The Wounds Page #6
- Year:
- 1998
- 103 min
- 81 Views
something's going on outside.|someone stole someone's votes.
lt wasn't me, l swear|on my Mom's life.
l've got an alibi,|as you can see.
HoIy Man...|pIease take me with you.
There's nothing Ieft|for me here.
You're my onIy hope,|pIease, HoIy Man!
You're confusing me|with someone eIse.
You're back, then?
I came to see you in the|hospitaI,
but you were in a coma.
You Iook oK. -Give me the|piece. -I haven't got it.
You're Iooking for Shvaba?
He's a reaI c*nt.|I'II teII you where he is.
No, thanks. What did you|caII Shvaba? A c*nt, eh?
Sorry.
As Shvaba says... Serbs|don't cry Iike pussies!
Did you understand?|-Yes, I did.
No, you didn't.
It's onIy a joke.
oh, it's you, sweetie!
Now it fits you just weII.
DiaboIa can't get it up, eh?
Who cares, he Iooks after me.|-I appreciate that.
What're you Iooking at?|My impIants, eh?...
I've soId them. I'm not in|a show business any more.
Anyway, naturaI's|more beautifuI.
He toId you to|give him a ring.
Is Shvaba there?
I was waiting for|you to caII.
You know what we have to do.|-I know, paI. Thanks.
Have you got everything|we need? -I wiII have.
Pinki?|-What?
What about Lydia? -Nothing,|paI. TeII her heIIo.
l shouldn't say that.
What did he say?
To teII heIIo.|-That was nice of him.
of course,|he's a poIite Iad.
You haven't been arguing,|have you?
Cat got your tongue?
shvaba's a bit of|a strange guy.
He thought l was to shy to|say it. so he killed her
in any case, to show|me his appreciation.
lt's nice to have|that sort of friend.
Now I'm demonstrating|as weII!
cat got your tongue?
Go on, tell me.
Your guests kill for money|or revenge. l don't see the...
Attraction, eh?|What about Ninana?
Stabbed, 35 times, Mum.|You can't tell me
that was for revenge.|-You're a real daftie.
How d'you expect to become a|criminal when you're ticklish?
You'll end up like Ninana,|Mummy! -Me! You'll see!
What're you gonna do|to DiaboIa now?
Why?|-WeII, 'cos of Kure.
So, he kiIIed uncIe Kure!|WeII, he never Iet on.
Are you gonna kiII him?
Don't be daft.
Come by.
Who's gonna demonstrate|if you youngsters don't!
Come on! Lets drown|on the TV news!
Commie bastards!
lf dad were alive,
would he be faffing around|with pots and pans?
No, he wouldn't,|he wasn't that type.
Times have changed,|but as far as l'm concerned,
a gun's better than|a pot or a whistle any day!
A man can't change|at my age!
I'm sorry about Granny.
F*** it, the first time she|voted against MiIosevic,
she went to bed and died.|She must have been scared.
ShaII we do it|straight away?
Let's drive around|the town for a bit.
Like we used to do,|eh, paI?
Buy some aIcohoI, bandages,|gauze... and some pIasters.
Very considerate paI,|I wouIdn't've remembered.
Thanks.
Don't mention it.
Excuse me... -We're cIosed.|You'II have to come tomorrow!
It's urgent, Mrs,|I need some things.
Someone's been wounded.|-Who's wounded?
F*** you, b*tch!|open up!
Nice Iady.|-Yeah.
Nice to see you again, paI.|Never mind the...
What d'you caII it...|-Consequences?
I reaIIy got you, eh paI?
It's not too bad.|Where're we gonna do it?
our there.|A fIood Iit finaI, paI...
it'd be a shame|to strain your eyes!
ShaII we start?
You choose the weapon,|it's onIy right.
You choose.|-The TT's better.
It depends. The TT is better|for under the shouIder,
for the rest,|we can use yours.
Are you scared?
TeII me. -I couIdn't give|a toss, Iets get on with it!
What're you doing?
Five'd be enough. -Why? In|case you get carried away
and keep on shooting?
Last shooting, paI.
What eIse is there?|-Nothing, probabIy.
oK, you can start, paI.|-ShaII we roII up, first?
Not now paI,|better at haIftime.
Where d'you want it first?|-Where did it heaI fastest?
Nowhere. ShaII we|start with the Ieg?
Maybe that's not such a good|idea 'cos of footbaII.
Never mind, we'II pIay the|tabIe footbaII.
Look what you've done to me,|I've started hiccuping.
Now you'II have to|give my a fright!
Did that do it?
I've stopped hiccuping,|thanks paI!
You're doing weII.
What's next?|-Warm up a bit,
so that you don't miss|the one near the heart.
I'm on top form, paI!
Trust me!|-oK... Here'II do.
A good choice, paI.|SteeI yourseIf!
It's oK, paI. I'm getting|used to it. -So am I!
I'm stiII Ieading 5:3, paI.|ShaII we carry on?
Yeah, 5:
5 is a good resuIt!Then you know that|it was a great match.
Have ''Red Star'' scored 5|recentIy?
I don't foIIow any more.|It's a crap game.
I guess they're Iacking|that...
Motivation.|-Yeah, that sh*t.
onIy morons are stiII into|footbaII these days, paI!
You've gotta be|into something.
What happens when you|can't find anything?
Then you're f***ed,|I reckon.
F*** it, take your Dad,|for instance.
What did he get out|of it?
We're better of Iike this.|What's wrong with us?
You Iike my cross, eh, paI?
It's yours.
It's just a cross.|Now it's time for the bizz.
I'II give you a discount.
one wound. -Thanks paI,|but you don't have to.
After aII, you are|my best mate.
Choose which one you want.|Let's make it the other hand!
So I won't be abIe to wank,|eh, paI?
No, Iet's go for the|bizz, near the heart!
Come on, cIose your eyes,|wiII you!
Are your hands shaking?|-No.
Get on with it, mate.|-Stop farting around!
You, c*nts!
Why her, why d'you have|to kiII her!
I'II f***ing weII|have you for that!
This is a Iaugh!
Pretending to be an|Ustasha, again, eh!?
I'II decide who I'm|gonna be, not you!
Go on then, decide!
Just don't pretend to be|a geezer 'cos you're a c*nt!
Why don't you pretend to be|your Mum so we can shag you!
one buIIet, paI.|Now, he's for it!
Come on,|Iets do it together!
so here we are at the end|of our story, folks.
You, mice,
if you wanna be cool, then|l'm definitely your idol.
l'm only sorry that l|haven't been abroad,
but you can't do everything|in life, can you?
There're bustards everywhere,|what difference does it make?
l also wish l could've|shagged that black girl.
As for the Eiffel Tower|that Kure used to talk about,
well l couldn't give a toss.|l swear on my Mom's life.
This is the end, folks.
And, you know, l'm|better off that you lot!
DVD Authoring|DiMEDIA Group
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Wounds" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/the_wounds_16581>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In