The Wood Page #5

Synopsis: On the wedding day of a writer's friend, things aren't looking good when the groom goes missing before the ceremony. During his and his other male friend's effort to retrieve him, that writer named Mike can't help but tell the story of his youth with his friends. Ever since he met them on his first day at a new school, they shared the common experiences of growing up and life's discoveries.
Genre: Comedy, Drama, Romance
Director(s): Rick Famuyiwa
Production: Paramount Pictures
  1 win & 7 nominations.
 
IMDB:
6.9
Metacritic:
52
Rotten Tomatoes:
61%
R
Year:
1999
106 min
Website
3,342 Views


- It's on me.

- You're crazy. It's on me, man.

- Mike, spin it again.

- No, this isn't for real.

Yeah, I'm tired of not getting

any coochie. We're juniors, man.

I need something real. Females get

way too much power with this sh*t.

It's like they ain't giving it up.

I've been after Monica for two months.

- Damn.

- It's time to move on, man.

I'm not warming her up to let the

next n*gger hit the jackpot. I'm close.

This has to be our year.

We're the head n*ggers now. Juniors.

You're on varsity

and I'm looking better every day.

N*gger, as pretty as you are,

you still ain't getting no p*ssy.

- I bet I'll be the first to get some.

- I'm gonna get Monica soon.

- Put your money where your dick is.

- Yes, in your nostrils!

You're always clowning.

It's because you know I'll win the bet.

The first one to get some p*ssy

gets five bucks.

But to keep it from going on forever, -

- if in a month no one gets none,

we put in five bucks more.

- I'm with it.

- Okay, I'm in.

Let the games begin, baby.

When are we gonna make this real?

- Stop, Slim!

- Why don't you want to do it?

I was just thinking

we could make this a physical thing.

Hello?

- I'm not ready.

- How long have we been going out?

A week and a half.

- What are you doing?

- Let's do something else.

We could make love.

- Don't say that. You don't love me.

- It sounds better than "bone".

You want me to let you

put that inside me? That's so nasty.

I could get blue balls. My sh*t

could just swell up and explode.

You remember that fool Andrew?

That n*gger still ain't walking.

- Nasty? It's natural. Suck on it.

- You need to back up. That's nasty.

- Why wait for what you can get now?

- Because it's in the Bible.

You're already on the wrong path.

Finish it.

Do you think I'm a ho?

You let Terry bone.

I look better than that.

Come on, girl.

I'll buy you something. What you want?

I had a girlfriend.

But Alicia was my friend, you know?

We could talk about anything.

Boyfriends, girlfriends... It was cool.

- Why say that?

- Why not? Explain her reasoning.

We're doing everything but it.

What's up?

Doing it ain't easy.

You don't just walk up to a girl and say:

"What's up? Can we get busy?"

- Everything's got to be right, right?

- Right, it's got to be special.

- I heard that before.

- Well, hear it again.

- Don't trick her into doing it.

- I don't need tricks. My game is strong.

- Then how come you ain't getting any?

- Oh, you got jokes.

Girls act like they don't want it

as bad as we do.

- That is not true.

- Yes, it is.

You ain't got nothing to say.

Maybe you need to find somebody

who wants it as bad as you do.

Maybe I do.

Let's go.

We won't get no studying done.

- All right.

- And you need to work on your game.

What are you wearing to homecoming?

- I got a suit from last year's...

- Are you too cheap to buy a new suit?

Times are rough.

I ain't trying to spend no more money.

- So, are you going with... Eric?

- You know his name. Come on.

Yeah, I'm going with Eric.

You're going with Kim, right?

- Monica.

- Oh, yeah.

- Is Eric someone special?

- You tell me. You play ball with him.

- He's cool. If that's what you want.

- He's all right.

- Is Bonita somebody special?

- Monica.

Monica.

She's special enough.

I knew she'd say yes if I asked her.

Did you ask her

only because you knew she'd say yes?

- Are you afraid of rejection?

- Yep.

- All the brothers ask you...

- Not all the brothers.

- What are you wearing to the dance?

- A little fly red dress.

- Do you wanna see it?

- Yeah, of course.

My room.

Her bedroom.

I always wanted to get up here.

- Ready?

- Yeah.

Here it is.

- Do you like it?

- Yeah, it's beautiful.

Thank you.

- Where's your mom and Stacey?

- My mom's working late.

- Stacey's out running the streets again.

- Down, boy.

We're slow jamming tonight.

If you've got any dedications, call us.

This next one goes out to Lisa

from Terence. Glenita, I love you.

- How sweet.

- Here's Luther Vandross.

Not Luther.

I love this.

Do you remember this song?

Yeah.

- La Tijera, 1986.

- La Tijera, 1986. See?

- I remember when I first met you.

- You met me with your fist.

- Right. You and that stupid bet.

- That bet wasn't stupid.

It was. That's why you got the fist.

You three probably bet on

who'd get the booty first, didn't you?

- Booty first?

- Yeah.

Come on, that's stupid.

Whatever.

You and your little nasty friends.

- Do you remember that dance?

- Yeah, I remember.

I remember you standing there.

Just singing.

I just had to ask you,

even though I was scared to death.

I'm glad you asked me, Mike.

You dance pretty good

for a guy with two left feet.

Oh, really?

I think I've improved. For real.

- You want to find out?

- Do you want to dance?

- Right now?

- While the mood is right.

Wait, wait.

This is how we do it in North Carolina.

You know, I still love this part.

My God, is this really about to happen?

Sh*t, it is.

- You've got protection, right?

- Yeah, it's here.

One of Slim's condoms that's

six months old, but work with me.

I'll be right back.

You okay, Mike?

Yeah, it's cool.

Is it supposed to look like that?

Yeah... I guess.

Go slow.

If you hurt me, the fist.

- What are you doing?

- What do you think?

- Not there.

- Oh, I'm sorry.

- Maybe you should back up a little bit.

- Come on, girl.

Oh, sh*t.

- It broke.

- Get another one.

We don't need one, do we?

Damn, that was my last one.

Go to Stacey's room.

He keeps them in his top drawer.

- I ain't going to his room.

- Do you want to do this or what?

Damn!

I can't believe

I've got to do this sh*t.

Oh, baby.

Oh my God, Mike!

Come on. She said the top drawer.

Baby, hurry up.

The things men do for sex.

I was stuck with no way out.

Stacey was getting lucky while I was

stuck with dirty drawers in my face!

What happened to your rubbers?

You had four rubbers.

- I counted. Now one's gone.

- I don't know what you're talking about.

- What ho are you f***ing?

- No ho but you.

Don't call me no ho.

Shut up and take me home.

- I was just playing.

- Take me home now!

- What happened?

- Nothing.

I got it. It all worked out.

I guess that means

this was meant to be.

Yeah, I guess so.

I'm actually having sex, and with Alicia!

This cannot be real.

Oh, yeah, this is real.

Real good.

Oh, sh*t.

So that's it?

Yeah... that's it.

- So what's gonna happen now?

- I don't know. What?

What about me and you?

Me and you sounds good.

What about homecoming?

You're just going to have to buy

a new suit.

So I won the bet.

But I didn't feel right, betting.

This was Alicia, you know?

She was worth more than money.

So I didn't tell Slim and Roland

until after one of them won.

I never in a million years thought -

- that I would meet Miss Right.

When I asked Lisa, I kept thinking

of all the things I'd be gaining.

But I never took the time to think

of all the things I'd be losing.

Rate this script:4.0 / 1 vote

Rick Famuyiwa

Rick Famuyiwa (born June 18, 1973) is a Nigerian-American director, producer and screenwriter of productions including The Wood (1999), Brown Sugar (2002), Talk to Me (2007), and Dope (2015). more…

All Rick Famuyiwa scripts | Rick Famuyiwa Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Wood" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/the_wood_21679>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    The Wood

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what is a "montage"?
    A A musical sequence in a film
    B A single long scene with no cuts
    C The opening scene of a screenplay
    D A series of short scenes that show the passage of time