The Way We Were Page #6
- PG
- Year:
- 1973
- 118 min
- 6,167 Views
Nothing like an early education.
I'd like her to learn
not to be frightened.
Her?
Him.
Why don't you come with us?
We're kind of back
where we started, aren't we?
That's not true, Hubbell.
Okay. Now why don't
we all stay home, hm?
I can't.
And named the names of 14 of his fellow actors.
He described their
various associations
with subversive organisations.
Ten men of the original 19
who refused to testify...
And there he is,
Jack Armstrong,
the all-American boy.
Oh, God.
Hey, you look good.
I hate it!
Oh!
I like it!
Isn't she lovely?
America's sweetheart.
Look at her go. I'd forgotten. She
really was getting to those people.
Take a look at
some of those faces.
Oh, she was a spellbinder.
She was.
I'd forgotten about that.
She's beautiful.
Yeah, Katie!
I'm exhausted.
Do you have any comment
regarding the Hollywood 10?
They're running toward martyrdom
for nothing but their own destruction.
They're standing up
for principle.
If you don't like this country,
get out!
It's my country too!
They could've
denied everything.
They didn't want to.
Can we do this
someplace else?
Why are you here?
You might get put on a list.
I refuse to be intimidated.
Well, those 10 men feel
exactly the same way.
Free speech is all
we're talking about.
They're fighting for your right
to make any movie you want.
And all you can do is strut
around here making simple remarks.
Could we get a statement
from Mrs. Gardiner?
I'd like to ask these people why
they think we just fought a war.
What are you people
afraid of?
Shut your mouth, you commie b*tch!
Hubbell! Hubbell!
Hubbell!
You two wait
here till the crowd clears.
Are you okay?
Yeah.
You're bleeding.
I'm fine.
It's always fun
meeting trains, you know?
I'm sorry, Hubbell.
You didn't expect to get a chance
to tell off the world either.
Is that what you think I'm doing?
You bet I do.
I'm not telling off the world.
I'm just standing up
You're not angry when Bissinger
ridicules those men?
Calling them martyrs
because they have guts
to fight for their Bill of Rights,
his Bill of Rights and yours!
We don't have any Bill of Rights.
We'll never have free speech.
We never will if people
won't take a stand.
We never will have
because people are scared.
This isn't college.
This is grown-up politics, Katie.
And it's stupid and dangerous.
You're telling me to shut up
because it's dangerous?
I'm telling you it's a waste.
And that those men
are only gonna get hurt.
And that nothing is gonna change.
And after jail,
after years of bad blood,
when it's practical for a fascist
producer to hire a communist writer
because his movie's
in trouble, he'll do it.
They'll make movies, have dinner,
they'll play tennis,
make passes at each other's wives.
What did anybody go to jail for?
For what? A political spat?
You're telling me to close my eyes
and watch people being destroyed
so you can work in a town
that doesn't have spine enough
to stand up for anything
but a buck!
I'm telling you that people are more
important than a goddamn witch hunt.
You and me. Not causes.
Not principles.
Hubbell, people are their principles.
Aw...
The heads of the studios
have reversed their positions
and any employee who
is an unfriendly witness
before the committee is, um...
fired.
Oh, Jesus.
So now we have
an official blacklist.
It's an open season
for witch hunters
and stool pigeons.
And now the problem is,
how to convince the public
that a stool pigeon, heh,
is a hero.
You are like
these damn palm trees.
They don't belong here either.
They were brought in and they look it.
I'm sure that
they don't like it either.
What if he does, Paula?
What is more important to you?
He is.
So...
That's your choice, Katie.
Ha-ha-ha.
Give him my love too.
I will.
Thanks, Paula.
It's no reflection on anything
except that you're new to this
film technique.
Especially for the novelist.
He's too close to his own material.
I'm not a novelist.
I'd like to think
of myself...
as a screenwriter.
I wanna be up front with you.
I know what changes
have to be made.
But can you make them?
Nobody else understands that story.
Nobody knows it. It's mine.
Mine.
I know where it came from.
I know what the heart of it is.
I mean, you... Hey.
You remember those few days
before the war started.
Before we had to change... You...
Don't lose what I know about it.
Work with me.
Work with me closely, fine.
And I know the dialogue from
the book is slowing the film up.
But I can fix that.
I learn fast. I always have.
Things come...
Uh...
Christ, I can do it.
I know what you want.
I know what your concept is.
I'll make your changes.
Let me.
With no resistance?
No.
No resistance.
Hi.
Bad times?
Can't be all bad.
How's the picture?
Troubled.
I'm going back to New York.
New York.
When do you leave?
Not until tomorrow.
I'm getting rid of some things
in my apartment.
There's some champagne.
For bon voyage.
Well, it's getting better.
Better...
It's most unusual.
While it is slow,
it seems necessary to be slow.
Of course,
with the audience...
Thank you, Paula, my dear.
I'll have my brandy in bed.
We'll conduct the postmortem
tomorrow. Good night, Paula,
Hubbell, J.J., silent Kate.
Thank you, Floyd. Thank
you very much. Thank you.
Good night, Mr. Bissinger.
J.J., shall we go and have some
wine? You will tell me your problems
and I'll tell you how
the un-American gentlemen
offered to give me some names
to name in Washington.
Take care, darling.
True to life. So true to life.
I'll be up late, case you guys wanna
stop by on your way to the beach.
Okay, Hub?
Yeah.
Well, that was
a gripping experience.
"So true to life, darling."
The only picture she
hasn't knocked is Potemkin.
Probably a dyke anyway.
She is not.
She has two grandchildren.
Katie, the day you die,
you'll still be a nice Jewish girl.
Are you still a nice gentile boy?
I never was.
I only looked it to you.
That's not true.
Oh, yes, it is.
When you love someone, from Roosevelt
to me, you go deaf, dumb and blind.
Not blind, Hubbell.
And certainly not dumb.
Who told you?
A friend.
Hm. Some friend.
Well, it's a friendly town
if you don't mind having
your friends inform on you.
I suppose you'll say
it doesn't mean anything.
It doesn't.
Your picture will be a smash,
Hubbell. Congratulations.
But you didn't like it.
Let's say I appreciated it.
What didn't you like?
Are you finished for the night, sir?
Yes.
Thank you.
Why did you have to
go with her?
Tell me I'm not good enough.
Tell me I talk too much.
You don't like my perfume,
my family, my pot roast.
But you didn't have to go back
to Beekman Place, did you?
Katie, what's wrong with us
has nothing to do with another girl.
Oh, give up.
Please.
I can't. I hate what
you did to your book.
I hate the picture.
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