only poet you know?
I studied English.
Boy, you, uh...
you minor in sniping
or somethin'?
MAN ON RADIO:
I was a teacher in Baghdad.
But a bomb hit my school.
ISAAC:
You got it? Shane?
MAN ON RADIO:
I got shrapnelin my left elbow, still hurts.
ISAAC:
F***ing trash heap,behind the white trailer.
[ Groans ]
1550.
of the students I lost.
ISAAC:
Come on, baby!Come on, baby,
let's do this!
[ Groans ]
Is that why you shoot
civilian contractors?
MAN ON RADIO:
As the scripture says,
an eye for an eye.
That's bullshit.
You're no more
religious than I am, man.
That's just a f***in' excuse
to shoot up some Americans.
You're good, man!
Just keep going slow, baby,
real slow!
MAN ON RADIO:
Is that a question, Isaac?
Slow is smooth,
smooth is fast!
Yeah. That's right.
See, that's what I don't get.
How does
become a f***in' terrorist?
MAN ON RADIO:
You tell me.
Oh, shut your f***in' mouth.
MAN ON RADIO:
You're fading, Isaac.
You like to hear yourself talk,
don't you?
I'm f***in' fantastic.
I'm chillin' like a villain baby.
MAN ON RADIO:
You are not fantastic.
You have no water.
You're dehydrated.
The sun is...
the sun's baking you.
[Groaning]
You're bleeding to death.
[Sighs]
[ Hoarse ]
Cap'.
Cap'.
Captain Albright.
MAN ON RADIO:
What's that?
Our legend.
Trained me.
Trained Dean, too.
[ Groans ]
He's coming for us.
MAN ON RADIO:
For your bodies.
We don't report in,
he's on your ass.
MAN ON RADIO:
Judging from yourand Matthews' performances,
I'm not concerned.
F*** you.
He's coming for us.
[ Gasping ]
He trained us...
...trained us to survive.
MAN ON RADIO:
And won't he be disappointed.
ISAAC:
You didn't win sh*t.You hear me, motherf***er?
You didn't win sh*t!
[ Matthews grunting ]
From a place you will not see
comes a sound you will not hear.
Just a flash of f***ing light.
Boom.
MAN ON RADIO:
When I'm donewith you and Matthews,
everyone will know
who the winner is.
[ Gasps ]
ISAAC:
Shane!
[Sighs]
Hold still, man, hold still!
[Sighs]
Sergeant Matthews' head off?
Sh*t.
Hold still, man!
Don't f***in' move!
MAN ON RADIO:
Will youtake something from Matthews?
Like your broken scope?
He's in my crosshairs right now.
I've got eyes on him.
ISAAC:
What?
MAN ON RADIO:
I don'tmake empty threats, Isaac.
I'm going to tear his face off.
Wait, wait, wait, wait,
wait, wait...
because it reminds me...
of why I can't hold a...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Wall" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/the_wall_21599>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In