The White Countess Page #8

Synopsis: Shanghai. 1936. Crossroads of the world and into this city of political intrigue comes Sofia, a Russian Countess who, with the remains of her family, has been left stateless by the Revolution. Forced by her reduced circumstances to support herself and her family as a bar-girl and taxi dancer, Sofia forms a relationship with Jackson, a blind former diplomat who opens an elegant bar; The White Countess. Their curious relationship matures but they are caught up in the fall of the city to the Japanese invaders.
Director(s): James Ivory
Production: Sony Pictures Classics
  2 nominations.
 
IMDB:
6.7
Metacritic:
60
Rotten Tomatoes:
49%
PG-13
Year:
2005
135 min
$1,641,467
Website
301 Views


if you are with us.

Surely you've thought of This.

It would be soon known what you did here.

We should go back.

We have an evening's work ahead of us.

We should go back immediately.

What's wrong with you today?

We should not go

to The White Countess This evening.

No customers coming.

Listen, Liu,

I'll decide where I go and don't go.

Mr. Jackson...

for a long tnme,

I do what you want me to do.

I see what you want me to see.

But today...

I tell you, it's time to stop. No more.

We go back.

All right, well, if you feel so strongly...

I'll just get there by myself.

Mr. Jackson.

Mr. Jackson.

Mr. Jackson!

Mr. Jackson.

Mr. Fenistein.

-Katya.

-We're leaving.

We're gonng to Hong Kong.

Why didn't you go with the others?

Why are you still here?

It's all right. It's for the best.

-They've left you.

-But....

And Katya? What have they told her?

Countess Sofia, answer me.

Where does Katya think you are?

They told her I was coming...

coming right behind.

And that I would meet them at the dock.

And I told her, too.

Countess Sofia, you must get her back.

But it's for the best.

-What future is there for her otherwise?

-No.

You must get her back.

Then the two of you

can leave Shanghai with us.

-Tonight.

-Leave? Leave where?

For Macao.

You must get Katya back and leave with us.

But how?

Glass please, gentlemen.

Be careful.

Mr. Jackson.

Mr. Matsuda.

It would appear

you are understaffed This evening.

So it seems.

I guess there's something

going on out there.

Mr. Jackson...

my car is outside.

Please allow me to take you to a safe place.

That's kind of you, sir,

but I have my customers to attend to.

And that'll be your broader canvas.

You know, Mr. Matsuda,

it's almost like you've made a fool of me.

All This time, you were helping me

perfect This little miniature here...

you were busy, out there,

getting on with your broader canvas.

Mr. Jackson...

it meant much to me

that for a small moment in our lives...

we were able to be friends...

and create something of beauty

here together.

It would sadden me to think

you believed I have deceived you.

All right, well, maybe I don't.

But I feel a fool all the same.

And soon your broader canvas will come

and crush my little world in here.

Just like nt's crushing

all those other little worlds right now.

But that is in the nature of things.

Now please, Mr. Jackson...

there isn't much time.

I urge you to leave with me inmediately.

No, thank you, Mr. Matsuda.

This is where our paths have to divide.

In that case, Mr. Jackson...

I'll bid you goodbye.

Mr. Jackson...

since we may never meet again...

perhaps you would allow me to put to you

something of a personal nature.

Feel free.

I realize I may be intruding...

but it has been my privilege to observe you

at close quarters for some time.

And I wonder if perhaps...

the time has come for you

to consider constructing another world.

Perhaps a world with your Countess.

The real White Countess, Countess Sofia.

This one here...

I fear its days are now numbered.

But it's too late now, Mr. Matsuda.

I let her go.

God knows

where she and Katya are by now.

Perhaps it is not too late.

I saw the Countess on my way here.

Like the rest of the crowd...

she was going

towards the sea guardian docks...

just a few minutes ago.

Now, sir...

if you'll excuse me.

I wish you every good fortune.

Excuse me.

Which way to the docks?

Which way to the docks?

Docks? This way.

Excuse me, gentlemen.

I'm just trying to find my way.

Thank you.

Katya!

Katya!

Katya! Katya!

Don't worry, my darling.

She'll come very soon.

But why isn't she here?

You promised.

You promised she'd be waiting.

Excuse me.

Have you seen a Russian family?

A little girl.

Russian.

Mr. Jackson!

Mr. Jackson!

But we can't go yet.

She's coming, isn't she?

Where's Mama, Aunt Vera?

Mama!

-Mr. Jackson, Mr. Jackson, it's me.

-What?

-Feinstein. The Countess' neighbor.

-Oh, yes, yes.

-Mr. Jackson, they've taken Katya.

-Who has taken her?

The family.

They've left Countess Sofia behind.

She's down there looking for her.

No, want.

Katya.

Mama! Mama!

Mama!

-Katya, get down, chnld!

-Why is Mama so late? She has to hurry.

She'll be here soon.

And if she doesn't come,

we'll want for her on the boat.

She'll board by another boat.

There are some steps here.

Turn right. Excuse me.

Mama!

Mama!

-Step. Step.

-Mr. Feinstein! Diplomat!

Katya!

-Come on. Right now, sit down right away.

-Katya!

Katya, your mother's with me.

She's not coming.

-Go away, you dirty Jew! Get out of here.

-Katya, don't listen to that.

Katya, your mother is not coming with you.

-Katya, come with me.

-What do you want with us?

Go on! Leave!

Don't listen to them.

Go back to your sewers.

Boatman! Go, go, go!

Your mother's not coming.

Leave! Go on!

She's with me. She's looking.

Your mother is with me.

-Katya.

-Look, Katya.

Come on. Your mother's wanting.

It's time to take that boat ride.

-Give me your hand.

-Our boat ride.

Katya! Katya! Katya!

-Mama!

-Katya!

-Mama!

-Katya!

Mama!

Katya! Katya, my darling!

Mama, where have you been?

I'm so sorry, Mama was wrong.

We'll leave together somewhere else.

Katya!

Katya!

Katya!

Katya Belinskya!

Not my baby!

Katya!

Try to sleep. Close your eyes.

We'll be going soon.

Mr. Feinstein?

-Yeah. I'm here, Mr. Jackson.

-Here you go.

Thank you so much.

Look, what are you doing?

Why don't you stay still?

Well, actually, I was trying to find you.

Why do you have to wander off?

You'll have a stupid accident.

You're right. I'm sorry.

I'm acting irresponsibly.

Come.

Here. That's for you.

Thank you for comnng to help us earlier.

I wasn't expecting to see you there. It was...

a surprise.

Well, as a matter of fact,

I wasn't coming just to help.

I was hoping....

Well, I realize I'm.... Look, here I am...

a blind man...

out alone in the dangerous world.

I was wondering if you...

that is, you and Katya, I was thnnknng...

you mnght like to help me.

And if you'd do that,

I thought I'd do my best to help you.

I realize This is...

it's not the ideal time

to be discussing such a matter.

No, it's a good time. A good time.

As you say, we can help each other.

And we can start by you staying here...

and not doing something

to get us all in trouble.

Okay. Okay, Countess.

I'll stay right here.

Wake up! Hurry!

Hurry! Come on!

It's just me.

This is hardly the boat ride we talked about.

I'm sorry.

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Kazuo Ishiguro

Sir Kazuo Ishiguro (born 8 November 1954) is a Nobel Prize-winning British novelist, screenwriter, and short-story writer. He was born in Nagasaki, Japan; his family moved to the UK in 1960 when he was five. Ishiguro graduated from the University of Kent with a bachelor's degree in English and Philosophy in 1978 and gained his master's from the University of East Anglia's creative writing course in 1980. Ishiguro is considered one of the most celebrated contemporary fiction authors in the English-speaking world, having received four Man Booker Prize nominations, and having won the award in 1989, for his novel The Remains of the Day. Ishiguro's 2005 novel, Never Let Me Go, was named by Time as the best novel of the year, and was included in the magazine's list of the 100 best English-language novels published between 1923 and 2005. Growing up in a Japanese family in the UK was crucial to his writing, as it enabled him, he says, to see things from a different perspective to that of many of his British peers. His seventh novel, The Buried Giant, was published in 2015. In 2017, the Swedish Academy awarded Ishiguro the Nobel Prize in Literature, describing him in its citation as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world". Ishiguro was knighted in the 2018 Queen's Birthday Honours List. more…

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Submitted on August 05, 2018

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